马上注册，畅享正版iTunes音乐，电影下载！
您需要 登录 才可以下载或查看，没有账号？立即注册 
×
4 x' h) G. ^+ F
p3 q8 I! m# U! t) T8 c
5 W5 V1 T4 }5 O$ V& B' k9 a$ _
Nine Inch Nails简介
& w. S) d+ t. J% N+ o美国工业摇滚乐队，工业摇滚代表性乐队。成立时间为1988年。Nine Inch Nails 首次推出的《Industrial Nation》为他赢得了为 Skinny Puppy、The Jesus & Mary Chain、Peter Murphy 的演出担任助演的机会。但真正给乐队带来商业成功的是 1990 年专辑《Petty Hate Machine》及其中的热门歌曲《Head Like a Hole》。该专辑有着重金属的狂暴、流行曲的构架、工业音乐的声响和丰富的舞曲节奏，它在榜上停留了两年多。$ k) K, k( b, T0 [' z
* l7 G, Q. i) `% @* A+ i信息简介8 m8 N' Y8 E5 v7 r, ~9 I
负罪感、异化、无尽的痛苦及其艺术化的表达，创造了一些令人铭记在心的摇滚乐。这其中也包括 Trent Reznor的 Nine Inch Nails单人乐队。乐队的音响空间是荒芜的，而歌词则将自暴自弃与绝望推向了极点。但是 Reznor 写出的是流行歌曲而非自己恐怖电影的配乐。它同时得到了另类和主流硬摇滚乐迷的喜爱，并将工业噪音音乐引入了主流。; Z) O3 @2 [$ F. n' q, ]
9 P0 D9 }% y- @/ \4 \早年经历
" n' H2 t+ r" ^0 d$ T, zMichael Trent Reznor 生于宾夕法尼亚洲的默瑟。他 5 岁开始学习钢琴，同年父母离婚，他由外祖父母抚养。后来，他学习了萨克斯和大号。和其他初出茅庐的音乐家一样，他将自己的局外人情结埋进一支叫 Option 30 的乐队里。在 Allegheny College 攻读计算机工程后，Reznor 搬到了克利夫兰。 1988 年，他组建了 Nine Inch Nails，进行舞曲方向的探索，并汲取发展中的工业音乐和泰克诺风格。 Reznor 几乎包揽了所有创作、演奏和制作工作，只有当巡演时，他才会召来鼓手 Chris Vrenna 等乐手。
# [4 c- ]0 _, M# s7 Y0 mNine Inch Nails 首次推出的《Industrial Nation》为他赢得了为 Skinny Puppy、The Jesus & Mary Chain、Peter Murphy 的演出担任助演的机会。但真正给乐队带来商业成功的是 1990 年专辑《Petty Hate Machine》及其中的热门歌曲《Head Like a Hole》。该专辑有着重金属的狂暴、流行曲的构架、工业音乐的声响和丰富的舞曲节奏，它在榜上停留了两年多。
. k& c" C$ d# n: ]5 y
! h# D! n$ J- g; ?6 R2 W% |" @4 G( t演艺经历
6 j z- ^* k0 G" {1991 年，Nine Inch Nails 参加了 Lollapalooza 巡演并成为了 T 恤衫的销量冠军。但是，乐队与其公司 TVT的法律纠纷耽搁了第 2 张专辑的推出。后来，Reznor 与经理人 John Malm 创立了自己的厂牌 Nothing，于 1992 年开始签新乐队，包括 Pop Will Eat Itself、Prick 和著名的 Marilyn Manson。同年秋天，乐队推出EP《Broken》，打入排行榜十佳，其中一曲《Wish》获格莱美最佳金属表演奖。它的风格更加强硬，但仍有着常规歌曲结构。此时 Reznor 与 TVT 公司和 Interscope 公司（Nothing 的发行商）最后达成协议，允许 Reznor 和 Nothing 自立门户，但 TVT 将在后续的 Nine Inch Nails 的专辑中分红。9 `: ^. }' E8 m, s/ w, |; K
1994 年春，Nine Inch Nails 发行第 2 张专辑《The Downward Spiral》，它标志着乐队从地下跃入主流。该专辑在 Charles Manson 的信徒谋杀女演员 Sharon Tate 的洛杉矶房屋里录制。 Reznor 也同期为 Tori Amos 录制了《Pass The Mission》。这张被宣传为“概念专辑”的作品体现了 Reznor 所受的根源影响——70 年代前卫摇滚,而其中也有前 King Crimson 乐队的吉他手Adrian Belew 助阵。它打上了排行榜第 2 名，Reznor 登上了《滚石》杂志封面，并成为《花花女郎》杂志“十大摇滚性感明星”。乐队参加了 1994 年 Woodstock 演出。这一切对于一个唱着“我聚在痛苦中/这是唯一真实的事”的人来说应该是愉快的。“虽然我们成了支流行乐队，填满了主流媒体的各个频道 ”，Reznor 说，“但我真的感到我是在走我自己的路”。2 X* Q8 J K4 s$ A* I0 f
在《 The Downward Spiral》之后，Reznor 为 Oliver Stone 的争议性电影《Natural Born Killers》（天生杀人狂）录制了富有创意的电影原声专辑。它将电影对白和歌曲（包括 Nine Inch Nails 的《Something I Can Never Have》和《Burn》）编织成天衣无缝的音响流动。此时，Reznor 和 Hole 乐队主将，Kurt Cobain 之遗孀Courtney Love 传出了绯闻。
5 ^+ [& ?8 m1 m6 [9 X1995 年，Nine Inch Nails 推出了混音专辑《Further Down The Spiral》，并与对他的音乐产生重要影响的 David Bowie 合作巡演。 1996 年，歌曲《Happiness In Slavery》（Woodstock 1994 年现场专辑版本）再获格莱美最佳金属表演奖。年底，准备着新专辑，并为 David Lynch 的电影《Lost Highway》（妖夜荒踪）写了 3 首新歌。 Reznor 和 Lynch 出现在 1997 年 2 月的《滚石》杂志封面。
: } |! x/ o) }; d/ b7 K* g$ ?8 y1 P5 y/ i& j6 k X+ d
1 r% d# c- m5 r$ T' W1 {. R
7 f/ x7 e4 R/ i g# J5 k1 N├─Albums- v c5 Q3 U2 I" x9 s
│ ├─1989 - Pretty Hate Machine/ `+ B" B* N; p. P. _
│ │ 01 Head Like a Hole.m4a
9 R7 U/ w5 c" P- ]* S│ │ 02 Terrible Lie.m4a
X$ M; W' S8 x+ V2 B│ │ 03 Down In It.m4a, g9 n, V1 v$ K8 Q3 c. z
│ │ 04 Sanctified.m4a/ ]. a( V6 I `% Y0 t/ P& [
│ │ 05 Something I Can Never Have.m4a X* n5 c8 c2 z8 A; O
│ │ 06 Kinda I Want To.m4a
( D5 m/ }8 b+ e│ │ 07 Sin.m4a
/ {! _ Y: N8 a, A) i) {, a d│ │ 08 That's What I Get.m4a
2 {8 L! A: h0 n" ~│ │ 09 The Only Time.m4a$ s) a" e/ I: @6 ^9 M, ^% ]7 I
│ │ 10 Ringfinger.m4a% u& o3 A- a/ v
│ │ cover.jpg6 I, ?) e* h; @& p* |1 F
│ │ 0 d7 W+ o5 |# M( p8 c: L% s
│ ├─1989 - Pretty Hate Machine (2010 Remastered)- D! L% R8 j4 I7 b6 k4 l
│ │ 01 Head Like a Hole.m4a. Z, N9 u. p8 U H* s9 e
│ │ 02 Terrible Lie.m4a
& ?$ w$ c3 ^) U) {8 C" a6 |│ │ 03 Down In It.m4a
. K Z r4 w6 }; A4 m│ │ 04 Sanctified.m4a
0 d4 g. V$ I, [* V│ │ 05 Something I Can Never Have.m4a% r) v8 x& ?4 z/ k( r
│ │ 06 Kinda I Want To.m4a3 G9 ~4 _9 @, Z8 y$ y) X
│ │ 07 Sin.m4a T6 v5 I" y8 a: b4 U4 T$ F+ ^0 j
│ │ 08 That’s What I Get.m4a( q3 y u) X* G0 z9 `# L( `% E
│ │ 09 The Only Time.m4a
7 G% h! U2 h1 W. H0 c4 ?│ │ 10 Ringfinger.m4a" k% S0 O7 S6 ^2 P! x+ M
│ │ 11 Get Down, Make Love.m4a N' o3 N8 m+ B" a& T
│ │ cover.jpg8 s; J) }( c( d8 U$ h) e
│ │ - R9 P( }: @4 z0 g
│ ├─1994 - The Downward Spiral (2004 Deluxe Edition)
+ H, k( F0 |- v @│ │ 1-01 Mr. Self Destruct.m4a5 I' Y5 |6 p/ y7 A
│ │ 1-02 Piggy.m4a
. l; t9 A8 G; c3 m. O0 a7 [│ │ 1-03 Heresy.m4a2 s, U2 |) A) @1 W
│ │ 1-04 March of the Pigs.m4a
7 V2 l+ S0 \ \4 W$ ^3 i│ │ 1-05 Closer.m4a
- {5 n8 Q( N7 S0 \" \│ │ 1-06 Ruiner.m4a
1 z% E- j4 r( ~9 j│ │ 1-07 The Becoming.m4a
2 B* C4 `4 P' l/ G& m' f│ │ 1-08 I Do Not Want This.m4a
$ l. l" Q7 @& s2 ^2 g. e, A│ │ 1-09 Big Man with a Gun.m4a; ~- S7 C4 A2 U# A, w; ~6 K' ], j
│ │ 1-10 A Warm Place.m4a
; }& R$ w3 U& d9 [4 c2 J│ │ 1-11 Eraser.m4a9 i$ B+ D, ?! G c
│ │ 1-12 Reptile.m4a6 E( ]: R9 h7 W0 c2 D0 Z3 x
│ │ 1-13 The Downward Spiral.m4a
: r; I7 o _5 s% p5 E│ │ 1-14 Hurt.m4a
; Z, N& C/ {0 c* q" }7 @6 `│ │ 2-01 Burn (Soundtrack Version).m4a) l( L/ X/ S; W$ r) v2 E% ]
│ │ 2-02 Closer (Precursor).m4a
1 G+ M G8 d0 y8 O0 H0 U1 b5 `: }│ │ 2-03 Piggy (Nothing Can Stop Me Now).m4a c7 j# v& [, q( ^% Y9 v' M: W
│ │ 2-04 A Violet Fluid.m4a
0 @! [8 ^; o7 ~' P0 s; r│ │ 2-05 Dead Souls.m4a
0 }# K/ V, N+ v2 F' r│ │ 2-06 Hurt (Quiet).m4a
2 d7 s$ n5 T# q# M: P│ │ 2-07 Closer to God.m4a0 ?" k5 X/ s- L: _) i& k; ?
│ │ 2-08 All the Pigs, All Lined Up.m4a/ X3 D5 E& F1 O, t
│ │ 2-09 Memorabilia.m4a
9 x8 L! J6 {+ x4 P. }) j│ │ 2-10 The Downward Spiral (The Bottom).m4a/ ?. G/ [4 |0 O( w
│ │ 2-11 Ruiner (Demo).m4a
, K: [5 i% K# J0 \+ ^( ?$ C9 L│ │ 2-12 Liar (Reptile Demo).m4a
7 B- ^ c& J8 ?/ |- ?* Z│ │ 2-13 Heresy (Demo).m4a
2 N1 S+ `3 }4 r* Q7 U* P│ │ cover.jpg9 g1 l( V% d* E4 j8 R5 O9 \# g0 z3 A8 s1 ]
│ │
) I- F4 c1 a9 |' b4 K│ ├─1994 - The Downward Spiral [Mastered for iTunes]( f3 x; `8 R* p* L, C d* x
│ │ 01 Mr. Self Destruct.m4a7 A9 S5 e. j* K( s2 H3 y3 B
│ │ 02 Piggy.m4a
) F8 Y2 J' x4 d# b│ │ 03 Heresy.m4a; B+ R) f! r/ r
│ │ 04 March of the Pigs.m4a1 a' Q. f* [$ ?/ T1 y o
│ │ 05 Closer.m4a
7 H. u! [* J- ^& z* t& E│ │ 06 Ruiner.m4a
- J7 a E$ {/ U8 d│ │ 07 The Becoming.m4a& ^/ P- p6 I$ g: D( [1 I5 H
│ │ 08 I Do Not Want This.m4a+ @5 R0 E3 A( ~7 G& y' J
│ │ 09 Big Man with a Gun.m4a
9 c! _: F8 W' @- Z│ │ 10 A Warm Place.m4a
+ p7 }" _/ B; q: y% p# ]│ │ 11 Eraser.m4a5 a5 b6 T! X/ k
│ │ 12 Reptile.m4a
- S/ Z7 D) g" Z+ Q│ │ 13 The Downward Spiral.m4a
S5 a, `. O2 I5 i# M│ │ 14 Hurt.m4a/ z( A0 \ B0 B2 h1 N% h
│ │ cover.jpg( Z& O8 p; O" Y! S% q
│ │ 8 R: T1 m' U& H9 _3 o
│ ├─1999 - The Fragile [Mastered for iTunes]
# o4 q- P) L) R│ │ 1-01 Somewhat Damaged.m4a
) q- F6 V+ t! P2 F4 k6 _1 ?│ │ 1-02 The Day the World Went Away.m4a
- b1 N4 R& V( y& {│ │ 1-03 The Frail.m4a+ S$ o8 G5 c' J$ i/ E I) ~# r
│ │ 1-04 The Wretched.m4a) }5 c3 B6 ] M+ ^% P" l
│ │ 1-05 We're in This Together.m4a
. i! B; {. B8 S) }. p% y9 ^/ z│ │ 1-06 The Fragile.m4a
( O9 H1 x/ _: |' B' _0 h│ │ 1-07 Just Like You Imagined.m4a) v" V5 D! c: |$ ^$ a1 l7 _4 d& s" I
│ │ 1-08 Even Deeper.m4a
+ Q0 | |2 H0 L$ N│ │ 1-09 Pilgrimage.m4a! C$ G6 d; T! E1 f3 \1 c0 M
│ │ 1-10 No, You Don't.m4a
$ V0 ]- E- s0 Y( K│ │ 1-11 La Mer.m4a
: m# [* X/ F- ]+ W! e7 G" w$ g│ │ 1-12 The Great Below.m4a4 A4 w2 O$ A5 n$ S
│ │ 2-01 The Way Out Is Through.m4a" i" E+ x4 R* r" }& g: H2 h4 d2 a! z
│ │ 2-02 Into the Void.m4a* ]' B w9 j( s& M+ P1 ~
│ │ 2-03 Where Is Everybody_.m4a# ?% C. ^9 ^" z( W
│ │ 2-04 The Mark Has Been Made.m4a( D. w6 R$ c" n4 g
│ │ 2-05 Please.m4a0 O" u- V" m3 E& s% q/ r
│ │ 2-06 Starf--kers, Inc..m4a
2 y$ d C+ Y. B% i4 N" Z│ │ 2-07 Complication.m4a& O2 T1 T6 x* ^
│ │ 2-08 I'm Looking Forward to Joining You, Finally.m4a* w8 H: {6 {* a% \
│ │ 2-09 The Big Come Down.m4a$ ]9 w4 A; l, i3 _
│ │ 2-10 Underneath It All.m4a; t( A4 d# C, r! b/ ]5 R
│ │ 2-11 Ripe (With Decay).m4a
, b+ ^, R% U- `: q) m$ h│ │ cover.jpg
6 n% R( S# k0 b* x+ G: c│ │ - j g2 T8 g& L7 { I
│ ├─2002 - Still
* J# }: ?) n& u2 q' z6 R│ │ 01 Something I Can Never Have.m4a
$ y4 p2 z. n7 d- O│ │ 02 Adrift & At Peace.m4a ^; d& b H$ w) P" G$ s
│ │ 03 The Fragile.m4a$ ]0 o1 Z" q+ |1 I; ] @+ L9 W7 k
│ │ 04 The Becoming.m4a
3 C- o1 f3 K, O* |│ │ 05 Gone, Still.m4a
8 t6 {( a* Q/ {) m│ │ 06 The Day the World Went Away.m4a6 y* R2 [ S% {9 h1 y' f
│ │ 07 And All That Could Have Been.m4a8 M8 l+ `+ T2 i! g$ z
│ │ 08 The Persistence of Loss.m4a
( `" |8 V* n( H; q% g2 O6 J│ │ 09 Leaving Hope.m4a
7 g& z! z% [8 M/ F2 g2 d8 h, q│ │ cover.jpg
# {& w8 ~! Z5 S9 R8 [│ │
5 O/ P, m9 m% l9 q1 ^5 d& `│ ├─2005 - With Teeth
9 o( C) q Y! i: y9 z│ │ 01 All the Love In the World.m4a
: R4 g |; v9 K0 e* w( A/ {3 U│ │ 02 You Know What You Are_.m4a
3 P- l" r3 j, i│ │ 03 The Collector.m4a4 w" H7 `( ?4 j) R5 z5 E5 L
│ │ 04 The Hand That Feeds.m4a1 l' |9 h8 Q" H. Q7 @, b
│ │ 05 Love Is Not Enough.m4a
$ U( c+ h x+ n│ │ 06 Every Day Is Exactly the Same.m4a% w: o4 R$ J/ q7 Z/ f$ g
│ │ 07 With Teeth.m4a- W: v# K3 o( r- U1 u* K, \
│ │ 08 Only.m4a# ?: d/ J8 h( \( l& Q' D. f
│ │ 09 Getting Smaller.m4a
' Y8 a" O7 W& v! y, Y│ │ 10 Sunspots.m4a
# W3 } U) k2 H! G8 o' `: L│ │ 11 The Line Begins to Blur.m4a0 V" s' o- w% a; w# f' T3 [
│ │ 12 Beside You In Time.m4a
/ F* [: R: U8 x7 v5 b│ │ 13 Right Where It Belongs.m4a: k X# E+ [2 |
│ │ 14 Home (Non-LP Version).m4a
2 G g, ]. ~' N& u" W& A│ │ 15 Right Where It Belongs (Alternate Version 2).m4a
: @ o" ^( s6 T. |" Z h6 [$ r, L `│ │ cover.jpg
& D- i. ^/ i) e│ │ - }: _; S* L! y' P" E
│ ├─2005 - With Teeth [Mastered for iTunes]0 b( P4 T6 j" B4 z# y6 \
│ │ 01 All the Love in the World.m4a
9 G- N- y' A/ W+ K! L│ │ 02 You Know What You Are_.m4a
# _+ @. A* @6 U% b$ r& J│ │ 03 The Collector.m4a
! Q. D6 x l$ F: [│ │ 04 The Hand That Feeds.m4a
2 o4 c2 V+ g& T6 I4 J- h│ │ 05 Love Is Not Enough.m4a# \( y5 F+ s- i3 Q% d: [
│ │ 06 Every Day Is Exactly the Same.m4a
j# c d- f$ s! q4 ~( F│ │ 07 With Teeth.m4a$ ]) c! R- u9 c( q
│ │ 08 Only.m4a
4 @, G$ _" a( X9 e; Z- o0 D! H* m│ │ 09 Getting Smaller.m4a
# I+ l7 I- A( N, h" M- _/ I" K│ │ 10 Sunspots.m4a: L5 L8 F/ z7 ?5 n# R% q, R. w
│ │ 11 The Line Begins to Blur.m4a
2 p3 X M5 V0 _$ R$ G2 V│ │ 12 Beside You in Time.m4a
0 R6 N4 U# e& R│ │ 13 Right Where It Belongs.m4a. f* @3 v" D2 A9 s: {
│ │ cover.jpg) k k- x* g9 c _2 Q4 j3 |' J
│ │
: \2 A9 \1 w% g, V' [" N│ ├─2007 - Year Zero [Mastered for iTunes]$ u# Y, o( `( N4 |3 Y
│ │ 01 Hyperpower!.m4a5 N, X# G3 E$ E3 J
│ │ 02 The Beginning of the End.m4a0 \; R7 `1 F) q2 \3 Q# e3 S
│ │ 03 Survivalism.m4a) s3 T& y- C2 i7 |2 y
│ │ 04 The Good Soldier.m4a( ^. W$ [/ P" @, h
│ │ 05 Vessel.m4a {" l) B) y! t1 s9 a
│ │ 06 Me, I'm Not.m4a
! l9 x* y, h( n! \% f│ │ 07 Capital G.m4a. ?% H6 C9 }7 j, P1 s
│ │ 08 My Violent Heart.m4a
4 }+ X' g0 r1 s+ ]+ C│ │ 09 The Warning.m4a7 A0 `/ ~, s* m
│ │ 10 God Given.m4a
4 b. ^6 u+ [6 ?7 Y1 F) p3 |│ │ 11 Meet Your Master.m4a
+ c8 N) z2 k" g. V, o│ │ 12 The Greater Good.m4a) M& r6 o- n! y* e6 L
│ │ 13 The Great Destroyer.m4a
0 o/ z$ u9 W( F, N4 V8 {, x│ │ 14 Another Version of the Truth.m4a ~* c# ^6 C" \+ D( Z
│ │ 15 In This Twilight.m4a$ g0 \/ x: C9 G; ` a6 P
│ │ 16 Zero Sum.m4a! C1 |0 _7 L$ h/ n* S
│ │ cover.jpg
1 m& Y) `+ J9 a1 R│ │ & [5 T: U9 S. S* Y# b- _0 o
│ ├─2008 - Ghosts I-IV
4 U% `, D4 R3 a│ │ 01 01 Ghosts I.m4a$ | L& G% `, }9 j- Q: _
│ │ 02 02 Ghosts I.m4a
. T$ n# T/ A1 [$ I. }8 u* M│ │ 03 03 Ghosts I.m4a( } t" m& |: t: N G# B6 k
│ │ 04 04 Ghosts I.m4a2 q6 t: O" D5 E/ F d
│ │ 05 05 Ghosts I.m4a6 S1 `* J3 E0 A' y% a& ^$ s7 ~
│ │ 06 06 Ghosts I.m4a
. Y- R6 Q1 n; `. S, N# n│ │ 07 07 Ghosts I.m4a
2 G, N% I' Q9 C1 ~! G3 `2 Z│ │ 08 08 Ghosts I.m4a" v5 D+ x" d, F/ w# Y; ^- y
│ │ 09 09 Ghosts I.m4a) _# s5 t$ R$ B( l `
│ │ 10 10 Ghosts II.m4a
. ]6 f( F+ e0 i, d6 h5 s4 o/ s; B5 @│ │ 11 11 Ghosts II.m4a
1 {! f( U1 r4 h) s( k│ │ 12 12 Ghosts II.m4a
8 i$ ? ~1 H, B' P/ g- |4 r! j0 h* c│ │ 13 13 Ghosts II.m4a
" o3 U/ F* c! f& _│ │ 14 14 Ghosts II.m4a7 L% m9 k5 u5 g7 v, f
│ │ 15 15 Ghosts II.m4a/ h$ ~3 N! v$ O& c! f
│ │ 16 16 Ghosts II.m4a+ h$ h* L/ M1 i$ K6 C& D
│ │ 17 17 Ghosts II.m4a5 }( A9 Z, z4 h+ x8 r2 i8 o
│ │ 18 18 Ghosts II.m4a
/ i( E* T0 C6 k( N% t9 e" H│ │ 19 19 Ghosts III.m4a
) j) `+ ]) h' h5 f2 N│ │ 20 20 Ghosts III.m4a$ L+ P* [# r& x9 U* Z9 R
│ │ 21 21 Ghosts III.m4a/ E+ u# H) F8 m
│ │ 22 22 Ghosts III.m4a ]- @' Q# z2 O) A' a3 M7 w
│ │ 23 23 Ghosts III.m4a. p* P v; X0 o
│ │ 24 24 Ghosts III.m4a3 z$ g4 |. q0 ~7 N7 {
│ │ 25 25 Ghosts III.m4a6 }1 |" V3 ~. g5 \* F0 m
│ │ 26 26 Ghosts III.m4a: W/ e/ ]* K' l
│ │ 27 27 Ghosts III.m4a5 @( t: B6 {/ S a
│ │ 28 28 Ghosts IV.m4a
0 Z4 `* Q- z7 ]2 m+ C│ │ 29 29 Ghosts IV.m4a
) L( B3 X/ U& U+ q│ │ 30 30 Ghosts IV.m4a
. S2 W* ^) G) g9 H. W│ │ 31 31 Ghosts IV.m4a
. n- ?! n, A/ ]8 ~& R2 ]│ │ 32 32 Ghosts IV.m4a6 F# l) _+ T7 S/ {7 D o
│ │ 33 33 Ghosts IV.m4a
" l9 t u( ^# N( B/ R+ z( f5 j9 @│ │ 34 34 Ghosts IV.m4a5 [* h0 K' F j
│ │ 35 35 Ghosts IV.m4a
% S9 U" _! C2 V& {1 p│ │ 36 36 Ghosts IV.m4a% i" e1 e0 Q: {! m9 K/ l
│ │ cover.jpg
2 U) }3 Q, C9 X; R. w# E6 P│ │
( b# E; N3 r7 ~$ J! n" u7 \│ ├─2008 - The Slip
) d+ J: k0 J- z' m│ │ 01 999,999.m4a- r( `; c# ~/ Q5 v2 N8 I' q
│ │ 02 1,000,000.m4a- V) ?; M# F* J) t% Y
│ │ 03 Letting You.m4a
! ^' ?" t$ N2 ~5 k$ u% _. u│ │ 04 Discipline.m4a
( V% k* |! C, e: Z8 A│ │ 05 Echoplex.m4a
, z) I& x' ?, Z' \│ │ 06 Head Down.m4a& Y8 q8 v" G: d- ]
│ │ 07 Lights In the Sky.m4a
3 `) o1 Y c# m' A│ │ 08 Corona Radiata.m4a
% D' Q) e5 Q) U" m" o│ │ 09 The Four of Us Are Dying.m4a
3 d U& C, a8 V" W* E5 E│ │ 10 Demon Seed.m4a
- o: _' G% X ?│ │ cover.jpg
9 L% h: s5 P0 m ]3 h4 k& ~1 a! L│ │
+ D( ^9 [$ G* v4 {7 o│ ├─2013 - Hesitation Marks (Deluxe Edition) [Mastered for iTunes]- t% s9 [# r9 P
│ │ 01 The Eater of Dreams.m4a* G6 E+ _' n4 [! Z
│ │ 02 Copy of A.m4a3 k! W- d# g; Z
│ │ 03 Came Back Haunted.m4a+ ~' K1 O S) \6 t7 ?7 ?2 }
│ │ 04 Find My Way.m4a( l. E* R) W5 k* t/ @+ B' v' R
│ │ 05 All Time Low.m4a K- }3 V/ b5 Q
│ │ 06 Disappointed.m4a
4 a; A v# q6 j9 q; e* q4 r│ │ 07 Everything.m4a
. H4 Y F# ~7 Q│ │ 08 Satellite.m4a' x1 b! }: f$ `6 S% l* l1 T' w4 z' H
│ │ 09 Various Methods of Escape.m4a
8 n# j3 C4 a2 f- d6 q│ │ 10 Running.m4a
8 M: a2 j5 g8 [$ ~1 p│ │ 11 I Would For You.m4a6 d6 q$ U4 |; \- I2 U4 t$ S
│ │ 12 In Two.m4a. s( x- M. Q3 y3 z) H
│ │ 13 While I'm Still Here.m4a
7 A C g" J2 D* e% o│ │ 14 Black Noise.m4a; E- H4 ? h f) X8 { ~& _0 z# @
│ │ 15 Find My Way (Oneohtrix Point Never Remix).m4a: y% u) G' T% u) ~0 q
│ │ 16 All Time Low (Todd Rundgren Remix).m4a) ]! r" y" V+ }6 {! f- I' A$ \
│ │ 17 While I'm Still Here (Breyer P-Orridge 'Howler' Remix).m4a! Q+ R9 Y, z3 O; ]3 V
│ │ 18 Trent Reznor In Conversation With....m4a
1 ]& d8 h$ [0 N3 U3 S! [7 {│ │ cover.jpg: I6 g9 K% \& r$ M* d7 Q
│ │
6 R3 V. q* k& _, _1 B│ └─2018 - Bad Witch* s/ w1 i/ C' f0 h! c6 t- K2 m
│ 01 Shit Mirror.m4a
* O7 ?/ ?/ M8 \│ 02 Ahead of Ourselves.m4a- D0 w7 a5 l/ b3 i) f7 ]
│ 03 Play the Goddamned Part.m4a* P5 J: N1 s7 t: r. E* c
│ 04 God Break Down the Door.m4a5 ^# y9 _* z0 K: |! v+ Z, A" O
│ 05 I'm Not from This World.m4a, r4 Y I( A! \6 ?) K, k
│ 06 Over and Out.m4a0 _8 w3 f1 l5 G$ p: R7 B$ U* G
│ cover.jpg. D8 z+ Q+ e2 c6 w/ k k5 H/ S8 s
│
! k, u& N; {; R: G├─EP's
$ Q2 o Q! y& n* U. z! `+ d8 X8 j│ ├─1990 - Sin - EP
; H5 }. M! i; e7 V│ │ 01 Sin (Long).m4a
: ]' @/ y: G* C│ │ 02 Sin (Dub).m4a
" [& {9 g- ]% H" j% B│ │ 03 Get Down Make Love.m4a
1 I, f; m0 w. T│ │ 04 Sin (Short).m4a
. u/ O$ p% e6 A) b* t+ C│ │ cover.jpg
. E8 Y e' D3 i' n% [) }│ │ 9 ]+ A' J7 M9 L$ M" h Z' q, y
│ ├─1992 - Broken - EP+ e! ]* Z$ x, ^' g
│ │ 01 Pinion.m4a M7 W+ E* `1 v# }$ Q2 I
│ │ 02 Wish.m4a; I5 Y0 m3 A% E5 u# I% d
│ │ 03 Last.m4a
" c d! I8 ?2 p5 x│ │ 04 Help Me I Am in Hell.m4a. _; Q6 u: H2 n# g3 G/ |1 c* I
│ │ 05 Happiness in Slavery.m4a6 }4 w% R/ E) ]- U/ i! j. B4 n
│ │ 06 Gave Up.m4a% g& X+ z" y. O' l
│ │ 07 Physical (You're So).m4a
* W f- d4 c8 t {6 h. ]* t: b4 F$ {│ │ 08 Suck.m4a5 v( D* R1 E' ]8 ^7 b) N! T
│ │ cover.jpg- v. g8 ^/ K, T2 i
│ │
# k5 {+ Q e. S0 }- _│ ├─1992 - Fixed - EP) b4 y( @0 d) n
│ │ 01 Gave Up (Remix).m4a
5 z/ r+ ^1 w& E│ │ 02 Wish (Remix).m4a
5 {7 N! U% j6 J& o( U│ │ 03 Happiness In Slavery (Remix).m4a9 n5 m0 C4 j5 t
│ │ 04 Throw This Away.m4a/ e; \, x( r# W5 e
│ │ 05 First F--k (Remix).m4a$ c/ z5 T3 P+ p9 T5 s/ F! W' l
│ │ 06 Screaming Slave.m4a' t: D7 K: W. ~% c
│ │ cover.jpg* S3 Z# f. Z1 `( X' e
│ │ ) |1 S" ^1 a& W+ n* H
│ ├─2005 - Only - EP
/ O, C* ]+ X3 H# u4 _│ │ 01 Only.m4a
0 X8 [0 F4 L; n0 G y& c" Z│ │ 02 The Hand That Feeds.m4a8 L+ W" m' K8 I7 d0 k6 w) H. K
│ │ 03 Love Is Not Enough.m4a
2 @) v+ r7 V* h& n2 o8 l! T/ q% E8 I3 ~│ │ 04 Only.m4v
4 L4 H, @" f% d3 B│ │ cover.jpg
6 q3 V1 p4 ~4 y4 {; s│ │
/ Y; C; n8 ~9 Q' t: E│ ├─2005 - The Hand That Feeds - EP
, { z0 V V2 x│ │ 01 The Hand That Feeds.m4a. f" k2 _" Z6 m0 q& D$ b' S% b6 q( y; ?
│ │ 02 The Hand That Feeds (Dfa Remix).m4a. d) _5 ?5 B. S
│ │ 03 The Hand That Feeds (Photek Dub).m4a
$ i7 {$ C8 W0 q7 W) u6 c! O│ │ cover.jpg- q6 y% B, A+ x* C6 ~
│ │
+ F( K' U' K8 N& ^│ ├─2006 - Every Day Is Exactly the Same (Remixes) - EP
8 N5 f( m; X9 Q: A; H+ r│ │ 01 Every Day Is Exactly the Same.m4a
5 W, h2 N/ u- Z/ Q( g│ │ 02 The Hand That Feeds (Dfa Remix).m4a6 j5 |; F2 H) C! S- r; m, [: H, R
│ │ 03 The Hand That Feeds (Photek Straight Remix).m4a: }+ _* i. L }/ w* o. U9 D
│ │ 04 Only (El-P Remix).m4a& h, ]0 y: E3 e2 T
│ │ 05 Only (Richard X Remix).m4a( |: d* U7 G+ \5 ]: O
│ │ 06 Every Day Is Exactly the Same (Sam Fog vs. Carlos D. Main Mix).m4a$ `. Y/ L/ ?/ I& S
│ │ cover.jpg7 X& H4 f. V1 `; R# _
│ │ 8 {( X4 X$ u; w; Z0 h( y7 c3 ^5 `
│ ├─2007 - Survivalism - EP
! J' v; P m- X$ H- ^8 @│ │ 01 Survivalism.m4a
7 O# x k$ g% q$ Z( [│ │ 02 Survivalism (Tardusted Remix).m4a
0 v- q& [8 L0 o│ │ 03 The Greater Good (Instrumental Version).m4a
1 T* A/ `# f; f" d3 N│ │ cover.jpg
! |' V, ~; k8 Q% G. _│ │ * k5 @& q5 G% W6 U# u5 Y2 [2 O1 H
│ ├─2014 - Recoiled - EP (w. Coil)
8 o7 z5 M% H( a" J7 M│ │ 01 Gave Up (Open My Eyes).m4a
" s2 E5 |; T3 B│ │ 02 Closer (Unrecalled).m4a1 j2 C( J4 j3 S8 ?- A6 W: g3 S
│ │ 03 The Downward Spiral (A Gilded Sickness).m4a3 c0 ?$ N/ z/ C" J7 {5 Q; Z
│ │ 04 Eraser (Reduction).m4a9 M" O8 z+ F' N L# v! S
│ │ 05 Eraser (Baby Alarm Remix).m4a6 \0 q0 |; P* ]* q4 m
│ │ cover.jpg* N& p7 W0 ^3 [- J/ t: C8 u
│ │ ' m7 ?: n5 Q6 M2 C
│ ├─2016 - Not the Actual Events - EP% n' e# N" d1 z& c
│ │ 01 Branches _ Bones.m4a' c& V; k7 p7 b2 C- r) G
│ │ 02 Dear World,.m4a3 B [# M7 T0 ?- V4 k& `# x
│ │ 03 She’s Gone Away.m4a
5 w0 W( L/ g! x& C: Y6 ?+ y9 |│ │ 04 The Idea of You.m4a2 Z$ {5 r5 \6 h' T3 k2 T+ d! p
│ │ 05 Burning Bright (Field on Fire).m4a
% j, k0 Q n: u; t0 v; N9 u│ │ cover.jpg1 o# b1 b' D" g9 G( {( S$ |
│ │
2 g3 t2 j. d( }# ]+ c* s│ └─2017 - Add Violence - EP
0 ?, w# S% {! V1 K- j" f1 @" Q│ 01 Less Than.m4a2 l- A2 }8 V0 f, h8 a, |
│ 02 The Lovers.m4a' X9 t* k2 o# C# x% c1 Z
│ 03 This Isn't the Place.m4a
4 Q, U; d" E2 {8 R9 u: W│ 04 Not Anymore.m4a
% [: L! a& R6 M% x6 A& C6 x4 Z' s5 W│ 05 The Background World.m4a
9 m; f) a7 I/ X, |" O│ cover.jpg
* O* L& R4 |# R) H% E│ ( A* U4 h/ n, F/ d
├─Live
4 O n- Z- W j8 `│ ├─2002 - And All That Could Have Been (Live)
: }6 l4 t l2 j. o, R0 {, C│ │ 1-01 Terrible Lie.m4a
1 t" ]( D- P1 G│ │ 1-02 Sin.m4a
0 N1 \3 J2 T- a9 t8 s$ X│ │ 1-03 March of the Pigs.m4a
g! v7 n& z: S3 l1 E2 ]' T( i- ?: U│ │ 1-04 Piggy.m4a
( J+ C4 x0 T/ Q4 c# Z: Q│ │ 1-05 The Frail.m4a+ C+ I0 x* a( T9 w/ n# N8 l. Y
│ │ 1-06 The Wretched.m4a/ N0 ~" c9 M9 D1 y$ o. i# k
│ │ 1-07 Gave Up.m4a- M4 {5 P2 {* O- P
│ │ 1-08 The Great Below.m4a
5 K& l* U- P) w, B* s( d! R│ │ 1-09 The Mark Has Been Made.m4a
6 `$ q9 s4 ]) X* e4 m0 c│ │ 1-10 Wish.m4a5 p2 e V& R; O f: L4 r* @* W
│ │ 1-11 Suck.m4a" E8 K3 s# f7 b, Y# m1 o
│ │ 1-12 Closer.m4a
5 T* V9 w+ W2 d: _( V+ n0 b│ │ 1-13 Head Like a Hole.m4a
8 O5 v+ _: I6 }5 u* l( x│ │ 1-14 The Day the World Went Away.m4a) x, z( H' ]6 l" N
│ │ 1-15 Starfuckers, Inc..m4a, ^$ A8 k8 O+ l$ J
│ │ 1-16 Hurt.m4a0 u' ]8 D: y+ m0 N! A& a
│ │ 2-01 Something I Can Never Have.m4a
) S' E: H( m# b3 n- c% H│ │ 2-02 Adrift & At Peace.m4a
( [' v. m' U' Y5 i# D8 s) Q│ │ 2-03 The Fragile.m4a
2 c( i7 w3 ^, `$ K8 e% V6 {│ │ 2-04 The Becoming.m4a5 S, `+ W! o6 X8 }1 q
│ │ 2-05 Gone, Still.m4a* t! w5 I+ b0 T8 e7 H
│ │ 2-06 The Day the World Went Away.m4a
' r; a E2 y7 d0 b│ │ 2-07 And All That Could Have Been.m4a
6 O5 ]) @6 h& E) W% l│ │ 2-08 The Persistence of Loss.m4a
. A( y+ F5 M2 m* ?& J" A│ │ 2-09 Leaving Hope.m4a( d; `3 w }, v# ~; @+ {6 B
│ │ cover.jpg. V6 n( g& ?2 P! w
│ │ 3 I8 R: w- ^ |" ^ m, o
│ └─2002 - Live_ And All That Could Have Been [Mastered for iTunes]& W ]: D& D' m: ?
│ 01 Terrible Lie.m4a" W- j* i Q: X) x( Y
│ 02 Sin.m4a) l6 X) C- t# n! m; n- l4 q
│ 03 March of the Pigs.m4a. N' X9 c+ e4 _: r
│ 04 Piggy.m4a5 J$ J6 o$ U2 v8 m( z) _& ?
│ 05 The Frail.m4a& ]1 | g6 }; v; M2 C
│ 06 The Wretched.m4a; Q2 {- P, b. F0 B" I9 P1 ?
│ 07 Gave Up.m4a7 D/ t0 p8 Z) n; y
│ 08 The Great Below.m4a( i1 ~2 m% J0 m3 i1 T* a+ ^ r# a
│ 09 The Mark Has Been Made.m4a
W, o8 L. }$ R+ t│ 10 Wish.m4a
- Z7 P# p* C, h│ 11 Suck.m4a9 ^7 ~5 v! Y5 y, ~& s$ y; G
│ 12 Closer.m4a
) O- D$ d* W& }8 s" v. ~│ 13 Head Like a Hole.m4a2 Y2 l% o/ @8 [ l2 E
│ 14 The Day the World Went Away.m4a& l( Q" v: H* i' _" t
│ 15 Starf--kers, Inc..m4a
+ Q. @! w4 j! [4 Y# b0 ^+ K$ {│ 16 Hurt.m4a
/ e' j! k: E7 k ?│ cover.jpg
- T6 I* q3 I$ B, i* r! z) `& v2 \" A│
1 B2 y% l6 l9 E$ t├─Remix Albums% R1 y: h6 s$ t# {, W% F, g) j6 W
│ ├─1995 - Further Down the Spiral
, N) v% w" a2 }/ q) A│ │ 01 Piggy (Nothing Can Stop Me Now).m4a! k5 J/ V {, p3 Y% w v
│ │ 02 The Art of Self Destruction, Part One.m4a9 [6 p( U. J7 A, S
│ │ 03 Self Destruction, Pt. 3.m4a3 Z6 |% x" _: C5 i# f. [
│ │ 04 Heresy.m4a5 h ?6 ]1 y' n( C( G/ d; y% Y: I
│ │ 05 The Downward Spiral (The Bottom).m4a( C4 Z/ m3 ^2 k
│ │ 06 Hurt (Quiet) [Live].m4a' a- \4 v3 B+ O
│ │ 07 At the Heart of It All.m4a
" x( c" n, J% U" y T( [2 l│ │ 08 Ruiner.m4a
. N4 t+ [, y& C: S│ │ 09 Eraser (Denial Realization).m4a
% o) C% q' l" C) K' x. `│ │ 10 Self Destruction, Final.m4a/ g* k9 d' A2 A; J3 N7 `- {8 e
│ │ cover.jpg2 K" D, p+ c& l* _% H4 ?; L
│ │
. O! n7 j% Y2 ~1 W│ ├─1995 - Further Down the Spiral (US Version)
, k; x) |: S2 |: F& {│ │ 01 Piggy (Nothing Can Stop Me Now).m4a2 P0 P4 l8 n+ r3 b% i
│ │ 02 The Art of Self Destruction, Pt. 1.m4a
% R( h* G* S+ [3 S2 B│ │ 03 Self Destruction, Pt. 2.m4a
5 P- {1 ~2 u z1 S" D1 b+ }│ │ 04 The Downward Spiral (The Bottom).m4a( o" h, t' e w1 c3 e1 w3 W" Y
│ │ 05 Hurt (Quiet).m4a a8 i1 l4 P: o8 n) U' w4 Z
│ │ 06 Eraser (Denial- Realization).m4a
4 T. ]2 M& J+ h2 u- W0 P│ │ 07 At the Heart of it All.m4a7 f c1 r3 y3 O* u3 q1 z* o6 O
│ │ 08 Eraser (Polite).m4a
Z7 s4 q2 |( H1 _" S( [/ P6 P│ │ 09 Self Destruction, Final.m4a
$ e: n9 N% a2 |, k/ g' a- g│ │ 10 The Beauty of Being Numb.m4a3 N! F7 b1 V& H3 K; }& S
│ │ 11 Erased, Over, Out.m4a* d" G5 t7 u5 K, M9 _5 O! F
│ │ cover.jpg
p5 Z7 z$ H @│ │
z$ q2 L+ Z; y8 o/ I' `6 M│ ├─2000 - Things Falling Apart
' E& M: ^- ~8 p' L& h! \$ [' G% h│ │ 01 Slipping Away (Remix).m4a
+ w: y: w; `$ r: G' F│ │ 02 The Great Collapse (Remix).m4a; P7 g; d5 A D2 F0 }) o& C
│ │ 03 The Wretched (Remix).m4a
$ p5 t- T4 Z, S│ │ 04 S--------rs, Inc. (Remix).m4a" s- [$ D" k* c; D+ p
│ │ 05 The Frail (Remix).m4a. B. [0 w$ M+ W8 F5 B
│ │ 06 S--------rs, Inc. (Remix).m4a
$ U0 Q2 i! r- R│ │ 07 Where Is Everybody! (Remix).m4a
3 U d8 f8 D- O3 Z│ │ 08 Metal (Remix).m4a% W5 h- X; {/ U( _7 K% q
│ │ 09 10 Miles High (Remix).m4a$ j+ ]6 i7 p' ^# J: ^/ A
│ │ 10 S--------rs, Inc. (Remix cc).m4a
* L6 k% @( i0 d& r1 R│ │ cover.jpg
) k& t" m: A- p4 ]│ │ # U1 y7 z% R* a& Y# ]' Z4 o
│ └─2007 - Y34RZ3R0R3MIX3D) g. W8 b: w, q* k' A, t
│ 01 Gunshots By Computer (Saul Williams).m4a" r, T& O3 c. K5 D q, o
│ 02 The Great Destroyer (Modwheelmood).m4a7 s$ l* N9 h3 g9 ~
│ 03 My Violent Heart (Pirate Robot Midget).m4a% N( U# A/ n3 L/ } K5 E
│ 04 The Beginning of the End (Ladytron).m4a
& B: ~/ }: p! p6 u3 Z5 }4 O5 A│ 05 Survivalism (Saul Williams).m4a+ }, z& r9 L7 G% q$ y& C2 r6 v# b
│ 06 Capital G (Paul Epworth Phones 666 Revolutions Mix).m4a
- _* L7 ^* m6 |' G# d8 S6 o# l│ 07 Vessel (Bill Laswell).m4a$ P" l9 {2 D9 g7 ~. Y
│ 08 The Warning [feat. Doudou N'diaye Rose].m4a5 F5 h0 M B- v* C! M
│ 09 Meet Your Master (The Faint).m4a
$ A& k$ Z3 v2 R9 W│ 10 God Given (Stephen Morris and Gillian Gilbert).m4a
% |0 E$ [/ S: |* ?0 h│ 11 Me, I'm Not (Olof Dreijer).m4a& N6 A! O9 C0 s/ V, l, d s
│ 12 Another Version of the Truth (Kronos and Enrique Gonzalez Muller).m4a. C+ m2 o+ W! H9 L" ]) G5 K% E
│ 13 In This Twilight (Fennesz).m4a
! \, z$ u9 N: o' W1 w, d- `│ 14 Zero Sum (Stephen Morris and Gillian Gilbert).m4a
' |. v2 W3 L3 t" Z; K3 P│ cover.jpg
' ]( H1 D b+ p7 w│ 3 `, i0 L% N: Y5 X+ n
└─Singles
' G) ~2 k' K1 K4 U D! g ├─1989 - Down In It - Single/ ~1 V2 M, i! f
│ 01 Down In It (Skin).m4a, [' v1 b+ v1 r9 `! r9 J, U$ h
│ 02 Down In It (Shred).m4a- ]5 w6 _% o: f0 q, K. q
│ 03 Down In It (Singe).m4a
* {+ I5 b4 N( W$ m0 D3 h │ cover.jpg
- ]- N n) H& F' f3 z! e │ 4 _ y" \ U+ }$ A, J. }3 P
├─1990 - Head Like a Hole - Single/ H9 q: B" s1 }% F8 c/ K! V! W
│ 01 Head Like a Hole (Slate).m4a
& R# L* Z: _: I: }' Y" f' Y │ 02 Head Like a Hole (Clay).m4a- C$ | }1 |2 V# v' n) d7 u, e
│ 03 Terrible Lie (Sympathetic Mix).m4a
* z1 e: n' V3 e7 y9 R │ 04 Head Like a Hole (Copper).m4a
$ y& U( b5 v5 @. H+ D1 Y. s │ 05 You Know Who You Are.m4a- U8 ? G' [4 k) D/ _0 h
│ 06 Head Like a Hole (Soil).m4a
$ |) o' F5 k* z& x │ 07 Terrible Lie (Empathetic Mix).m4a
0 s; _& P3 L I │ 08 Down In It (Shred).m4a, f" I6 z% A. t A/ m
│ 09 Down In It (Singe).m4a+ W1 N: e m# W' W4 q' h
│ 10 Down In It (Demo).m4a
& D- G/ m4 K2 [; o% F# w2 a │ cover.jpg
+ A4 {+ u& \7 G9 x0 ?/ x │
6 x; t6 |6 P2 o1 l" [+ y4 H2 ? ├─1994 - Closer to God - Single6 o8 ~1 i* S- Q% n$ ~/ f
│ 01 Closer to God.m4a0 E. r& W; t5 @, s2 y
│ 02 Closer (Precursor).m4a
! _! t7 n J2 I8 F7 H, K2 T │ 03 Closer (Deviation).m4a$ t- c( J# j, l+ q; L9 ~/ F2 _" h- ^
│ 04 Heresy (Blind).m4a
8 `, z; ]( l+ `+ p* S& a │ 05 Memorabilia.m4a A+ S y* O0 l' y
│ 06 Closer (Internal).m4a
8 z6 E; T4 Y4 p5 F& H9 X/ Z │ 07 March of the F------ds.m4a
5 X/ p6 w" l' e W │ 08 Closer (Further Away).m4a: d/ w% I W# E. z
│ 09 Closer.m4a
( g+ w# y2 E0 u- z2 s+ H' B; x z. x; B │ cover.jpg
# a0 |! f( q# O │ 2 j0 ]& T9 z7 B, }8 x1 ]1 i
├─1994 - March of the Pigs - Single
1 q+ Z5 v. J% Q1 o │ 01 March of the Pigs.m4a
7 e9 e* h: a& m/ J* P │ 02 Reptilian.m4a! M: N1 k/ P8 I" c1 B
│ 03 All the Pigs, All Lined Up.m4a% y( G0 n* l0 e/ j
│ 04 A Violet Fluid.m4a
S, f4 p: g; D8 q │ 05 Underneath the Skin.m4a' R7 L2 h( @! Q( k7 @9 M* c# O
│ cover.jpg
: \* J7 z7 V: C% N' e& K3 H │ 6 S1 m+ _! u4 E g: T
├─1997 - ''The Perfect Drug'' Versions - Single
* Q4 y" t0 U9 ]! L2 s5 O( _' ^1 D │ 01 The Perfect Drug (Meat Beat Manifesto).m4a
. X% B, p: u$ D. Y │ 02 The Perfect Drug (Plug).m4a9 a1 ]! f z6 O( t+ T) y2 }
│ 03 The Perfect Drug (Nine Inch Nails).m4a
2 z/ C3 R7 T& o0 ` │ 04 The Perfect Drug (Spacetime Continuum).m4a
# u9 D, F& x( i7 r& I) e# N6 m( l6 P │ 05 The Perfect Drug (The Orb).m4a, a+ c) P' U: w/ V" a" ?
│ cover.jpg
* h" [6 Z/ ?1 `: D │
, C- T& k3 H' G! Z5 v$ t ├─2013 - Copy of A - Single% S) |# w& _4 e1 c! w% d/ z+ W
│ 01 Copy of A.m4a" ?. r" ^( a! E |
│ cover.jpg! ?4 E; {( |. s
│ " h+ d9 O5 p' L7 N5 W1 V4 L. Z
├─2013 - Everything - Single9 @$ X+ z' Z5 l* I# y( e
│ 01 Everything.m4a
2 F% j7 u X! ]7 I( r/ b/ o: J/ a/ v │ cover.jpg
+ g( x0 f9 w4 x" Q; K( v( c │ 6 h5 A, i' B- V# I: j
└─2017 - Less Than - Single
9 U8 S* ?' G2 w! C ]$ o# F 01 Less Than.m4a
8 A3 \8 H$ N6 V1 j$ Z* E _4 G cover.jpg
$ y1 M* A9 s$ b' [; f( I5 P3 T- e ?. z+ n1 S9 ]% m
4 ^8 e1 Y; U. h
. q: g7 b+ n/ g3 N. y o% C* o' y. p+ C) \" O9 J
5 F9 ?- h; V% A& ?7 z0 L
AAC合集·免责声明
*本网站所收集的部分公开资料来源于互联网，转载的目的在于传递更多信息及用于网络分享，并不代表本站赞同其观点和对其真实性负责，也不构成任何其他建议。
*本站部分作品是由网友自主投稿和发布、编辑整理上传，对此类作品本站仅提供交流平台，不为其版权负责。
*如果您发现网站上有侵犯您的知识产权的作品，请与我们取得联系(Email:admin@aacheji.com)，我们会及时修改或删除。
*本站服务器不提供任何形式的音乐视频等下载，以及网络硬盘存储服务，网盘不存储任何音乐资源。
*所有在本站下载的音乐、视频资源只作试听用途,请下载后24小时内删除。
|
发表于 2019-3-14 11:10:47
发表于 2019-8-30 06:49:56
