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3 e' u# q( G& K3 t5 }Nine Inch Nails简介
v) ?8 w3 [5 Z8 ]美国工业摇滚乐队，工业摇滚代表性乐队。成立时间为1988年。Nine Inch Nails 首次推出的《Industrial Nation》为他赢得了为 Skinny Puppy、The Jesus & Mary Chain、Peter Murphy 的演出担任助演的机会。但真正给乐队带来商业成功的是 1990 年专辑《Petty Hate Machine》及其中的热门歌曲《Head Like a Hole》。该专辑有着重金属的狂暴、流行曲的构架、工业音乐的声响和丰富的舞曲节奏，它在榜上停留了两年多。5 A2 J4 {, h: d# ~
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信息简介
/ \9 m2 o1 T7 N" c负罪感、异化、无尽的痛苦及其艺术化的表达，创造了一些令人铭记在心的摇滚乐。这其中也包括 Trent Reznor的 Nine Inch Nails单人乐队。乐队的音响空间是荒芜的，而歌词则将自暴自弃与绝望推向了极点。但是 Reznor 写出的是流行歌曲而非自己恐怖电影的配乐。它同时得到了另类和主流硬摇滚乐迷的喜爱，并将工业噪音音乐引入了主流。
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" R+ y! k# X, `+ i早年经历
3 k3 J/ }, z* ^7 j9 W+ E2 a2 }Michael Trent Reznor 生于宾夕法尼亚洲的默瑟。他 5 岁开始学习钢琴，同年父母离婚，他由外祖父母抚养。后来，他学习了萨克斯和大号。和其他初出茅庐的音乐家一样，他将自己的局外人情结埋进一支叫 Option 30 的乐队里。在 Allegheny College 攻读计算机工程后，Reznor 搬到了克利夫兰。 1988 年，他组建了 Nine Inch Nails，进行舞曲方向的探索，并汲取发展中的工业音乐和泰克诺风格。 Reznor 几乎包揽了所有创作、演奏和制作工作，只有当巡演时，他才会召来鼓手 Chris Vrenna 等乐手。
' F) K9 B8 ^( }, U# |# ENine Inch Nails 首次推出的《Industrial Nation》为他赢得了为 Skinny Puppy、The Jesus & Mary Chain、Peter Murphy 的演出担任助演的机会。但真正给乐队带来商业成功的是 1990 年专辑《Petty Hate Machine》及其中的热门歌曲《Head Like a Hole》。该专辑有着重金属的狂暴、流行曲的构架、工业音乐的声响和丰富的舞曲节奏，它在榜上停留了两年多。
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演艺经历
. p: }/ _$ E! p9 G1991 年，Nine Inch Nails 参加了 Lollapalooza 巡演并成为了 T 恤衫的销量冠军。但是，乐队与其公司 TVT的法律纠纷耽搁了第 2 张专辑的推出。后来，Reznor 与经理人 John Malm 创立了自己的厂牌 Nothing，于 1992 年开始签新乐队，包括 Pop Will Eat Itself、Prick 和著名的 Marilyn Manson。同年秋天，乐队推出EP《Broken》，打入排行榜十佳，其中一曲《Wish》获格莱美最佳金属表演奖。它的风格更加强硬，但仍有着常规歌曲结构。此时 Reznor 与 TVT 公司和 Interscope 公司（Nothing 的发行商）最后达成协议，允许 Reznor 和 Nothing 自立门户，但 TVT 将在后续的 Nine Inch Nails 的专辑中分红。
' g5 |8 C6 L/ e+ z& R1994 年春，Nine Inch Nails 发行第 2 张专辑《The Downward Spiral》，它标志着乐队从地下跃入主流。该专辑在 Charles Manson 的信徒谋杀女演员 Sharon Tate 的洛杉矶房屋里录制。 Reznor 也同期为 Tori Amos 录制了《Pass The Mission》。这张被宣传为“概念专辑”的作品体现了 Reznor 所受的根源影响——70 年代前卫摇滚,而其中也有前 King Crimson 乐队的吉他手Adrian Belew 助阵。它打上了排行榜第 2 名，Reznor 登上了《滚石》杂志封面，并成为《花花女郎》杂志“十大摇滚性感明星”。乐队参加了 1994 年 Woodstock 演出。这一切对于一个唱着“我聚在痛苦中/这是唯一真实的事”的人来说应该是愉快的。“虽然我们成了支流行乐队，填满了主流媒体的各个频道 ”，Reznor 说，“但我真的感到我是在走我自己的路”。
0 h( h/ J& N0 t( Z6 `在《 The Downward Spiral》之后，Reznor 为 Oliver Stone 的争议性电影《Natural Born Killers》（天生杀人狂）录制了富有创意的电影原声专辑。它将电影对白和歌曲（包括 Nine Inch Nails 的《Something I Can Never Have》和《Burn》）编织成天衣无缝的音响流动。此时，Reznor 和 Hole 乐队主将，Kurt Cobain 之遗孀Courtney Love 传出了绯闻。8 d" G' i1 r7 o0 G( {
1995 年，Nine Inch Nails 推出了混音专辑《Further Down The Spiral》，并与对他的音乐产生重要影响的 David Bowie 合作巡演。 1996 年，歌曲《Happiness In Slavery》（Woodstock 1994 年现场专辑版本）再获格莱美最佳金属表演奖。年底，准备着新专辑，并为 David Lynch 的电影《Lost Highway》（妖夜荒踪）写了 3 首新歌。 Reznor 和 Lynch 出现在 1997 年 2 月的《滚石》杂志封面。9 G& }1 ^+ r$ u2 X# X" y5 z
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" b- h: S$ V) l! S- l├─Albums1 g0 w! K. j1 j& w1 |4 }
│ ├─1989 - Pretty Hate Machine
* L' U+ n7 Q- U5 I│ │ 01 Head Like a Hole.m4a
3 T: y' y( B) |) }│ │ 02 Terrible Lie.m4a% C* b" @% F3 r {, Z
│ │ 03 Down In It.m4a
) g! F: j. Y/ x" I│ │ 04 Sanctified.m4a
: S) a7 V2 |2 n. [1 e* x8 v$ P│ │ 05 Something I Can Never Have.m4a4 v: i3 e7 S$ t- e3 y
│ │ 06 Kinda I Want To.m4a2 F- e, a2 k( |' O4 {; X
│ │ 07 Sin.m4a
0 F E- Z( v9 m9 J+ j│ │ 08 That's What I Get.m4a6 K6 U& ]3 r' c. A% \
│ │ 09 The Only Time.m4a
1 a8 G' p3 E) m8 N* Z L│ │ 10 Ringfinger.m4a
h @3 S+ ?; w1 T│ │ cover.jpg5 u4 {! w1 _) T; t" |" W9 D; q+ T- N
│ │ ! v- A( @1 X+ `6 R" f
│ ├─1989 - Pretty Hate Machine (2010 Remastered)( m1 P6 w* u% A) p4 Y6 h3 B
│ │ 01 Head Like a Hole.m4a
. f, x" T4 s* V7 U; e│ │ 02 Terrible Lie.m4a
1 c4 I7 |% [, A( t│ │ 03 Down In It.m4a8 _9 \, D4 @, _
│ │ 04 Sanctified.m4a
: S3 x6 J s+ ~. f' H0 T+ i│ │ 05 Something I Can Never Have.m4a
( N' @* }: G# i9 O1 C7 R, a│ │ 06 Kinda I Want To.m4a
7 X& v- x8 e# ?2 N# u2 R6 z; B│ │ 07 Sin.m4a1 p( o8 @* k" M
│ │ 08 That’s What I Get.m4a
4 z* H8 u5 p+ r: q" F, m3 P│ │ 09 The Only Time.m4a3 Q1 t/ E4 P5 [+ m) Q" w' \) k" y
│ │ 10 Ringfinger.m4a
@6 F# I, z* [│ │ 11 Get Down, Make Love.m4a5 w1 H6 \* X: H: X# e3 M0 q( s
│ │ cover.jpg8 r. A. i' t" m* ]0 M
│ │
: V! Q+ K! c* A# _" @' [0 L│ ├─1994 - The Downward Spiral (2004 Deluxe Edition)$ d; k& s! m1 n' r1 N* a! r' w
│ │ 1-01 Mr. Self Destruct.m4a
5 Q( K& @+ }2 B│ │ 1-02 Piggy.m4a, M1 Q8 N# G4 q! U( G9 Y' |
│ │ 1-03 Heresy.m4a
5 [1 K0 u- G9 D4 V/ M" y0 ^; {│ │ 1-04 March of the Pigs.m4a
2 k3 S0 H' v2 O( z( [- j" r$ F" o) _│ │ 1-05 Closer.m4a* t [9 R/ g6 Q9 I( R
│ │ 1-06 Ruiner.m4a6 Z0 F" L N8 d, l2 ~! x/ P$ d. h) f
│ │ 1-07 The Becoming.m4a
# G* W$ Z; t8 h5 d│ │ 1-08 I Do Not Want This.m4a
: m# C' R, D" t3 a8 i│ │ 1-09 Big Man with a Gun.m4a
2 d# O/ I7 o* P( V, @: I6 C( ]# Z│ │ 1-10 A Warm Place.m4a
1 C# c5 W2 i }! O│ │ 1-11 Eraser.m4a
3 U# T) Y* y/ M/ `│ │ 1-12 Reptile.m4a( i+ \$ C5 X9 a2 C2 }/ b; Y6 U/ G
│ │ 1-13 The Downward Spiral.m4a: @: b6 a5 p/ Y& @9 @
│ │ 1-14 Hurt.m4a/ I8 W7 y( W' ^* N# e' E
│ │ 2-01 Burn (Soundtrack Version).m4a7 N" Y$ G$ q* t7 d( {
│ │ 2-02 Closer (Precursor).m4a' @3 J% n* a) {' N0 j8 M, A2 J% x
│ │ 2-03 Piggy (Nothing Can Stop Me Now).m4a' r2 T- s( x1 z1 r
│ │ 2-04 A Violet Fluid.m4a: S5 A# q( \& t) a
│ │ 2-05 Dead Souls.m4a7 l' Y, ^) U/ {0 r: m+ K! F) Z
│ │ 2-06 Hurt (Quiet).m4a: s( a! \- a. y9 ?
│ │ 2-07 Closer to God.m4a
! I: d- {. Y @' i│ │ 2-08 All the Pigs, All Lined Up.m4a
! M4 n! ^. ^- e8 Y5 M) L) ]4 P│ │ 2-09 Memorabilia.m4a
9 ]9 z' M; i7 }9 N$ s0 ^% K│ │ 2-10 The Downward Spiral (The Bottom).m4a% z4 Z- d1 z1 O. C2 t
│ │ 2-11 Ruiner (Demo).m4a
9 r5 U& `8 U/ t; Z0 S1 t2 U. V│ │ 2-12 Liar (Reptile Demo).m4a1 ^' B! U+ L8 L* K1 B% J+ L& ?
│ │ 2-13 Heresy (Demo).m4a
' O- I/ U0 P0 i* O│ │ cover.jpg: y1 {* Q$ K. Y
│ │
7 r# g2 ^. H3 W4 J+ z' S4 ?8 {6 A│ ├─1994 - The Downward Spiral [Mastered for iTunes]& U/ ?3 ~& g2 d
│ │ 01 Mr. Self Destruct.m4a
# e; {; \' Y6 e. I b/ d- ^) B. M/ e│ │ 02 Piggy.m4a. ?- z6 Z; ^# O6 ~) f; f
│ │ 03 Heresy.m4a5 b6 A$ f4 O# P4 p5 W& D6 j4 k$ X+ N, W
│ │ 04 March of the Pigs.m4a
3 ]9 x" V6 F! | V5 V│ │ 05 Closer.m4a, ^. t7 t& O; l, K( ]
│ │ 06 Ruiner.m4a! K& m) H; R# p. K5 w* u3 q& w
│ │ 07 The Becoming.m4a: o, I9 m) n& _8 {
│ │ 08 I Do Not Want This.m4a
9 I% H2 j2 G: x7 }│ │ 09 Big Man with a Gun.m4a! k; F2 d( r, P6 d- c' ~3 B8 V$ Q
│ │ 10 A Warm Place.m4a
; l- u$ Q+ b% C& S│ │ 11 Eraser.m4a
- \. D5 h% F" R# E│ │ 12 Reptile.m4a0 |, N( x) r" O- O
│ │ 13 The Downward Spiral.m4a
) k2 r' T" I5 y/ u│ │ 14 Hurt.m4a# n7 A8 r' V; K2 h7 M& v
│ │ cover.jpg
, p5 a* n5 y' H0 e) z+ K│ │
B) B, |4 m3 w- m│ ├─1999 - The Fragile [Mastered for iTunes]
8 Y( e5 H; ~0 U" t│ │ 1-01 Somewhat Damaged.m4a: l* r& z, e" K5 a
│ │ 1-02 The Day the World Went Away.m4a1 N* M* T& f) v' ]! h( x0 B2 _
│ │ 1-03 The Frail.m4a4 d7 A" v4 a* S1 x
│ │ 1-04 The Wretched.m4a
3 H8 ?) r7 Q) j7 B' n│ │ 1-05 We're in This Together.m4a5 G- x6 F* k6 {1 A! B
│ │ 1-06 The Fragile.m4a3 ?: Y8 i, F/ w
│ │ 1-07 Just Like You Imagined.m4a% w O/ F& d6 }0 T* q |% j
│ │ 1-08 Even Deeper.m4a
2 {. p* `. V3 G% J│ │ 1-09 Pilgrimage.m4a
F$ E/ Y! x: z( c7 g9 A│ │ 1-10 No, You Don't.m4a4 F6 J1 W+ u) i# S
│ │ 1-11 La Mer.m4a; e3 u4 j2 U+ V) t* H/ q
│ │ 1-12 The Great Below.m4a5 H% |! B& [" |
│ │ 2-01 The Way Out Is Through.m4a
2 K* r: d2 m! Y- t│ │ 2-02 Into the Void.m4a
: b6 B9 b. C/ Y/ k X. g8 V$ b│ │ 2-03 Where Is Everybody_.m4a8 H, \: ~( M. n7 \# r. m
│ │ 2-04 The Mark Has Been Made.m4a
0 [9 e" Y, r( ^│ │ 2-05 Please.m4a
- u( K. `; e" K6 z│ │ 2-06 Starf--kers, Inc..m4a
9 l% m0 }) }$ q" i" R│ │ 2-07 Complication.m4a
+ W( y- e# T) \3 I│ │ 2-08 I'm Looking Forward to Joining You, Finally.m4a
" D" C+ o. }4 i$ ~& R│ │ 2-09 The Big Come Down.m4a3 c$ J: {0 |! l4 x* _
│ │ 2-10 Underneath It All.m4a
, l1 g2 ]. J+ b9 g' j$ ~│ │ 2-11 Ripe (With Decay).m4a. a3 \. @2 C5 d( {
│ │ cover.jpg9 M! o( }+ m! O7 c4 `+ M1 j
│ │ / ]# f- X8 T) N7 j* n6 m8 g
│ ├─2002 - Still
+ l* T p* S2 O3 L9 M│ │ 01 Something I Can Never Have.m4a0 F/ P" }2 H. P
│ │ 02 Adrift & At Peace.m4a4 y/ W4 a6 V, h
│ │ 03 The Fragile.m4a
7 b; G1 M$ o" _+ i1 w! s4 t$ v6 W! B5 z2 A│ │ 04 The Becoming.m4a+ R. N+ Y' O: D9 z% o. k
│ │ 05 Gone, Still.m4a2 q9 L. r" N3 p8 u2 P9 z
│ │ 06 The Day the World Went Away.m4a5 C: G, O2 q7 B8 U+ l4 K8 x
│ │ 07 And All That Could Have Been.m4a
5 w7 d1 _" Z: B! [# J% g' ]1 b+ i3 z│ │ 08 The Persistence of Loss.m4a% S. S* @- o/ Q: X3 O' C5 ~
│ │ 09 Leaving Hope.m4a
+ a# G) {- @ Z. {- w! A1 y" S│ │ cover.jpg
$ a7 h/ d; i" S& |4 ~: }; u│ │ ( D" i9 D: G2 S4 Z1 ?6 z0 d1 |
│ ├─2005 - With Teeth
6 B/ [& t4 e* W; |* N# M6 i- s2 Z│ │ 01 All the Love In the World.m4a
% N9 b6 J e9 @3 q4 W+ N0 ?& ~ K. H│ │ 02 You Know What You Are_.m4a
# t( V: I. F/ {5 ?) s$ j. g- n/ f7 K│ │ 03 The Collector.m4a
" [8 Q5 s. A2 G( a1 G│ │ 04 The Hand That Feeds.m4a/ r$ c7 p" r9 u/ C2 L4 T- ^. |
│ │ 05 Love Is Not Enough.m4a
" z0 M$ |3 d7 H+ y* Y3 j, _! j│ │ 06 Every Day Is Exactly the Same.m4a9 |: K, a5 y; g) B2 i7 O, h
│ │ 07 With Teeth.m4a" l, T) D9 P4 m' _
│ │ 08 Only.m4a
" Q( H/ ~( F+ t: u7 A│ │ 09 Getting Smaller.m4a3 \ _! M F/ c8 T4 M' M9 H
│ │ 10 Sunspots.m4a
. k7 ]) }" I: b1 {│ │ 11 The Line Begins to Blur.m4a
. V% C( e q/ a! s% q$ A5 X. B│ │ 12 Beside You In Time.m4a7 T" F9 e% ^ t
│ │ 13 Right Where It Belongs.m4a
1 g7 G. ?+ [8 _2 o1 P6 \+ a' z$ y* b│ │ 14 Home (Non-LP Version).m4a
6 F3 \2 O0 \$ K& t& n" ^│ │ 15 Right Where It Belongs (Alternate Version 2).m4a3 B" J# ~' g6 T& l3 ~& F! v
│ │ cover.jpg' J) T& B+ e% C X7 O( k! T
│ │
' T$ A6 a/ ]4 T│ ├─2005 - With Teeth [Mastered for iTunes]* M4 o( M) _+ L; P1 J
│ │ 01 All the Love in the World.m4a, A. I8 j7 w" d* C
│ │ 02 You Know What You Are_.m4a1 K$ H* |- p% C; s6 v: f% u. d3 J
│ │ 03 The Collector.m4a2 s7 w( G1 C0 q- D
│ │ 04 The Hand That Feeds.m4a0 o: j7 A& E2 A- v! J! n
│ │ 05 Love Is Not Enough.m4a
0 ]6 `" @& _1 I4 K0 d/ c- |6 z, m│ │ 06 Every Day Is Exactly the Same.m4a
( c. Y4 B! \8 l" I* c" T8 E; H5 {│ │ 07 With Teeth.m4a
$ A8 }+ X" V+ p2 f4 T, p│ │ 08 Only.m4a! Z7 S/ {" K& {
│ │ 09 Getting Smaller.m4a
5 u$ x- ?' E/ {& K) C' X a│ │ 10 Sunspots.m4a9 s/ a2 F; n; q5 p' U w% D
│ │ 11 The Line Begins to Blur.m4a( e8 N, m" ^9 L! F2 e: m
│ │ 12 Beside You in Time.m4a
2 \( P; f' `5 h9 G# n0 }│ │ 13 Right Where It Belongs.m4a) q6 T8 X- T' h/ S1 H
│ │ cover.jpg( m2 y2 l; `, W9 J3 Z
│ │
' k& R0 s+ ~5 t% `│ ├─2007 - Year Zero [Mastered for iTunes]0 C3 M2 c9 p% X- Z+ k
│ │ 01 Hyperpower!.m4a
z. Q& L# u8 u# ^5 `1 P+ Y6 x q│ │ 02 The Beginning of the End.m4a
2 L3 j j& s% Y9 ]│ │ 03 Survivalism.m4a
& S8 `! g7 m& E! e v8 E│ │ 04 The Good Soldier.m4a0 A! F0 ^, ]$ N1 x6 v! J9 V
│ │ 05 Vessel.m4a
( F2 `8 q: A' a. {- t9 p: z│ │ 06 Me, I'm Not.m4a% P6 v6 A% d9 g/ s
│ │ 07 Capital G.m4a3 ?8 Z3 T4 p3 _/ I8 \7 K* H9 F
│ │ 08 My Violent Heart.m4a# E# c$ Z; C Z2 P/ L" S
│ │ 09 The Warning.m4a
6 Z, @5 ~ s: C5 L* r+ c│ │ 10 God Given.m4a
. W7 \+ k- c3 \. Z│ │ 11 Meet Your Master.m4a& p# `2 G" O+ X# O. [. Z* h" G: d
│ │ 12 The Greater Good.m4a( C4 E7 K2 T2 J" t4 f& A5 t* R
│ │ 13 The Great Destroyer.m4a5 @. Q- I6 { D* }
│ │ 14 Another Version of the Truth.m4a
; x% t$ \& G6 E' Q│ │ 15 In This Twilight.m4a5 e1 D3 ?* I/ A( l
│ │ 16 Zero Sum.m4a
+ C: x2 _" D3 q│ │ cover.jpg7 C" J; ?" \! @, @) M
│ │ & ? k: X. U( \1 m9 i7 e
│ ├─2008 - Ghosts I-IV
$ S" ~- ?# |1 s7 j. B, N│ │ 01 01 Ghosts I.m4a
2 s2 [" K" W! w│ │ 02 02 Ghosts I.m4a Z! D% |- i$ p+ s
│ │ 03 03 Ghosts I.m4a% A. M6 i/ ]6 L& T# d0 a
│ │ 04 04 Ghosts I.m4a
% A: D& W2 }) ?2 | b│ │ 05 05 Ghosts I.m4a
9 A# l$ f* Q1 M. r! W1 Z│ │ 06 06 Ghosts I.m4a6 b6 t! Y$ d$ x7 ~( Z
│ │ 07 07 Ghosts I.m4a5 S" \- s- O5 t& Y/ V$ o
│ │ 08 08 Ghosts I.m4a' ~& [1 G$ y% ~, v6 R1 j, Z
│ │ 09 09 Ghosts I.m4a
4 ?6 a- Y% R6 R# Y- Z│ │ 10 10 Ghosts II.m4a
% i. b7 J4 w2 g│ │ 11 11 Ghosts II.m4a
# r2 i# x+ Y, M/ L& }$ E│ │ 12 12 Ghosts II.m4a
5 m9 m. K- p ~2 o; j& B│ │ 13 13 Ghosts II.m4a: a; D$ N/ @* H1 m
│ │ 14 14 Ghosts II.m4a* g$ B6 d0 n- ^! ]: }, }
│ │ 15 15 Ghosts II.m4a
/ i1 O( I. L) M. n" X9 _│ │ 16 16 Ghosts II.m4a2 y( }- C0 @; o3 H9 [
│ │ 17 17 Ghosts II.m4a
$ g5 n# ^+ h5 u. m0 o. l│ │ 18 18 Ghosts II.m4a. K* J4 N; x; X# V* m H/ \
│ │ 19 19 Ghosts III.m4a" E: a# U1 E4 [8 q! i
│ │ 20 20 Ghosts III.m4a
, g/ T) y8 |- h4 I6 o+ k. f% D│ │ 21 21 Ghosts III.m4a
! `+ O$ X: b; q" o│ │ 22 22 Ghosts III.m4a
( C( C% L4 K! |6 Y) z│ │ 23 23 Ghosts III.m4a
. M- x' b3 h3 M! k. B│ │ 24 24 Ghosts III.m4a
; U/ t+ l) {' G# S9 o z. y│ │ 25 25 Ghosts III.m4a' a" n* k/ F( H9 d
│ │ 26 26 Ghosts III.m4a
1 F; M( Y5 b3 n5 J; t, Z6 d│ │ 27 27 Ghosts III.m4a& o; p' k N! c1 @( d2 m' o; |5 |6 n+ q
│ │ 28 28 Ghosts IV.m4a9 K8 ~6 C% S" o& L, C
│ │ 29 29 Ghosts IV.m4a
% Q$ O* f/ U g│ │ 30 30 Ghosts IV.m4a# b- V2 d1 U7 j" M
│ │ 31 31 Ghosts IV.m4a9 F% n9 ?/ r* d2 V6 s) Z7 w
│ │ 32 32 Ghosts IV.m4a' R- K# C5 Q4 N9 w
│ │ 33 33 Ghosts IV.m4a
/ b+ [. X, x, M# D│ │ 34 34 Ghosts IV.m4a
" J( ?1 _' q4 |│ │ 35 35 Ghosts IV.m4a6 [ u6 _1 D) m: q& N
│ │ 36 36 Ghosts IV.m4a
& ^/ _- s! `- b+ X8 E& N0 S│ │ cover.jpg
1 B* M6 l k1 R6 ~/ m│ │
, w: C6 u [ t" o' p3 m│ ├─2008 - The Slip4 ]4 K M, r% \4 M
│ │ 01 999,999.m4a
: v6 _& j" {3 e% J│ │ 02 1,000,000.m4a
6 B# Z9 J& n, H! M5 b. N8 }0 s│ │ 03 Letting You.m4a w' S2 S c1 N. h
│ │ 04 Discipline.m4a
: L3 g5 M7 S. j% @( g│ │ 05 Echoplex.m4a4 A: _+ E& z0 |: @
│ │ 06 Head Down.m4a+ F' S3 A$ v7 }0 g7 W( C
│ │ 07 Lights In the Sky.m4a! U0 E* \/ i3 L, X
│ │ 08 Corona Radiata.m4a- l* o6 p" w8 [8 V) s% f6 E
│ │ 09 The Four of Us Are Dying.m4a# N3 O8 w3 q, M* n A
│ │ 10 Demon Seed.m4a! M7 B* e! W- ]3 c% u
│ │ cover.jpg
5 X: M- Q" A% a5 i j" m. h│ │
# \* f* M6 Z; q8 |- ~│ ├─2013 - Hesitation Marks (Deluxe Edition) [Mastered for iTunes]
+ z9 Y% ^0 Q* i7 C; {3 g1 m$ V0 x& }│ │ 01 The Eater of Dreams.m4a2 m7 X& c& f" {- Y2 N* O# y }
│ │ 02 Copy of A.m4a
# S& m5 W# F) N│ │ 03 Came Back Haunted.m4a
" B* Z, V! a* @! A! m: r│ │ 04 Find My Way.m4a
. ?, z0 [9 @9 F/ @# h8 S│ │ 05 All Time Low.m4a
A7 b% P0 a! Z) I. w5 Q│ │ 06 Disappointed.m4a2 C4 l# ~- K+ r
│ │ 07 Everything.m4a) E7 o# o T* _8 Z: x, U9 W [1 K8 p- z
│ │ 08 Satellite.m4a, Y! d) A8 J+ z; |, Z9 L3 p
│ │ 09 Various Methods of Escape.m4a
0 f3 ?; j! K( x" q0 C) y│ │ 10 Running.m4a3 N5 g# z4 H6 z9 P" G4 S
│ │ 11 I Would For You.m4a3 |0 F2 R7 J; L; C) v: I
│ │ 12 In Two.m4a
* R: x$ v$ {4 N- [/ o2 ?4 B( A, K! j│ │ 13 While I'm Still Here.m4a) v* K' K7 S' z# y
│ │ 14 Black Noise.m4a, q& a; e/ c/ c. w: w
│ │ 15 Find My Way (Oneohtrix Point Never Remix).m4a
# ~ M6 W, M6 `│ │ 16 All Time Low (Todd Rundgren Remix).m4a
% {) k$ H' P1 H0 L│ │ 17 While I'm Still Here (Breyer P-Orridge 'Howler' Remix).m4a, ]( {; p4 @: d6 ?( Q: ~9 K1 Q
│ │ 18 Trent Reznor In Conversation With....m4a
& o/ L# S; R2 j l; d8 j% T$ g! C│ │ cover.jpg3 S* H. G% y% J( A
│ │ , J5 {( n# x2 G1 j0 c# A U0 x
│ └─2018 - Bad Witch
; U! L- C- l* R; D│ 01 Shit Mirror.m4a8 z, D$ e- K; P# I3 z# R3 g+ n# T
│ 02 Ahead of Ourselves.m4a+ t. }* P/ n+ g' `
│ 03 Play the Goddamned Part.m4a1 V$ U& {4 Y! B8 I% e
│ 04 God Break Down the Door.m4a
0 @: B* s) i' w7 ?2 H│ 05 I'm Not from This World.m4a
% i% S0 P7 r7 n1 j│ 06 Over and Out.m4a
# ~# O* Y/ j$ z% c3 o* G1 F│ cover.jpg5 f7 C! H8 x2 N+ k. y3 |& F( l, l v
│
" A4 w; r& J. c3 ?├─EP's- C3 b6 b' I9 ~! m0 d
│ ├─1990 - Sin - EP
7 s3 C! Z. _8 p" W│ │ 01 Sin (Long).m4a
2 _* `$ F, |& D! v) r│ │ 02 Sin (Dub).m4a1 y2 ]. T' t, d! A$ @
│ │ 03 Get Down Make Love.m4a; I$ P4 [( N n$ D5 E2 _
│ │ 04 Sin (Short).m4a
" ?) Q9 z5 Y9 R9 Y│ │ cover.jpg
8 J$ g. r% c$ @/ n# J; K% X│ │
$ U- E7 o/ k2 J7 @4 ~│ ├─1992 - Broken - EP9 h* l, ~0 H- i: g
│ │ 01 Pinion.m4a, C( Q5 D# `2 k' o, u) k
│ │ 02 Wish.m4a
w7 ^! H. b" D│ │ 03 Last.m4a
1 Q, D: ` c( {/ ^2 g9 A8 I│ │ 04 Help Me I Am in Hell.m4a; Y1 P# v$ W; z$ L; U
│ │ 05 Happiness in Slavery.m4a
& k& @5 a- A, k- }│ │ 06 Gave Up.m4a8 N, v3 p) z* _* t0 }5 K
│ │ 07 Physical (You're So).m4a- n) i/ `" b5 }1 i3 |% }
│ │ 08 Suck.m4a
( z, N$ A0 E$ _0 h/ d4 r$ y│ │ cover.jpg' a! y9 M5 _+ c
│ │ 1 s( S) y0 u) V7 f* w
│ ├─1992 - Fixed - EP
+ \( h9 G2 }: n- m7 }2 i m. h│ │ 01 Gave Up (Remix).m4a( {: z4 k5 b" m8 r) x8 P
│ │ 02 Wish (Remix).m4a
2 E0 `% R7 B3 ^8 s( b5 z│ │ 03 Happiness In Slavery (Remix).m4a$ p0 G5 V: C. V! m0 m
│ │ 04 Throw This Away.m4a- ?1 N3 L# Y) X; L. ~; t3 F
│ │ 05 First F--k (Remix).m4a( p$ K: _1 ~, ]) w- p: Y) Z% }: e
│ │ 06 Screaming Slave.m4a
0 m$ E$ a$ V) Z& [, u│ │ cover.jpg
( A( v, v2 F& w5 p6 {│ │
; [ O" k! {9 l) f* i│ ├─2005 - Only - EP+ ?/ q; @ [( K: L% l
│ │ 01 Only.m4a
5 J) J& }' E6 n' l) B│ │ 02 The Hand That Feeds.m4a# L- T& x0 u! T! K, w) B
│ │ 03 Love Is Not Enough.m4a. Y0 O" {0 z* H( }
│ │ 04 Only.m4v4 ^! g2 R1 \% v4 g
│ │ cover.jpg6 o$ \; ]& O% j9 i2 A
│ │ & S. l; k. E8 D. N: M7 w! L
│ ├─2005 - The Hand That Feeds - EP; h0 ?8 Y9 F @6 o' z/ @
│ │ 01 The Hand That Feeds.m4a
7 G6 _- \9 s' {) v3 U @; T│ │ 02 The Hand That Feeds (Dfa Remix).m4a& X1 o \4 X7 h) x `. }
│ │ 03 The Hand That Feeds (Photek Dub).m4a) Y9 {' M/ S& ?! M8 N6 c% F8 V. E
│ │ cover.jpg% U2 q% P: Y# w4 }
│ │ 2 K( e$ ~7 R, L/ w# G
│ ├─2006 - Every Day Is Exactly the Same (Remixes) - EP- A7 R# t: i$ M, ~; V' v
│ │ 01 Every Day Is Exactly the Same.m4a
$ q* K$ C) x: j2 C8 |7 l│ │ 02 The Hand That Feeds (Dfa Remix).m4a
5 Q+ s( S: x. ]│ │ 03 The Hand That Feeds (Photek Straight Remix).m4a
. U; Q/ E1 u% J& l6 G│ │ 04 Only (El-P Remix).m4a7 J. r, M: {% L z, X9 v
│ │ 05 Only (Richard X Remix).m4a
~' N$ f7 t+ o│ │ 06 Every Day Is Exactly the Same (Sam Fog vs. Carlos D. Main Mix).m4a
* T' U" x5 G+ z8 _$ t│ │ cover.jpg
, d# [/ t3 X- k& T/ x│ │ ) w- g: F1 |2 V$ V2 H# X* [+ f
│ ├─2007 - Survivalism - EP
6 Y, ~: \- c0 \- Y4 z│ │ 01 Survivalism.m4a& @7 b9 @* I% |# N9 q' o$ R( t
│ │ 02 Survivalism (Tardusted Remix).m4a
( X( @! f* u' x; h2 W2 `│ │ 03 The Greater Good (Instrumental Version).m4a
, Y8 y5 @ H; l8 l│ │ cover.jpg
6 L- a, ?, c7 N) ?4 h8 c│ │
$ e2 W% L% t: c: `│ ├─2014 - Recoiled - EP (w. Coil)
1 K- U6 U' q0 e' V6 y│ │ 01 Gave Up (Open My Eyes).m4a
6 k- K2 D9 m0 j) }0 w. o" m│ │ 02 Closer (Unrecalled).m4a
; a7 t- a/ E' R% r│ │ 03 The Downward Spiral (A Gilded Sickness).m4a
7 k- q) ]: Q; R. |$ A│ │ 04 Eraser (Reduction).m4a/ W8 `: d7 S; w8 [1 p
│ │ 05 Eraser (Baby Alarm Remix).m4a
& N) {0 g& y2 t) o0 `' `│ │ cover.jpg6 }6 H( q$ C9 B' c
│ │
6 C. L! r7 ?* Y7 A. ]│ ├─2016 - Not the Actual Events - EP
* F, {5 z( z6 j3 k) @! n/ r│ │ 01 Branches _ Bones.m4a
8 D' P# Z/ I5 f5 e( R0 v8 S│ │ 02 Dear World,.m4a
: }+ @% P$ J- t* R2 A3 X│ │ 03 She’s Gone Away.m4a
' |7 ]# s1 Y" p }│ │ 04 The Idea of You.m4a
, @ P) K3 B/ b! F7 R- D, R│ │ 05 Burning Bright (Field on Fire).m4a% J% b# Y% V: k; l1 M% X4 J
│ │ cover.jpg
- x. f0 p/ h& |# h/ T1 ?│ │
" m# i! r# O/ o# I│ └─2017 - Add Violence - EP; h- `% a0 Z* H4 x+ b
│ 01 Less Than.m4a- I9 K8 Z5 z) _$ c& X
│ 02 The Lovers.m4a
/ K G G, Y0 ? y7 q│ 03 This Isn't the Place.m4a
9 i1 f; \; S$ o& @% C4 G│ 04 Not Anymore.m4a
: U& x5 i" {+ |" i% t- @│ 05 The Background World.m4a
, M0 D U, [3 z- M% }% c" t7 a0 d3 D│ cover.jpg
0 a* S) [; Z! j0 z9 O+ _│ ! E* p. |# ~3 {2 b3 t. B2 a) m
├─Live
( J. i* U# V8 ~" r/ @│ ├─2002 - And All That Could Have Been (Live)
7 @5 Z$ A! v# S3 z% l* ]│ │ 1-01 Terrible Lie.m4a
7 j# K0 R) S: a│ │ 1-02 Sin.m4a
+ u% O6 {2 ?2 T( [% ^2 d. v0 V1 p│ │ 1-03 March of the Pigs.m4a
* p" @ T0 t# n2 ~│ │ 1-04 Piggy.m4a" ^! K4 j$ ~! V/ @
│ │ 1-05 The Frail.m4a
( ]5 r! c* p7 ]0 q% c│ │ 1-06 The Wretched.m4a% C: _3 y5 [; I* q% G! m" e8 {. `
│ │ 1-07 Gave Up.m4a
6 E r5 G% \' x2 W9 |# ~- n& z│ │ 1-08 The Great Below.m4a
2 c1 F2 D$ w1 D3 C' a. x) {│ │ 1-09 The Mark Has Been Made.m4a0 M5 ` n' v' b4 s7 Y- ~. c) x
│ │ 1-10 Wish.m4a
- T6 t6 |6 w0 c3 I% m2 l2 [│ │ 1-11 Suck.m4a
) J! F( o6 y1 w% Y9 r│ │ 1-12 Closer.m4a( p% y! u7 O* c4 I2 H4 Y# e
│ │ 1-13 Head Like a Hole.m4a9 a) m K7 U, u }6 F( @/ V
│ │ 1-14 The Day the World Went Away.m4a' M7 M. s% d3 j% H4 U& [3 G
│ │ 1-15 Starfuckers, Inc..m4a
( @+ c0 h( C) J3 d4 K│ │ 1-16 Hurt.m4a, p% u, m2 d: L4 Y
│ │ 2-01 Something I Can Never Have.m4a) G) e1 j7 ~6 w4 t. |: z4 O
│ │ 2-02 Adrift & At Peace.m4a# P9 G- \, s+ O5 F
│ │ 2-03 The Fragile.m4a
{: x5 m, ]! M ?% f. ^4 j! B│ │ 2-04 The Becoming.m4a7 E0 n+ Q& K. u3 U4 \0 @" c1 h
│ │ 2-05 Gone, Still.m4a: q' z' a( ^+ \
│ │ 2-06 The Day the World Went Away.m4a
3 v9 ]# d: P C/ I│ │ 2-07 And All That Could Have Been.m4a
9 R9 {) u% t- o) Y│ │ 2-08 The Persistence of Loss.m4a
h+ _9 n/ N. v& o0 E/ E3 Z│ │ 2-09 Leaving Hope.m4a
6 ?+ [4 p6 j7 o3 m│ │ cover.jpg- G- g% F- H2 Y( E9 N' U
│ │ ; s! o) ` _; ~! A$ g
│ └─2002 - Live_ And All That Could Have Been [Mastered for iTunes]8 t. ?6 I6 F0 R9 E N% \4 [
│ 01 Terrible Lie.m4a4 n: K# d$ g: ?9 {' b1 [4 A/ }
│ 02 Sin.m4a
/ S2 P1 x' {3 ^. c/ [* ^│ 03 March of the Pigs.m4a
" ?2 U& C5 R& a8 g│ 04 Piggy.m4a
) o+ u0 f, [4 o5 E' h+ H" B│ 05 The Frail.m4a
7 g+ q% k! M( Q7 C5 I: I│ 06 The Wretched.m4a, d4 L Q# B# v) d! I
│ 07 Gave Up.m4a# P- d% J- Z/ W! u6 _4 ?) U
│ 08 The Great Below.m4a1 \( P7 z8 F5 N6 ]1 G
│ 09 The Mark Has Been Made.m4a6 \/ p3 i1 e+ [
│ 10 Wish.m4a' U4 U7 Y# G, P4 r
│ 11 Suck.m4a9 f. J1 N: q" x
│ 12 Closer.m4a5 N" c- N2 m1 M! ~$ O9 `
│ 13 Head Like a Hole.m4a* P9 ~, m+ [6 y3 n& _. A7 t
│ 14 The Day the World Went Away.m4a S: \8 Q6 C0 h3 \# |& R# e
│ 15 Starf--kers, Inc..m4a
+ j N! m i0 [: U1 J8 ~* w2 p# G8 E│ 16 Hurt.m4a
4 R, M5 G" R5 r0 R│ cover.jpg
( B) Y' u1 z7 A" o│
6 Y# R% `/ k7 I├─Remix Albums
: }" l; c& J2 g│ ├─1995 - Further Down the Spiral \! V- N+ Y; {5 Y/ O/ f! C% n
│ │ 01 Piggy (Nothing Can Stop Me Now).m4a
, ]. a7 T. G5 g! s8 T│ │ 02 The Art of Self Destruction, Part One.m4a
& [6 y6 t# q$ Z8 J H│ │ 03 Self Destruction, Pt. 3.m4a: r" Q1 x; s$ |+ K- z7 H
│ │ 04 Heresy.m4a# f: d$ j h* y3 x% D4 P K
│ │ 05 The Downward Spiral (The Bottom).m4a
$ N( t+ P$ X5 X D$ R; O3 L7 U% ?│ │ 06 Hurt (Quiet) [Live].m4a" |* a8 e ?4 w# C
│ │ 07 At the Heart of It All.m4a
% V4 T( ]) B7 @& M t0 [│ │ 08 Ruiner.m4a6 }, o/ e2 f% A) Q% |6 R
│ │ 09 Eraser (Denial Realization).m4a& p& _0 u! a L* u `7 A# {' O2 D
│ │ 10 Self Destruction, Final.m4a9 q8 M# c* E: J6 V8 z s# J
│ │ cover.jpg
) t& `9 w1 o4 d7 v& a J│ │
3 C8 H/ x3 d6 S, k; E- U" C│ ├─1995 - Further Down the Spiral (US Version)
' a5 \6 k6 \6 I" P% ~│ │ 01 Piggy (Nothing Can Stop Me Now).m4a
! x9 e9 r: M# h9 N% `& A│ │ 02 The Art of Self Destruction, Pt. 1.m4a* `& T, h' ~& P8 c# l) Z5 y
│ │ 03 Self Destruction, Pt. 2.m4a" l7 C* p9 `7 s. j, ]9 F1 e
│ │ 04 The Downward Spiral (The Bottom).m4a
! w9 i; t2 t& E0 p, w3 o7 F: o│ │ 05 Hurt (Quiet).m4a
: }1 R' h1 }5 v+ ?- o1 S, h: u│ │ 06 Eraser (Denial- Realization).m4a
, o& \ i0 F/ d/ u/ C% z. c6 f% \│ │ 07 At the Heart of it All.m4a
' U) U, R, F# {& D! W1 J│ │ 08 Eraser (Polite).m4a7 h5 `7 h( f$ b0 z9 ^4 o
│ │ 09 Self Destruction, Final.m4a# z7 [. ^* o6 z/ ]& G
│ │ 10 The Beauty of Being Numb.m4a
6 |% ^$ \3 u- i│ │ 11 Erased, Over, Out.m4a
6 c9 N" U8 i4 x) e│ │ cover.jpg
3 Z5 B. q; S0 I5 c$ q- X) M│ │ % `! p! g4 A5 f
│ ├─2000 - Things Falling Apart+ y4 w- N7 \$ P4 f
│ │ 01 Slipping Away (Remix).m4a/ F. C9 r4 @; Z/ Y7 X
│ │ 02 The Great Collapse (Remix).m4a* h+ b7 u' Y/ ~/ b* G# n- O# o) q
│ │ 03 The Wretched (Remix).m4a1 @* w9 z5 ]5 [ H& u
│ │ 04 S--------rs, Inc. (Remix).m4a2 z9 f. m8 a3 b+ _0 F- ?. Z
│ │ 05 The Frail (Remix).m4a
% t$ o. T: W+ I$ n; Y& n4 X│ │ 06 S--------rs, Inc. (Remix).m4a
4 j, V7 G% V. X: Q C1 D7 }│ │ 07 Where Is Everybody! (Remix).m4a+ T7 P. Y; J- ^
│ │ 08 Metal (Remix).m4a
% T* [# B! C5 U) L$ C, Y. c% W│ │ 09 10 Miles High (Remix).m4a3 B5 E2 x/ u% m+ S k7 v
│ │ 10 S--------rs, Inc. (Remix cc).m4a5 w( F0 H& E- p X1 R9 a2 R; r
│ │ cover.jpg
# P' v" w3 Y- `8 J) f* x/ j│ │ ; _0 X9 x* }1 W6 ` l: ~
│ └─2007 - Y34RZ3R0R3MIX3D0 N+ P/ p* @5 B
│ 01 Gunshots By Computer (Saul Williams).m4a
" y; H; d1 s" {* h9 x│ 02 The Great Destroyer (Modwheelmood).m4a' B. w/ m/ V& b4 U/ ?' n$ `
│ 03 My Violent Heart (Pirate Robot Midget).m4a
7 d; n3 W5 f% m$ E6 j│ 04 The Beginning of the End (Ladytron).m4a, D/ X8 m* o+ y( {9 d1 _0 s- d
│ 05 Survivalism (Saul Williams).m4a
7 \* l M" @1 W3 g# ]( a; ]3 H│ 06 Capital G (Paul Epworth Phones 666 Revolutions Mix).m4a! D- `8 |+ I0 U' U
│ 07 Vessel (Bill Laswell).m4a# c6 g/ w" @8 s& w2 {$ h
│ 08 The Warning [feat. Doudou N'diaye Rose].m4a
( y& V& C X5 F3 T$ s* x2 X│ 09 Meet Your Master (The Faint).m4a
5 V, X5 ?' }, r( T5 Z- h│ 10 God Given (Stephen Morris and Gillian Gilbert).m4a: v7 o* `* z. N
│ 11 Me, I'm Not (Olof Dreijer).m4a3 {; m' j* v3 h9 p! r
│ 12 Another Version of the Truth (Kronos and Enrique Gonzalez Muller).m4a
" v8 O7 l! }5 j5 D) k. r. c9 T5 {. D│ 13 In This Twilight (Fennesz).m4a% D: t* G* s" z% G$ t9 c+ D
│ 14 Zero Sum (Stephen Morris and Gillian Gilbert).m4a
' g0 L; V4 u+ C, B. c│ cover.jpg
' v0 h: e: w/ h6 R' [│
% ^3 S: M* o& G8 u% F1 b9 a, `* O└─Singles& i7 Y( t$ A* z; n, d5 J+ H
├─1989 - Down In It - Single
8 F6 u: V4 s" I1 n0 ]( i; e │ 01 Down In It (Skin).m4a' F) ~: ?1 c, D4 F; O9 N3 B1 ], e
│ 02 Down In It (Shred).m4a
% ^& {5 {* U; \6 J# e │ 03 Down In It (Singe).m4a
$ u |# A, x5 \% }& _9 B. ?1 C0 ^ │ cover.jpg; ?8 j. J7 u" ~; r, l' e/ ?
│ [. z' r* { X h) U
├─1990 - Head Like a Hole - Single1 ^! m" V$ [5 T1 S) W! d! T+ L
│ 01 Head Like a Hole (Slate).m4a
6 F& v9 A( J: v" w1 | O; X │ 02 Head Like a Hole (Clay).m4a
1 p1 F: |6 h$ P6 v │ 03 Terrible Lie (Sympathetic Mix).m4a
# `7 C E2 l' U( U" V) W" k. D │ 04 Head Like a Hole (Copper).m4a
. V0 [" b R; e" F! P │ 05 You Know Who You Are.m4a
! z4 a0 G3 \4 ]6 d# |1 e( }/ q │ 06 Head Like a Hole (Soil).m4a
9 p$ {1 c v4 S. ?( {2 p& N │ 07 Terrible Lie (Empathetic Mix).m4a* h: u" Y' c; S1 F" Q# C6 R# A/ \' b
│ 08 Down In It (Shred).m4a9 f7 \& M* ^; F% t
│ 09 Down In It (Singe).m4a
/ T' g# c* _0 M9 F5 w$ p6 N │ 10 Down In It (Demo).m4a
0 e3 O1 I+ ~# x4 S& n) w │ cover.jpg( L' S6 d9 _: H% \- @
│ 3 @6 z5 J! p! a4 J
├─1994 - Closer to God - Single
! n8 p8 f2 g# ~: D: \ │ 01 Closer to God.m4a
9 ], _ z: B- s, E+ V6 \. c% y! b │ 02 Closer (Precursor).m4a" @- l1 J: M+ X1 r+ |! R
│ 03 Closer (Deviation).m4a
$ i8 {2 m; w9 B- E- Y8 Z& {# l │ 04 Heresy (Blind).m4a
% j S; r; i1 Y/ ]: } │ 05 Memorabilia.m4a; S8 n7 l9 D( d" }5 D5 F
│ 06 Closer (Internal).m4a
3 z( j) w$ o: r' O# _ │ 07 March of the F------ds.m4a
' ~& ]; {6 e1 D5 o( v │ 08 Closer (Further Away).m4a
) f* B$ Q( f" j0 ~( ]4 t' R9 K- w │ 09 Closer.m4a/ s1 s; }4 I4 B6 j, t! }3 q: _% m
│ cover.jpg
5 l" A2 k4 M; @- r4 v. ` │ * N; t8 R5 {% E6 P; ~4 E+ Z
├─1994 - March of the Pigs - Single
V. y3 U% \. W& e │ 01 March of the Pigs.m4a- p% `9 W; L4 }; n& w8 J
│ 02 Reptilian.m4a2 F" [( H2 F: l
│ 03 All the Pigs, All Lined Up.m4a, r# L8 w: X o, ]+ N0 |6 @
│ 04 A Violet Fluid.m4a
+ X. s) T4 t9 g8 O, l2 ]# Q# X7 T │ 05 Underneath the Skin.m4a
4 e) d z, o2 l' Q+ M( M │ cover.jpg( }5 S4 d; H1 ~# Q: k1 r
│ ) a D5 d! S( h5 O" s; c* [+ i
├─1997 - ''The Perfect Drug'' Versions - Single$ D9 \. c. \% p) W& B# h
│ 01 The Perfect Drug (Meat Beat Manifesto).m4a
& |- ~. u9 Y% o8 n' H& b │ 02 The Perfect Drug (Plug).m4a
( t1 ^" S7 U8 r; j5 T1 ~0 X% N4 x$ J │ 03 The Perfect Drug (Nine Inch Nails).m4a
2 C: Z7 g; }# A; J( W │ 04 The Perfect Drug (Spacetime Continuum).m4a( N& z* Y' t" d/ y- M3 T% U/ Q
│ 05 The Perfect Drug (The Orb).m4a
w0 s5 D& e: h" Z8 r4 ~5 @ │ cover.jpg
& J: G. C" g3 U% z! R% ^ │ ; s! V( T: j3 i7 D3 r1 ~
├─2013 - Copy of A - Single
^9 t0 y. L1 g, H2 F9 e* T# m │ 01 Copy of A.m4a/ @% H% g$ c A, I5 r6 M3 M7 |
│ cover.jpg- U* e9 g& x% i. q
│ + X* @5 a9 ?7 H. T
├─2013 - Everything - Single
3 |; c8 }( ?! w │ 01 Everything.m4a
3 t, [: p5 V$ i; K9 T │ cover.jpg1 r/ M$ Q- U* P: s, T! a
│
: ]. a7 v( u) b) L └─2017 - Less Than - Single' _1 l, [$ c: y
01 Less Than.m4a
, e2 d9 D% j( d6 F" f) Y7 H cover.jpg3 k" N7 M! j7 k, ^
- k5 z+ s' O# }8 ]. M$ X0 o- d0 S* h' y U" [5 d0 n# ^/ V
! A6 [+ ^; Y; \( E- I0 V Q: {& p
G7 b7 j+ L' l, F" x/ @0 S3 _) b @: c+ o" H
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发表于 2019-3-14 11:10:47
发表于 2019-8-30 06:49:56
