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1 l/ f1 s, n2 FNine Inch Nails简介
9 O9 c3 F. B1 L$ f1 T. j美国工业摇滚乐队,工业摇滚代表性乐队。成立时间为1988年。Nine Inch Nails 首次推出的《Industrial Nation》为他赢得了为 Skinny Puppy、The Jesus & Mary Chain、Peter Murphy 的演出担任助演的机会。但真正给乐队带来商业成功的是 1990 年专辑《Petty Hate Machine》及其中的热门歌曲《Head Like a Hole》。该专辑有着重金属的狂暴、流行曲的构架、工业音乐的声响和丰富的舞曲节奏,它在榜上停留了两年多。5 R+ V+ s# T6 H' z3 \- [ j
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信息简介
9 [ x: \* p/ |% y# y9 N负罪感、异化、无尽的痛苦及其艺术化的表达,创造了一些令人铭记在心的摇滚乐。这其中也包括 Trent Reznor的 Nine Inch Nails单人乐队。乐队的音响空间是荒芜的,而歌词则将自暴自弃与绝望推向了极点。但是 Reznor 写出的是流行歌曲而非自己恐怖电影的配乐。它同时得到了另类和主流硬摇滚乐迷的喜爱,并将工业噪音音乐引入了主流。
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早年经历# g! c- m6 R* @
Michael Trent Reznor 生于宾夕法尼亚洲的默瑟。他 5 岁开始学习钢琴,同年父母离婚,他由外祖父母抚养。后来,他学习了萨克斯和大号。和其他初出茅庐的音乐家一样,他将自己的局外人情结埋进一支叫 Option 30 的乐队里。在 Allegheny College 攻读计算机工程后,Reznor 搬到了克利夫兰。 1988 年,他组建了 Nine Inch Nails,进行舞曲方向的探索,并汲取发展中的工业音乐和泰克诺风格。 Reznor 几乎包揽了所有创作、演奏和制作工作,只有当巡演时,他才会召来鼓手 Chris Vrenna 等乐手。1 o4 @- t: Q' M* c5 ~( L
Nine Inch Nails 首次推出的《Industrial Nation》为他赢得了为 Skinny Puppy、The Jesus & Mary Chain、Peter Murphy 的演出担任助演的机会。但真正给乐队带来商业成功的是 1990 年专辑《Petty Hate Machine》及其中的热门歌曲《Head Like a Hole》。该专辑有着重金属的狂暴、流行曲的构架、工业音乐的声响和丰富的舞曲节奏,它在榜上停留了两年多。7 V# j; }- \2 Z/ K/ A5 k, U% i: P
. C' l2 S/ \, _/ P演艺经历( w0 L& i7 l6 N4 n5 L, o+ }& A
1991 年,Nine Inch Nails 参加了 Lollapalooza 巡演并成为了 T 恤衫的销量冠军。但是,乐队与其公司 TVT的法律纠纷耽搁了第 2 张专辑的推出。后来,Reznor 与经理人 John Malm 创立了自己的厂牌 Nothing,于 1992 年开始签新乐队,包括 Pop Will Eat Itself、Prick 和著名的 Marilyn Manson。同年秋天,乐队推出EP《Broken》,打入排行榜十佳,其中一曲《Wish》获格莱美最佳金属表演奖。它的风格更加强硬,但仍有着常规歌曲结构。此时 Reznor 与 TVT 公司和 Interscope 公司(Nothing 的发行商)最后达成协议,允许 Reznor 和 Nothing 自立门户,但 TVT 将在后续的 Nine Inch Nails 的专辑中分红。
X1 b- C: U+ U( [1 Z' F/ F( N1994 年春,Nine Inch Nails 发行第 2 张专辑《The Downward Spiral》,它标志着乐队从地下跃入主流。该专辑在 Charles Manson 的信徒谋杀女演员 Sharon Tate 的洛杉矶房屋里录制。 Reznor 也同期为 Tori Amos 录制了《Pass The Mission》。这张被宣传为“概念专辑”的作品体现了 Reznor 所受的根源影响——70 年代前卫摇滚,而其中也有前 King Crimson 乐队的吉他手Adrian Belew 助阵。它打上了排行榜第 2 名,Reznor 登上了《滚石》杂志封面,并成为《花花女郎》杂志“十大摇滚性感明星”。乐队参加了 1994 年 Woodstock 演出。这一切对于一个唱着“我聚在痛苦中/这是唯一真实的事”的人来说应该是愉快的。“虽然我们成了支流行乐队,填满了主流媒体的各个频道 ”,Reznor 说,“但我真的感到我是在走我自己的路”。
& o: s* @5 Q* p3 g4 U ]5 y4 y在《 The Downward Spiral》之后,Reznor 为 Oliver Stone 的争议性电影《Natural Born Killers》(天生杀人狂)录制了富有创意的电影原声专辑。它将电影对白和歌曲(包括 Nine Inch Nails 的《Something I Can Never Have》和《Burn》)编织成天衣无缝的音响流动。此时,Reznor 和 Hole 乐队主将,Kurt Cobain 之遗孀Courtney Love 传出了绯闻。" W1 l+ J* c O7 }3 }; s
1995 年,Nine Inch Nails 推出了混音专辑《Further Down The Spiral》,并与对他的音乐产生重要影响的 David Bowie 合作巡演。 1996 年,歌曲《Happiness In Slavery》(Woodstock 1994 年现场专辑版本)再获格莱美最佳金属表演奖。年底,准备着新专辑,并为 David Lynch 的电影《Lost Highway》(妖夜荒踪)写了 3 首新歌。 Reznor 和 Lynch 出现在 1997 年 2 月的《滚石》杂志封面。+ t, b' {( \/ _' i9 L' X0 X
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├─Albums
2 A& E: y/ O/ Z, N│ ├─1989 - Pretty Hate Machine3 t# f1 k1 {" a; Z& @% w
│ │ 01 Head Like a Hole.m4a/ R, z7 w U9 U+ w$ V1 S$ A, R
│ │ 02 Terrible Lie.m4a6 s P* M& O. |8 F# w. O: G( Z9 g# Z
│ │ 03 Down In It.m4a
3 d- M8 e; @: K, m│ │ 04 Sanctified.m4a
/ C3 L3 T/ c' v│ │ 05 Something I Can Never Have.m4a2 N6 ~; y6 F2 }. {9 Z, e1 Q1 J
│ │ 06 Kinda I Want To.m4a$ h; B# e9 q! j
│ │ 07 Sin.m4a' T* G% E+ M E$ m* e0 H, K
│ │ 08 That's What I Get.m4a
3 b0 \8 i1 N' n6 C4 X│ │ 09 The Only Time.m4a
: f4 N9 |- n+ n7 j6 ?2 D│ │ 10 Ringfinger.m4a( {# w. ]1 n! Z* `0 y
│ │ cover.jpg; w% o% d7 Z" H' z; q. K* w
│ │
0 g& w# T( r/ @( x- h. R│ ├─1989 - Pretty Hate Machine (2010 Remastered); ~+ a4 C C, ~* ?: h6 B p
│ │ 01 Head Like a Hole.m4a! {" [( `! w, F0 S: D
│ │ 02 Terrible Lie.m4a
% w; w) s. u- [( C6 v8 k│ │ 03 Down In It.m4a& F3 [8 @# R4 v! y, V* w c
│ │ 04 Sanctified.m4a
( O0 |2 T( k/ v) Z/ p│ │ 05 Something I Can Never Have.m4a
# b9 P+ Z9 Q2 e5 b8 p│ │ 06 Kinda I Want To.m4a& t7 C" u) j3 T
│ │ 07 Sin.m4a
* p/ K3 F' T v* T% S& l4 {7 ^│ │ 08 That’s What I Get.m4a7 X3 o- I" Z% i/ n3 ?; K0 P- g
│ │ 09 The Only Time.m4a
2 K* f& N! O( ~- Q' H│ │ 10 Ringfinger.m4a& {% w0 E. Q( z1 v
│ │ 11 Get Down, Make Love.m4a" Q: R6 {4 l8 u7 a
│ │ cover.jpg
' J% M, A. f5 a; W3 P! a0 C│ │
; I- M9 F- t7 W/ x3 ?│ ├─1994 - The Downward Spiral (2004 Deluxe Edition)
& A5 R/ j5 V2 {│ │ 1-01 Mr. Self Destruct.m4a
3 n/ E9 u3 Z3 o; z+ s% ?- a│ │ 1-02 Piggy.m4a
9 V. f5 G& I7 S: E2 e# N1 f│ │ 1-03 Heresy.m4a
( y+ w& \/ T5 x; n, ~" e1 `│ │ 1-04 March of the Pigs.m4a
C0 V# W# Y2 d6 h3 x2 C$ @│ │ 1-05 Closer.m4a- c! H: w; g9 Z5 c. i. i1 ~0 {% d
│ │ 1-06 Ruiner.m4a
# m r# C) W* { d+ k│ │ 1-07 The Becoming.m4a& Z% A! `* \" }' b' e+ q, I
│ │ 1-08 I Do Not Want This.m4a0 g$ k: ^+ r7 p3 a T$ T: T+ D! T9 G
│ │ 1-09 Big Man with a Gun.m4a
0 S# j% Y5 b5 J$ T, N9 N, f│ │ 1-10 A Warm Place.m4a
6 Z* W6 ]# j" c- j0 t│ │ 1-11 Eraser.m4a/ G) g6 r2 X& N: ?" [1 L/ E
│ │ 1-12 Reptile.m4a
4 U: r3 F! v" k0 b# W9 ~4 F& x│ │ 1-13 The Downward Spiral.m4a# {; C/ s ~$ I% B' u
│ │ 1-14 Hurt.m4a
" y' u. r; u) {/ ~" x+ V$ n4 i│ │ 2-01 Burn (Soundtrack Version).m4a
( f7 m. d4 D0 R3 u" M│ │ 2-02 Closer (Precursor).m4a" l5 J2 P5 c) G8 C0 q3 m
│ │ 2-03 Piggy (Nothing Can Stop Me Now).m4a
. f- \4 |# @0 d; x0 l' e│ │ 2-04 A Violet Fluid.m4a+ q9 w# k3 E, c6 d1 ?4 V# `
│ │ 2-05 Dead Souls.m4a
9 F! R' ?* b' S# L│ │ 2-06 Hurt (Quiet).m4a7 l: b, t: C' F) r: g/ `) e
│ │ 2-07 Closer to God.m4a" ~# T! K6 [6 }6 D8 V% o
│ │ 2-08 All the Pigs, All Lined Up.m4a
; I$ U" V2 w& Z, g. K i! ^│ │ 2-09 Memorabilia.m4a5 n; v x: {& v) b7 A T6 T9 f6 F
│ │ 2-10 The Downward Spiral (The Bottom).m4a
, z! y2 ?# n0 Y8 W0 S9 L│ │ 2-11 Ruiner (Demo).m4a
3 Y2 E' K0 Q1 R) ^4 q5 C│ │ 2-12 Liar (Reptile Demo).m4a
$ v% f! g# w/ c0 y7 T3 q$ E│ │ 2-13 Heresy (Demo).m4a. r* w2 I/ _" |; {1 ^/ I$ e
│ │ cover.jpg2 a7 q2 _/ n. B- ~1 e6 x
│ │
7 g- u% D+ T. ^0 }- n│ ├─1994 - The Downward Spiral [Mastered for iTunes]
0 b* l; ]' l/ B! }& g6 r; p│ │ 01 Mr. Self Destruct.m4a
' @0 ~" c7 }& a│ │ 02 Piggy.m4a3 ^ l* x4 H- G+ ]
│ │ 03 Heresy.m4a
+ K/ e8 F4 Q$ j N& C) }│ │ 04 March of the Pigs.m4a
# [8 H6 N, L: L( ?: [│ │ 05 Closer.m4a x! p" r/ w" |$ M2 G0 M
│ │ 06 Ruiner.m4a
6 A9 g B) I. {1 ]' u# m│ │ 07 The Becoming.m4a
7 O. g% n' I# I ~$ M2 A│ │ 08 I Do Not Want This.m4a
) Z* y1 G, [% e; T6 z│ │ 09 Big Man with a Gun.m4a
8 N/ j5 q# n6 l$ B" K O/ \% ]! M" ?2 {│ │ 10 A Warm Place.m4a
3 |9 g$ x1 o$ c" j% V6 O│ │ 11 Eraser.m4a$ t9 E# ~: r7 G/ ]( i' s. A4 B
│ │ 12 Reptile.m4a1 e. j3 P( g1 c' N# J* S& t
│ │ 13 The Downward Spiral.m4a
) E6 e7 J7 v' b& M- |; h0 G+ w9 E│ │ 14 Hurt.m4a3 }, p: O) B3 Z3 R) q
│ │ cover.jpg" m- y8 p! r9 N( f5 J
│ │
0 n$ l8 R! ? j1 L4 {. i( \' A│ ├─1999 - The Fragile [Mastered for iTunes]6 A3 A& V# u' L( K* q) v' g. t5 u
│ │ 1-01 Somewhat Damaged.m4a
/ A) u9 \9 k5 s/ P" k6 F│ │ 1-02 The Day the World Went Away.m4a; r4 Q9 m5 f7 w5 \- U4 |2 ^8 m
│ │ 1-03 The Frail.m4a6 j: a: g+ C" h0 x
│ │ 1-04 The Wretched.m4a/ [( w4 Z4 I* g$ R& y( ~+ @2 N
│ │ 1-05 We're in This Together.m4a7 {$ Y6 s- k* m2 w
│ │ 1-06 The Fragile.m4a
# g: a7 r1 G4 X│ │ 1-07 Just Like You Imagined.m4a! B, H6 d" V# X" h) p
│ │ 1-08 Even Deeper.m4a
6 [7 K2 ]) `6 S8 {; m3 M/ I│ │ 1-09 Pilgrimage.m4a
5 q( q0 @; v( i* a│ │ 1-10 No, You Don't.m4a' X& E" |3 p5 B+ T1 O) D
│ │ 1-11 La Mer.m4a' S; M+ p8 P9 S% R0 L
│ │ 1-12 The Great Below.m4a! w7 N$ M( N( x- L6 o) I& e
│ │ 2-01 The Way Out Is Through.m4a
& V1 \! S# n+ t4 m ]│ │ 2-02 Into the Void.m4a+ ?& _% }" ]6 ?# u0 k' _ I
│ │ 2-03 Where Is Everybody_.m4a
( K: S" ~) C! C: z1 k1 X7 T; b│ │ 2-04 The Mark Has Been Made.m4a
& R) M, j8 V% x' b& P% ^4 B│ │ 2-05 Please.m4a
5 w2 e2 V2 j, r% n│ │ 2-06 Starf--kers, Inc..m4a1 }( ?; B3 M3 q, \) p, _/ H( N
│ │ 2-07 Complication.m4a$ r- D: `/ q+ B" n% v U! w
│ │ 2-08 I'm Looking Forward to Joining You, Finally.m4a
, j& B4 z6 L7 z$ X7 Z3 U/ H, {- n│ │ 2-09 The Big Come Down.m4a
$ P# U4 c( Y0 `- D1 n│ │ 2-10 Underneath It All.m4a
* f/ c6 t9 D& J# I! c. Q/ C: }│ │ 2-11 Ripe (With Decay).m4a
) P% F k; P% S# s% m+ @│ │ cover.jpg4 t; _. Z7 i! {5 {) T/ U8 n
│ │ ' f. `: s# i' A- A
│ ├─2002 - Still* d! d: c$ y& n5 }& R
│ │ 01 Something I Can Never Have.m4a8 b J* E0 z5 K- L+ H
│ │ 02 Adrift & At Peace.m4a
( T, @* `8 v0 o│ │ 03 The Fragile.m4a
1 p. H. {0 Y% j! p│ │ 04 The Becoming.m4a
1 v0 X6 z! k5 t9 d- t7 m8 U│ │ 05 Gone, Still.m4a
5 d0 L$ t" H% b5 S) y2 A│ │ 06 The Day the World Went Away.m4a
( n9 b- i; G2 ]' c( o│ │ 07 And All That Could Have Been.m4a
|# d3 @2 c- {│ │ 08 The Persistence of Loss.m4a9 m' O2 w( K$ i9 B ]) q2 B
│ │ 09 Leaving Hope.m4a
$ n+ u" e8 x, k: D) G# A│ │ cover.jpg9 l6 Y, U9 d* r0 t, w% h1 d5 o; m5 o
│ │
3 d% F7 x+ z) u, H( X│ ├─2005 - With Teeth h* B; P- J& P$ k3 b
│ │ 01 All the Love In the World.m4a
% O8 Y# o$ N% m* e- O│ │ 02 You Know What You Are_.m4a& C+ C" h3 r9 j# W6 w$ t5 t
│ │ 03 The Collector.m4a
# \( U, Y% z$ o U1 H, D( q; [0 Q│ │ 04 The Hand That Feeds.m4a# S& c- `! B* U5 H1 j, `
│ │ 05 Love Is Not Enough.m4a, L+ x$ i4 f. z; n) `9 M) V* b: m
│ │ 06 Every Day Is Exactly the Same.m4a6 |2 ]5 e h, r4 J! e) u9 T
│ │ 07 With Teeth.m4a
, j" |# ~; y# K; \, X N/ n) |│ │ 08 Only.m4a
. `' Z N: g/ B2 w( E) J5 n+ N│ │ 09 Getting Smaller.m4a
" N3 a2 g: p+ J6 i/ u│ │ 10 Sunspots.m4a. _$ N- J6 u, C
│ │ 11 The Line Begins to Blur.m4a; O* O9 [- b; ?' f8 p8 H
│ │ 12 Beside You In Time.m4a
8 K: Y8 Q3 E& O9 Z( h. u2 x0 z0 W6 \│ │ 13 Right Where It Belongs.m4a- |5 s8 t$ m- Q' }
│ │ 14 Home (Non-LP Version).m4a
' Z' m. e& \0 F: b│ │ 15 Right Where It Belongs (Alternate Version 2).m4a
6 T6 a2 U" z( C7 h│ │ cover.jpg
: u6 D$ G$ @( V t2 g│ │
/ k# c9 k# [* g5 q& _" ?- Z9 a│ ├─2005 - With Teeth [Mastered for iTunes]
* R9 c. ]4 _" w* {. K5 g* Z5 u│ │ 01 All the Love in the World.m4a
4 S: c; ]0 z/ {7 {2 m$ v" h0 @( B│ │ 02 You Know What You Are_.m4a# ]# P% s0 \ @8 }( h4 {& A% v
│ │ 03 The Collector.m4a
& x6 B3 |, N# U [│ │ 04 The Hand That Feeds.m4a
$ }; g" A7 G* L$ [: D) r│ │ 05 Love Is Not Enough.m4a0 ?7 y6 W6 S! i3 x: y
│ │ 06 Every Day Is Exactly the Same.m4a' W5 q, D- U* J6 V6 T+ ^" s, a; L3 b
│ │ 07 With Teeth.m4a
8 P0 T2 c$ J' ?6 g0 a* `│ │ 08 Only.m4a$ S- C+ A7 e$ x- J+ g
│ │ 09 Getting Smaller.m4a9 n% z" I1 g U- a8 s% y. v# O- S: Y
│ │ 10 Sunspots.m4a
0 |) } A4 q+ l│ │ 11 The Line Begins to Blur.m4a
; e! q, g; m9 Q+ x│ │ 12 Beside You in Time.m4a6 K/ p, k# C3 [. S. T1 V/ c. U
│ │ 13 Right Where It Belongs.m4a
6 Q+ F0 h; K/ o, Y e│ │ cover.jpg2 x/ X* s4 _1 l _( a. Q$ a
│ │
6 q" ^; u( I1 \7 ^% u& [0 D5 A│ ├─2007 - Year Zero [Mastered for iTunes]( U4 o) Z! U b
│ │ 01 Hyperpower!.m4a
) D- S" H; {1 i) X- b0 d│ │ 02 The Beginning of the End.m4a
: q K- Q% ]( G8 J; m3 q( @│ │ 03 Survivalism.m4a) X0 T- w" j5 p h
│ │ 04 The Good Soldier.m4a6 J/ L* |! N0 H8 ^) c0 u
│ │ 05 Vessel.m4a
/ T# W4 s9 ^' T5 A3 j│ │ 06 Me, I'm Not.m4a
/ J* Q6 a w: g' h% z, t$ J, R! T; H│ │ 07 Capital G.m4a! ?7 u: | F9 W2 Y1 m$ v
│ │ 08 My Violent Heart.m4a0 q Q9 R1 s/ h
│ │ 09 The Warning.m4a
+ B: C. O& w+ p' x│ │ 10 God Given.m4a
- i! f# h! C- {; w4 T0 w│ │ 11 Meet Your Master.m4a
1 Z5 D/ ], f. U' h; F6 [! F│ │ 12 The Greater Good.m4a
. j- a3 A; P5 H- T7 U: w. M) [, B│ │ 13 The Great Destroyer.m4a7 }; H/ V: j& m0 Q7 e3 d2 A3 T
│ │ 14 Another Version of the Truth.m4a
! t$ Z/ {5 z5 l: |│ │ 15 In This Twilight.m4a
$ j: Q9 E, L3 U' ]│ │ 16 Zero Sum.m4a
5 I1 ^$ L% z: f0 a- o& {5 P. i }│ │ cover.jpg
- U0 A5 K+ V% ~: O; r- g│ │ . J" ]0 B0 Y7 F, ]
│ ├─2008 - Ghosts I-IV* r) t! m _5 X8 Z' \
│ │ 01 01 Ghosts I.m4a
3 [ m% H8 t2 _8 d│ │ 02 02 Ghosts I.m4a
/ a- Z" d! k# Q3 D& f5 y│ │ 03 03 Ghosts I.m4a
; n) S! k, o6 a- P( g8 `6 Z│ │ 04 04 Ghosts I.m4a
8 K5 F+ Z) T( V* e! u O2 Q% q│ │ 05 05 Ghosts I.m4a9 K" I# O* V% M$ e/ m8 G& i$ O2 `
│ │ 06 06 Ghosts I.m4a* m& g5 i3 G; x; m) g
│ │ 07 07 Ghosts I.m4a
- j r/ p, v# U│ │ 08 08 Ghosts I.m4a
, Q) G; U+ ]) l; u3 b4 V" R" O. y! F) G│ │ 09 09 Ghosts I.m4a. X( ?4 N/ d, ^$ I8 c. R7 S
│ │ 10 10 Ghosts II.m4a5 R8 c" L3 \4 B
│ │ 11 11 Ghosts II.m4a/ J7 b* j, X& E6 n3 H0 d
│ │ 12 12 Ghosts II.m4a
3 F1 R$ A; w2 v8 Q I1 D│ │ 13 13 Ghosts II.m4a
' T; ?" d6 B# X( [5 }. c( l│ │ 14 14 Ghosts II.m4a4 }" C% R, }7 B9 `$ y- f
│ │ 15 15 Ghosts II.m4a+ z0 B/ p* o0 I6 V! U3 w8 l
│ │ 16 16 Ghosts II.m4a/ \4 |7 z! |5 q, i
│ │ 17 17 Ghosts II.m4a
% K) d3 B0 M0 T6 r5 x* [│ │ 18 18 Ghosts II.m4a' B6 B* J. L% v: } y5 n
│ │ 19 19 Ghosts III.m4a
8 E o2 H* c: I9 h, E8 W" V. w│ │ 20 20 Ghosts III.m4a* I6 J& ^0 n! r) ]0 c3 e# [- ]
│ │ 21 21 Ghosts III.m4a0 R; u# h+ \ l( p
│ │ 22 22 Ghosts III.m4a2 C: X$ M& J9 s; V. N! ?% c
│ │ 23 23 Ghosts III.m4a
# k+ G) f; j; O7 x│ │ 24 24 Ghosts III.m4a
, C* i u! {2 t1 D' Q! N│ │ 25 25 Ghosts III.m4a }5 c1 K+ Z5 S6 o, a
│ │ 26 26 Ghosts III.m4a6 R: |8 P% Z6 M: ~5 T$ D k# Z7 A
│ │ 27 27 Ghosts III.m4a
1 d) f2 u( Y& f; y# S$ O│ │ 28 28 Ghosts IV.m4a# A6 {: y4 T" R& f! B6 H2 ~. c
│ │ 29 29 Ghosts IV.m4a
2 c! {% {$ ?# ~5 E9 [│ │ 30 30 Ghosts IV.m4a
% Q, q# Z3 K, s- J│ │ 31 31 Ghosts IV.m4a! v8 ^4 f, L. L- j" u( U. g
│ │ 32 32 Ghosts IV.m4a! t; x$ Q- l# z9 T) G
│ │ 33 33 Ghosts IV.m4a8 e; X+ M) Y/ k2 m. {
│ │ 34 34 Ghosts IV.m4a
; }1 z8 [) p3 y# _* k- j6 V│ │ 35 35 Ghosts IV.m4a
) `8 x; Q+ ^- N. _│ │ 36 36 Ghosts IV.m4a9 }9 G w0 q3 P' n
│ │ cover.jpg4 P: R0 E' y: y5 r3 O7 M
│ │
1 m% u1 E. D3 Z: o' j0 a7 n│ ├─2008 - The Slip
/ |/ n" Z" A* j│ │ 01 999,999.m4a: u: t4 \+ g. w( Z) U
│ │ 02 1,000,000.m4a- D: S4 D2 B' n8 ~
│ │ 03 Letting You.m4a
) _* f, r1 h) A! R3 q! i* f0 F│ │ 04 Discipline.m4a3 T; l! a' D& T6 }, d' G
│ │ 05 Echoplex.m4a7 z& B% p+ i3 d) r
│ │ 06 Head Down.m4a
$ q* ^! e5 B/ f, }, m│ │ 07 Lights In the Sky.m4a
- @0 f: W, L4 s; l│ │ 08 Corona Radiata.m4a
( a/ R7 l6 ~& |9 D$ w│ │ 09 The Four of Us Are Dying.m4a0 S; m: J/ G* M7 e( D- N2 Z! v% Q! E
│ │ 10 Demon Seed.m4a
7 n1 x! M0 H0 y7 L. a│ │ cover.jpg( W ?7 c# X0 [: F2 ^5 q0 r
│ │
' z1 x0 s O+ f: h4 e A3 g│ ├─2013 - Hesitation Marks (Deluxe Edition) [Mastered for iTunes]
6 e# M3 S8 {6 Q- a1 O% B│ │ 01 The Eater of Dreams.m4a
: h" U4 D4 K; j, k1 L: |* X7 s│ │ 02 Copy of A.m4a) x+ ^- I6 @4 s4 z3 G, h; {3 N
│ │ 03 Came Back Haunted.m4a; L+ n- T" ?3 P9 I
│ │ 04 Find My Way.m4a8 n/ H9 i$ n- |# d' o6 Q2 B
│ │ 05 All Time Low.m4a# l- d5 u6 p9 S4 v+ J2 `2 t
│ │ 06 Disappointed.m4a
6 W4 T# I0 S6 ]; X5 U! |; N% ~" }│ │ 07 Everything.m4a3 I9 {8 ]: w9 D& Y8 G- S
│ │ 08 Satellite.m4a* l5 ^4 i& I8 `& E
│ │ 09 Various Methods of Escape.m4a
+ S5 {& Z) q: {: m│ │ 10 Running.m4a% |3 v; E- O1 x7 j
│ │ 11 I Would For You.m4a
2 S! f$ @- \" H0 e( |9 Q│ │ 12 In Two.m4a/ M; G6 n8 L* {7 r
│ │ 13 While I'm Still Here.m4a
2 M" k2 z2 o! K/ Z5 G4 v) i│ │ 14 Black Noise.m4a9 j; z5 S- n! p" W' |3 m
│ │ 15 Find My Way (Oneohtrix Point Never Remix).m4a
$ W" }% K5 ], `- M: A1 | L4 M│ │ 16 All Time Low (Todd Rundgren Remix).m4a( u& \+ q* H$ c0 t2 R) t, v% W
│ │ 17 While I'm Still Here (Breyer P-Orridge 'Howler' Remix).m4a9 H3 e/ r0 O, g8 w4 C. I& F8 Z
│ │ 18 Trent Reznor In Conversation With....m4a% z5 {5 V) U& I" ?! j7 r
│ │ cover.jpg
. {. G$ P" n' O: J( u│ │ ! _2 y2 ?' L- W- W
│ └─2018 - Bad Witch
) q! q4 e- m. r7 g│ 01 Shit Mirror.m4a! T" V9 A6 i" s$ w( N
│ 02 Ahead of Ourselves.m4a( W3 e3 _5 n/ k( y* [
│ 03 Play the Goddamned Part.m4a
- y8 g1 O7 K7 j, Z; B│ 04 God Break Down the Door.m4a4 b- @. |0 \- F: D* s x6 e$ `+ Z
│ 05 I'm Not from This World.m4a
, Q9 o2 a# V, L│ 06 Over and Out.m4a6 r, e# Z+ E. ?, v: `
│ cover.jpg
0 q$ T" P6 a/ H: S6 A7 Q: N│ & z" ]9 n# `' o+ Y! o: _5 u
├─EP's# ~6 G9 K' B) E5 V J" c+ ^: Z( \
│ ├─1990 - Sin - EP9 i4 d5 n3 [# k8 b
│ │ 01 Sin (Long).m4a
! I0 Q4 J' b* k( I│ │ 02 Sin (Dub).m4a
# @) {. D2 a9 E( u│ │ 03 Get Down Make Love.m4a
! ~; O2 l( |# V# g v; P│ │ 04 Sin (Short).m4a
1 L8 S4 Z& Z" M, t# g0 E, s% o│ │ cover.jpg$ W! M5 X( [) s$ X+ P$ |7 B
│ │ + n" H/ G2 y e2 ]; g
│ ├─1992 - Broken - EP7 ?( R' G6 \/ }* k
│ │ 01 Pinion.m4a
( |5 ~4 v* M" K│ │ 02 Wish.m4a, U E$ i0 v3 Z6 i2 x" o0 o
│ │ 03 Last.m4a
3 U% G) n7 a/ N- O9 V/ X│ │ 04 Help Me I Am in Hell.m4a4 J. f% }5 y% ~4 @& f
│ │ 05 Happiness in Slavery.m4a0 x) z2 ?- Q/ n0 r1 T5 ?% I
│ │ 06 Gave Up.m4a
& z! {/ N/ q" I z: C( q" P│ │ 07 Physical (You're So).m4a
5 ^. N! c/ y6 k7 Z% ~5 Y0 I3 S│ │ 08 Suck.m4a* g! k: v6 V) p% k* M
│ │ cover.jpg/ r. U h2 i2 G. K1 z
│ │
& G9 i& S; f, c4 }; Z5 z│ ├─1992 - Fixed - EP/ U' k* |, R& T" U5 H. ], c
│ │ 01 Gave Up (Remix).m4a
: ^, e& e3 D& ?7 o3 a: E│ │ 02 Wish (Remix).m4a
' ?! s* S8 u5 F3 D8 ~% K6 s6 m│ │ 03 Happiness In Slavery (Remix).m4a
" @* s+ {1 b* ?│ │ 04 Throw This Away.m4a- g9 h1 P3 f/ Q
│ │ 05 First F--k (Remix).m4a
4 m6 H9 Y2 D( L5 `# x& V$ u5 R& P; Z│ │ 06 Screaming Slave.m4a# F- Y7 ?6 G# Y/ l
│ │ cover.jpg+ S3 I) t4 s1 i3 K' T9 l$ Z
│ │
$ K- y1 ?! G9 `4 k$ G│ ├─2005 - Only - EP' v0 F1 p( o. v0 w- J4 T
│ │ 01 Only.m4a$ b2 E# w7 @$ G$ \
│ │ 02 The Hand That Feeds.m4a
4 @* b6 E! _" r! D% S% |: \│ │ 03 Love Is Not Enough.m4a
, H% y+ s5 y _. k) A│ │ 04 Only.m4v
$ E7 K- Z7 y2 b/ `% o4 i7 @, {) `│ │ cover.jpg( c- F5 ~( P& `! c
│ │ " n1 y( A2 G8 i
│ ├─2005 - The Hand That Feeds - EP( ^! f0 L, z1 c! Q( ]) \/ o
│ │ 01 The Hand That Feeds.m4a+ c- b* V$ H3 {0 L4 f, A3 r
│ │ 02 The Hand That Feeds (Dfa Remix).m4a5 h1 k9 a# L* Z8 P" x/ W
│ │ 03 The Hand That Feeds (Photek Dub).m4a
! U0 r2 x5 h. @% x4 Z D8 G* ^│ │ cover.jpg
4 e0 s5 j2 o" V `$ G0 `" h& b" \│ │ 5 l/ K9 L; |2 O: `. b3 |4 ]
│ ├─2006 - Every Day Is Exactly the Same (Remixes) - EP
8 X$ v1 y" i8 i& p8 C( Z│ │ 01 Every Day Is Exactly the Same.m4a) v" b! R1 z4 q, L4 X5 G# n
│ │ 02 The Hand That Feeds (Dfa Remix).m4a9 |' f" U, i R0 x
│ │ 03 The Hand That Feeds (Photek Straight Remix).m4a
6 y$ A9 w. V0 F* D4 ^2 O5 q│ │ 04 Only (El-P Remix).m4a1 H2 v# W% o( W. C& V
│ │ 05 Only (Richard X Remix).m4a) R. O% N( m5 }* q8 |
│ │ 06 Every Day Is Exactly the Same (Sam Fog vs. Carlos D. Main Mix).m4a
" J/ K J" _+ `; m- _/ T│ │ cover.jpg
) P& h8 U2 h- j: X- X% M/ U│ │ $ p3 m* c: D5 K7 ~: Y0 _+ U7 ?4 P! u
│ ├─2007 - Survivalism - EP
& Z9 O( x* {0 V- _4 `3 q+ Y# ]4 V│ │ 01 Survivalism.m4a4 T. G) N9 I! @* p2 k0 r, `
│ │ 02 Survivalism (Tardusted Remix).m4a
1 u6 X% h( k$ t$ f│ │ 03 The Greater Good (Instrumental Version).m4a
4 R, e' h: L2 |, O1 l! _│ │ cover.jpg
3 ]0 o" `+ K% E/ D+ ^9 Z│ │ " E; m; X& j7 Q2 ^ D5 d6 ~; }
│ ├─2014 - Recoiled - EP (w. Coil); ?5 F0 A# k, V4 P9 H. t) n0 t. i
│ │ 01 Gave Up (Open My Eyes).m4a, \+ T; c x7 z7 Q0 z w
│ │ 02 Closer (Unrecalled).m4a$ Q9 R. r7 M( E" X8 b+ W
│ │ 03 The Downward Spiral (A Gilded Sickness).m4a
+ }& H2 y# U6 }2 G2 H0 C! H4 y/ E│ │ 04 Eraser (Reduction).m4a
' d$ O9 g: v! y" w0 ?8 e( U2 U│ │ 05 Eraser (Baby Alarm Remix).m4a3 z9 X3 a2 S, O3 T8 _
│ │ cover.jpg* |) V1 K9 V5 \9 Z5 @0 B0 W
│ │
( Z7 l1 U1 ?7 [6 M6 V│ ├─2016 - Not the Actual Events - EP
2 ~4 C3 l& B7 r) x│ │ 01 Branches _ Bones.m4a
2 n0 e7 M3 y8 Z6 z& R│ │ 02 Dear World,.m4a
& ]" c0 _1 y: `│ │ 03 She’s Gone Away.m4a
. ?$ H' ?. ^9 p$ T1 V, z7 w3 N* B│ │ 04 The Idea of You.m4a
7 K9 M# N! k& `│ │ 05 Burning Bright (Field on Fire).m4a `$ }2 H4 P4 I8 ~
│ │ cover.jpg" T. x+ K3 R2 S
│ │ & H+ \0 Y# g# y
│ └─2017 - Add Violence - EP4 j0 y4 B i0 H. b4 D9 J2 X1 q
│ 01 Less Than.m4a
n5 N5 P+ w! W8 o& K$ v│ 02 The Lovers.m4a
4 e. ^- U: Y& `7 k│ 03 This Isn't the Place.m4a
C0 [4 g$ k" _4 @│ 04 Not Anymore.m4a+ a1 j4 w" j; y+ b0 f8 `% F
│ 05 The Background World.m4a
/ Y/ E$ y1 c6 R" o│ cover.jpg3 ~( i" q' u: s" O) h
│ ^0 @* k0 e) ^. [7 H
├─Live
. C/ S! P" |+ E [! ?8 M" m. d1 x│ ├─2002 - And All That Could Have Been (Live)
' K) {; @) \1 I+ q│ │ 1-01 Terrible Lie.m4a9 w2 A$ m4 I3 F3 q# o9 `4 j
│ │ 1-02 Sin.m4a0 G# g8 \& ]0 b
│ │ 1-03 March of the Pigs.m4a
! Y9 J, d1 ~$ g* k│ │ 1-04 Piggy.m4a, d! t" J5 c. f# a/ P+ D4 f
│ │ 1-05 The Frail.m4a/ U5 J4 B! Q* D+ h+ f; M# d' x
│ │ 1-06 The Wretched.m4a
9 v/ M0 G4 y# a- V7 Y; ^│ │ 1-07 Gave Up.m4a
. p$ t. R4 H, I( {5 R% e│ │ 1-08 The Great Below.m4a
6 s0 g/ v. K5 y% C7 s│ │ 1-09 The Mark Has Been Made.m4a
4 t8 O% t, I* Q4 |│ │ 1-10 Wish.m4a
$ K, u L; ^/ E! \" b│ │ 1-11 Suck.m4a2 t! _8 U& V6 B, ~
│ │ 1-12 Closer.m4a
: v# R7 ?( U4 |: @- A- r│ │ 1-13 Head Like a Hole.m4a
8 H5 F' u8 f0 E; r2 g% }9 [│ │ 1-14 The Day the World Went Away.m4a8 P. ]9 h. X% r, s" c( n& `
│ │ 1-15 Starfuckers, Inc..m4a
4 V! P: z1 y& v0 ~! i6 Z; @│ │ 1-16 Hurt.m4a# | J4 D u2 h" W
│ │ 2-01 Something I Can Never Have.m4a7 v' j3 E) q3 {2 z
│ │ 2-02 Adrift & At Peace.m4a* a/ v' p( J* d1 o/ F
│ │ 2-03 The Fragile.m4a# J: t- g1 Z" C: O# e
│ │ 2-04 The Becoming.m4a
1 T" n- ^, d2 G7 ~│ │ 2-05 Gone, Still.m4a
2 c T- |: \% u7 x( n# z3 J│ │ 2-06 The Day the World Went Away.m4a* c) P. T" }# ]1 H- ?+ |; X
│ │ 2-07 And All That Could Have Been.m4a
S. x& |/ P/ S4 D│ │ 2-08 The Persistence of Loss.m4a2 r4 Y ^ z* ^$ b
│ │ 2-09 Leaving Hope.m4a
1 x" y ~3 a9 \+ x│ │ cover.jpg
5 m3 Z4 N: w2 e- h' E│ │
- _0 ?0 h& {" U- f) Q; d' d│ └─2002 - Live_ And All That Could Have Been [Mastered for iTunes]
, X5 b4 t/ M$ X. S5 j2 T: o│ 01 Terrible Lie.m4a
! P. F" m2 B; I5 S! b3 J: N│ 02 Sin.m4a" x8 J5 G V9 W2 N: F2 ]/ D
│ 03 March of the Pigs.m4a9 [0 c& v: w5 y# w. ^
│ 04 Piggy.m4a
! c9 o4 p0 [: Y7 [│ 05 The Frail.m4a
4 O. P, u+ t, W2 y) z│ 06 The Wretched.m4a
7 m! \" r" ?% Q' O1 \& v* y│ 07 Gave Up.m4a
; X; K- m: X6 N) q0 X│ 08 The Great Below.m4a
; G$ }$ H1 l! p; r' G& T3 V2 c) q│ 09 The Mark Has Been Made.m4a+ {2 v' B* G* @' f* ^; Y& N( I
│ 10 Wish.m4a
; M3 X% D4 w/ c- h9 W│ 11 Suck.m4a+ c5 t: P8 W9 P) D) y
│ 12 Closer.m4a X- q9 k% u8 |0 N1 K
│ 13 Head Like a Hole.m4a6 G$ }2 y1 L/ E. ^& E
│ 14 The Day the World Went Away.m4a
- P, G1 n; `! D! `$ b│ 15 Starf--kers, Inc..m4a7 n. O& G! W7 J/ J4 B8 y* F7 u
│ 16 Hurt.m4a5 c7 x( |/ X/ L# X0 o
│ cover.jpg# Z# x3 T) H$ B/ i2 H# \) Y( n
│
& ~5 q, b$ Z8 {+ X├─Remix Albums
0 D; G4 V+ _+ E4 |& Y│ ├─1995 - Further Down the Spiral" d' S" P. O) ?# O+ J9 h
│ │ 01 Piggy (Nothing Can Stop Me Now).m4a
) w& A, v( u+ v, m│ │ 02 The Art of Self Destruction, Part One.m4a
- a& ]* X/ i; X. h6 d│ │ 03 Self Destruction, Pt. 3.m4a; |( w B. Z( _9 N
│ │ 04 Heresy.m4a8 O, Q# ?) Y# M* r9 Q( C( l; f
│ │ 05 The Downward Spiral (The Bottom).m4a
7 U/ e' L& b# N│ │ 06 Hurt (Quiet) [Live].m4a5 ^& G2 h' z& g* ?6 c& J9 R+ }! p
│ │ 07 At the Heart of It All.m4a
2 O: k& f" H9 q- y: ]0 B. h# X│ │ 08 Ruiner.m4a
& v5 O0 y- f3 c; M* u6 V│ │ 09 Eraser (Denial Realization).m4a
& D9 d: S3 B2 Z│ │ 10 Self Destruction, Final.m4a
" i5 {* p/ l* e( o0 S│ │ cover.jpg
u( v% X0 U% l, @│ │
' e) z+ A: A7 W' z│ ├─1995 - Further Down the Spiral (US Version)
( e4 S2 M" q& c+ j& a* K│ │ 01 Piggy (Nothing Can Stop Me Now).m4a
9 U- ^7 B {3 i│ │ 02 The Art of Self Destruction, Pt. 1.m4a
1 a) q6 X. v: f3 R7 O) z│ │ 03 Self Destruction, Pt. 2.m4a& N8 N5 c& k' q0 v
│ │ 04 The Downward Spiral (The Bottom).m4a
4 I1 V j/ C- I2 t6 R. f│ │ 05 Hurt (Quiet).m4a$ x" \4 u. Q4 s, q
│ │ 06 Eraser (Denial- Realization).m4a
. i+ K1 m( A1 |" S. t, O│ │ 07 At the Heart of it All.m4a2 C& Q% T( @+ u! j+ ?: b) P( V
│ │ 08 Eraser (Polite).m4a
5 E" ^8 u7 X; N5 M4 {* k│ │ 09 Self Destruction, Final.m4a
, l8 R# k7 w3 ], C' U" r' J│ │ 10 The Beauty of Being Numb.m4a* W: T; ^6 z) q' V* _, G+ @. m
│ │ 11 Erased, Over, Out.m4a
T' ]: l. H# k6 f7 [+ R; }+ q│ │ cover.jpg
9 ~7 ?8 t$ K' z) Y│ │ 6 r! H }0 m' |1 N3 b6 W
│ ├─2000 - Things Falling Apart
0 Y! i0 Z7 H; X0 d% V/ m│ │ 01 Slipping Away (Remix).m4a2 S- o/ G2 C4 N5 M! O4 [
│ │ 02 The Great Collapse (Remix).m4a* G8 x+ C$ `1 p- m
│ │ 03 The Wretched (Remix).m4a
2 K2 `- o+ W7 A$ V8 r8 s! z, T+ ]│ │ 04 S--------rs, Inc. (Remix).m4a- a+ ?2 G. f. u) l9 h* D, |
│ │ 05 The Frail (Remix).m4a
' Z8 t9 V3 h$ l+ }9 K0 ?│ │ 06 S--------rs, Inc. (Remix).m4a( @, J) }0 D( _$ \5 l. f6 Z. g
│ │ 07 Where Is Everybody! (Remix).m4a2 _+ }$ H" Z$ S5 e3 J) z' M# `
│ │ 08 Metal (Remix).m4a
: s7 r: ]6 ?0 F3 `6 j6 W│ │ 09 10 Miles High (Remix).m4a
1 O- B$ Y# z" N7 _' [( Z* |│ │ 10 S--------rs, Inc. (Remix cc).m4a
( ~) A% m X1 R& r* K) [+ A! {, m1 L│ │ cover.jpg2 o) e* Z, P1 R4 Z; @* F* |
│ │
: E4 g( G7 W3 l) r$ C│ └─2007 - Y34RZ3R0R3MIX3D) q* Q1 c z) d) ~1 {9 R6 t
│ 01 Gunshots By Computer (Saul Williams).m4a
2 l2 W2 a5 e$ _' G│ 02 The Great Destroyer (Modwheelmood).m4a
* D: U/ T6 Y% G2 [8 \│ 03 My Violent Heart (Pirate Robot Midget).m4a$ |& L h) @7 e
│ 04 The Beginning of the End (Ladytron).m4a
7 F& n( |1 Y. o. I│ 05 Survivalism (Saul Williams).m4a" X; g) A( Y) L0 |' c7 K
│ 06 Capital G (Paul Epworth Phones 666 Revolutions Mix).m4a, `, ?! D0 x) V& N- i
│ 07 Vessel (Bill Laswell).m4a
8 H8 E) l8 ^& G3 o8 L2 {│ 08 The Warning [feat. Doudou N'diaye Rose].m4a
( T3 F% |8 n! K│ 09 Meet Your Master (The Faint).m4a. [/ ?$ [; l$ z, N' l5 h
│ 10 God Given (Stephen Morris and Gillian Gilbert).m4a, C. r' R/ O# a% V
│ 11 Me, I'm Not (Olof Dreijer).m4a
/ m; Y% W( y( q: t) d8 o3 N0 w; s5 [│ 12 Another Version of the Truth (Kronos and Enrique Gonzalez Muller).m4a
" T% A2 y. ?: h) R& O│ 13 In This Twilight (Fennesz).m4a
$ L7 N6 F& e+ L& [0 P C- j│ 14 Zero Sum (Stephen Morris and Gillian Gilbert).m4a& o% A- ^, z) |' ~! U7 w( T
│ cover.jpg
8 X3 M( w; j2 G( `│
9 B% Z- S* ~) v1 w8 B└─Singles
0 h, x, v2 L! Y6 y8 K- k+ p9 @ ├─1989 - Down In It - Single2 }' ^/ x! Z. k: R4 K# W
│ 01 Down In It (Skin).m4a
, g* p. P: @7 q │ 02 Down In It (Shred).m4a
. W( V3 [9 U) J/ m │ 03 Down In It (Singe).m4a
3 N3 V2 q, ~' I& V% V) ]+ Q- k │ cover.jpg
2 k* t$ X; m* a# ] │
7 R, q5 X& K# C ├─1990 - Head Like a Hole - Single
! u4 v# k- _5 H! U( { │ 01 Head Like a Hole (Slate).m4a7 |. V8 m9 Y* V+ r2 P# w6 J
│ 02 Head Like a Hole (Clay).m4a3 g6 J* l/ W! g' ]( G2 f( x
│ 03 Terrible Lie (Sympathetic Mix).m4a
% ?' t9 h9 K1 [4 C │ 04 Head Like a Hole (Copper).m4a
5 k/ e0 ^ V! ^0 J; s q! t; p │ 05 You Know Who You Are.m4a9 ~) g. |2 ]) A2 q9 h! l4 M5 f
│ 06 Head Like a Hole (Soil).m4a6 E$ ]8 ?- x9 t- t' M
│ 07 Terrible Lie (Empathetic Mix).m4a
/ \7 A; U* \* x, B# W& h0 \- I │ 08 Down In It (Shred).m4a8 c; J% d, a5 N7 ]
│ 09 Down In It (Singe).m4a: U5 w6 c/ J Q4 B0 @
│ 10 Down In It (Demo).m4a
" {* e% V6 Y& M4 } │ cover.jpg
- c$ Q+ j9 ^* l' w/ }; P, a" m │ " p3 {0 z% R% m4 P+ }) g8 t9 R
├─1994 - Closer to God - Single
1 W' g2 f6 Q6 F │ 01 Closer to God.m4a/ W3 ?+ O; S! ~8 u% h% d; b
│ 02 Closer (Precursor).m4a- b/ Z" v- w o$ Z5 d3 x- L
│ 03 Closer (Deviation).m4a
9 [& S! \+ [- V, R* M │ 04 Heresy (Blind).m4a
) ?% x/ `! J' n) D& ~) d │ 05 Memorabilia.m4a" @% B: J( @$ A0 B, Y& S
│ 06 Closer (Internal).m4a
8 P5 w; X3 \. o │ 07 March of the F------ds.m4a
* E: W) f8 `3 o( N │ 08 Closer (Further Away).m4a4 U5 R3 P/ f8 N
│ 09 Closer.m4a
9 H9 @5 n0 ~. S" B* ? │ cover.jpg, G; R/ a3 y8 U% `. S
│
' P( b$ V/ Z- V) ` ├─1994 - March of the Pigs - Single" R+ |1 I, i+ n6 i% t% |! ]/ T
│ 01 March of the Pigs.m4a
% w% p- B2 Z" r g │ 02 Reptilian.m4a* X% F5 k4 ^9 a% Z3 }6 Y
│ 03 All the Pigs, All Lined Up.m4a8 \; a" ?2 ]) ]+ E& O( i5 t. L
│ 04 A Violet Fluid.m4a
; }5 O; O, M$ a. q( E( Q │ 05 Underneath the Skin.m4a
' q$ \3 _% E& J/ L. M │ cover.jpg
6 N$ m: `6 N4 i \ │
# z7 L% V2 J9 y, c, K- \ ├─1997 - ''The Perfect Drug'' Versions - Single! m& b# L1 ~; w: p( q" r" t6 Y
│ 01 The Perfect Drug (Meat Beat Manifesto).m4a
' Q4 o) X8 Q- I) v │ 02 The Perfect Drug (Plug).m4a
" Q2 L) N8 r: ?! {, J │ 03 The Perfect Drug (Nine Inch Nails).m4a
3 k p! J9 c6 W/ p: J% f3 g$ T │ 04 The Perfect Drug (Spacetime Continuum).m4a! o: r% q# ^$ E& Y* V
│ 05 The Perfect Drug (The Orb).m4a
7 V) e4 `, q: ~6 J6 Z2 y │ cover.jpg
; ?. O3 c: ^1 o& k) } │
; a4 C' ^% b% C5 [6 E$ P& Q4 ` ├─2013 - Copy of A - Single, I h% R/ Y6 P1 c+ d
│ 01 Copy of A.m4a. A3 V7 f+ X# x$ m' H! m6 m6 P
│ cover.jpg4 g4 { {) U7 Z& `0 V) r* b; Z
│ " |5 ^$ G( Z- e0 s* b
├─2013 - Everything - Single- p" w; X" x- i
│ 01 Everything.m4a
. D1 |8 o+ u2 M! U" x7 c% Q1 G │ cover.jpg; f3 y8 y$ ]9 s, c- s- l- q
│ $ ?" p1 N% w i. `
└─2017 - Less Than - Single
9 ^0 @3 W# W+ W8 ?: q, h8 N 01 Less Than.m4a
7 B j5 X3 ?7 S: M: w cover.jpg
' w6 } l/ m+ U; ]' j: }) d$ y) M' v# V( r% N. ^% z' D
# w3 B; k$ |6 Q9 O6 L) \" j# n8 T, w* _ j! c' u" D* G
4 K8 ^% R1 H0 C- m, j7 o+ g& \4 o
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