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Nine Inch Nails简介
! p, Q9 `4 ]. f, e$ k7 c! P2 ^4 l美国工业摇滚乐队,工业摇滚代表性乐队。成立时间为1988年。Nine Inch Nails 首次推出的《Industrial Nation》为他赢得了为 Skinny Puppy、The Jesus & Mary Chain、Peter Murphy 的演出担任助演的机会。但真正给乐队带来商业成功的是 1990 年专辑《Petty Hate Machine》及其中的热门歌曲《Head Like a Hole》。该专辑有着重金属的狂暴、流行曲的构架、工业音乐的声响和丰富的舞曲节奏,它在榜上停留了两年多。
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信息简介# }5 {9 X; c6 ^6 i2 s
负罪感、异化、无尽的痛苦及其艺术化的表达,创造了一些令人铭记在心的摇滚乐。这其中也包括 Trent Reznor的 Nine Inch Nails单人乐队。乐队的音响空间是荒芜的,而歌词则将自暴自弃与绝望推向了极点。但是 Reznor 写出的是流行歌曲而非自己恐怖电影的配乐。它同时得到了另类和主流硬摇滚乐迷的喜爱,并将工业噪音音乐引入了主流。
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早年经历1 Q; m3 |3 J: |" ?6 `1 J E
Michael Trent Reznor 生于宾夕法尼亚洲的默瑟。他 5 岁开始学习钢琴,同年父母离婚,他由外祖父母抚养。后来,他学习了萨克斯和大号。和其他初出茅庐的音乐家一样,他将自己的局外人情结埋进一支叫 Option 30 的乐队里。在 Allegheny College 攻读计算机工程后,Reznor 搬到了克利夫兰。 1988 年,他组建了 Nine Inch Nails,进行舞曲方向的探索,并汲取发展中的工业音乐和泰克诺风格。 Reznor 几乎包揽了所有创作、演奏和制作工作,只有当巡演时,他才会召来鼓手 Chris Vrenna 等乐手。
1 _+ ]9 a- K ?$ Y2 gNine Inch Nails 首次推出的《Industrial Nation》为他赢得了为 Skinny Puppy、The Jesus & Mary Chain、Peter Murphy 的演出担任助演的机会。但真正给乐队带来商业成功的是 1990 年专辑《Petty Hate Machine》及其中的热门歌曲《Head Like a Hole》。该专辑有着重金属的狂暴、流行曲的构架、工业音乐的声响和丰富的舞曲节奏,它在榜上停留了两年多。) ~7 Y. F6 m5 T2 d+ r6 w
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演艺经历
* I# n# y7 O6 a4 a1 ?. w& v) @1991 年,Nine Inch Nails 参加了 Lollapalooza 巡演并成为了 T 恤衫的销量冠军。但是,乐队与其公司 TVT的法律纠纷耽搁了第 2 张专辑的推出。后来,Reznor 与经理人 John Malm 创立了自己的厂牌 Nothing,于 1992 年开始签新乐队,包括 Pop Will Eat Itself、Prick 和著名的 Marilyn Manson。同年秋天,乐队推出EP《Broken》,打入排行榜十佳,其中一曲《Wish》获格莱美最佳金属表演奖。它的风格更加强硬,但仍有着常规歌曲结构。此时 Reznor 与 TVT 公司和 Interscope 公司(Nothing 的发行商)最后达成协议,允许 Reznor 和 Nothing 自立门户,但 TVT 将在后续的 Nine Inch Nails 的专辑中分红。: C$ T" ]7 Q8 q Z9 W
1994 年春,Nine Inch Nails 发行第 2 张专辑《The Downward Spiral》,它标志着乐队从地下跃入主流。该专辑在 Charles Manson 的信徒谋杀女演员 Sharon Tate 的洛杉矶房屋里录制。 Reznor 也同期为 Tori Amos 录制了《Pass The Mission》。这张被宣传为“概念专辑”的作品体现了 Reznor 所受的根源影响——70 年代前卫摇滚,而其中也有前 King Crimson 乐队的吉他手Adrian Belew 助阵。它打上了排行榜第 2 名,Reznor 登上了《滚石》杂志封面,并成为《花花女郎》杂志“十大摇滚性感明星”。乐队参加了 1994 年 Woodstock 演出。这一切对于一个唱着“我聚在痛苦中/这是唯一真实的事”的人来说应该是愉快的。“虽然我们成了支流行乐队,填满了主流媒体的各个频道 ”,Reznor 说,“但我真的感到我是在走我自己的路”。% Y* ]9 p! {* d
在《 The Downward Spiral》之后,Reznor 为 Oliver Stone 的争议性电影《Natural Born Killers》(天生杀人狂)录制了富有创意的电影原声专辑。它将电影对白和歌曲(包括 Nine Inch Nails 的《Something I Can Never Have》和《Burn》)编织成天衣无缝的音响流动。此时,Reznor 和 Hole 乐队主将,Kurt Cobain 之遗孀Courtney Love 传出了绯闻。# z) R/ o/ K% \9 R: w k4 a8 N" a
1995 年,Nine Inch Nails 推出了混音专辑《Further Down The Spiral》,并与对他的音乐产生重要影响的 David Bowie 合作巡演。 1996 年,歌曲《Happiness In Slavery》(Woodstock 1994 年现场专辑版本)再获格莱美最佳金属表演奖。年底,准备着新专辑,并为 David Lynch 的电影《Lost Highway》(妖夜荒踪)写了 3 首新歌。 Reznor 和 Lynch 出现在 1997 年 2 月的《滚石》杂志封面。
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- j& k& p a% M9 k├─Albums$ B% `8 G) y7 b
│ ├─1989 - Pretty Hate Machine
+ g2 }; ]; s$ w# [0 W; ~( h│ │ 01 Head Like a Hole.m4a
& t6 k8 N* C5 c9 P* v0 }8 X│ │ 02 Terrible Lie.m4a
& r" X0 ?2 o. b3 J2 G2 u. n9 ` _, u C│ │ 03 Down In It.m4a
/ c A7 s1 C$ x" C│ │ 04 Sanctified.m4a
( R! ^" y4 Z! q- B) p, B& ?│ │ 05 Something I Can Never Have.m4a
& m& @" r/ A) _8 I/ C* P7 U│ │ 06 Kinda I Want To.m4a7 J( L: l- Y5 E u) H! k, g* t
│ │ 07 Sin.m4a
& d2 l8 x8 I7 E/ H# h│ │ 08 That's What I Get.m4a
, h0 h* f& @* q8 e9 X0 _" {, r│ │ 09 The Only Time.m4a$ A2 J: m9 K2 p' W1 G
│ │ 10 Ringfinger.m4a4 ~2 g, w7 I! Q. w( `
│ │ cover.jpg. s8 v5 P, c& x% n3 K! ]0 v
│ │ : h( g/ J( @! z7 b
│ ├─1989 - Pretty Hate Machine (2010 Remastered)8 u: {1 G V' V2 \4 O
│ │ 01 Head Like a Hole.m4a/ Y/ @! Y9 n6 z. W5 J9 v! d; [
│ │ 02 Terrible Lie.m4a2 g* e1 ^7 b$ M( n' W$ a6 x
│ │ 03 Down In It.m4a! z; V# S4 H- X
│ │ 04 Sanctified.m4a. F- _# t5 k; V
│ │ 05 Something I Can Never Have.m4a
k, |, X# s) F│ │ 06 Kinda I Want To.m4a d. M' G+ p! h, ?0 d4 R/ r/ v; k
│ │ 07 Sin.m4a6 E$ I, ~0 J! h" z# q, b; R
│ │ 08 That’s What I Get.m4a
2 V R' x8 P% l! P8 r$ q- x% c+ ~│ │ 09 The Only Time.m4a! y' W) s6 A# Q6 c2 O
│ │ 10 Ringfinger.m4a2 {2 ]8 h# R5 L$ t9 A% Y+ i9 _
│ │ 11 Get Down, Make Love.m4a8 k. D& n) A8 i- T" E9 V. F: a
│ │ cover.jpg
6 P0 N5 `8 T9 @' W u3 P: `6 u4 n& F│ │ % n! l+ c, y/ }! ]
│ ├─1994 - The Downward Spiral (2004 Deluxe Edition)+ x4 I# E6 {/ V# J8 M
│ │ 1-01 Mr. Self Destruct.m4a' L7 Y" E- y; `
│ │ 1-02 Piggy.m4a1 {$ T, I0 ^) V" b" x
│ │ 1-03 Heresy.m4a6 t! H# S* r a, q7 q
│ │ 1-04 March of the Pigs.m4a$ I9 r" w$ W$ h
│ │ 1-05 Closer.m4a9 o$ t( Y* t2 c( q) t
│ │ 1-06 Ruiner.m4a4 R" q4 U0 q' e! Y
│ │ 1-07 The Becoming.m4a! z4 V8 Y; p! I
│ │ 1-08 I Do Not Want This.m4a
! u( o& {/ L e, I* N( ?6 j│ │ 1-09 Big Man with a Gun.m4a
9 S% B3 Z# z" c5 ~/ ?│ │ 1-10 A Warm Place.m4a: }$ i& K; a6 Z
│ │ 1-11 Eraser.m4a, e0 V7 [5 s+ O
│ │ 1-12 Reptile.m4a! \( `8 ^) U5 E% ^0 A% a3 E
│ │ 1-13 The Downward Spiral.m4a" j( W) l+ Y& S9 M7 E) B. e
│ │ 1-14 Hurt.m4a
5 P( {& `& l' t; Z# t│ │ 2-01 Burn (Soundtrack Version).m4a3 m: f% w8 [% \
│ │ 2-02 Closer (Precursor).m4a
( _6 K: F J0 l- J│ │ 2-03 Piggy (Nothing Can Stop Me Now).m4a) J! Y1 |, V5 T0 }$ T
│ │ 2-04 A Violet Fluid.m4a
+ L! q- J6 G2 L' x# @2 X│ │ 2-05 Dead Souls.m4a" G1 d6 r" B+ Q, ~% [
│ │ 2-06 Hurt (Quiet).m4a
( t1 w; b* E/ G# E│ │ 2-07 Closer to God.m4a
% M7 q" w3 J, i( W4 K+ A: `│ │ 2-08 All the Pigs, All Lined Up.m4a
( w N! v) v% Z" r│ │ 2-09 Memorabilia.m4a6 C6 O6 r1 a! ?
│ │ 2-10 The Downward Spiral (The Bottom).m4a! a. O. C( u3 o, F
│ │ 2-11 Ruiner (Demo).m4a
B: t( r, I* o, L/ A( ~│ │ 2-12 Liar (Reptile Demo).m4a4 B5 {1 ^* n! d8 ^
│ │ 2-13 Heresy (Demo).m4a/ p. W/ i. N/ D+ z3 @) ?& z
│ │ cover.jpg2 T( x" `, z, P2 W7 u+ @
│ │ + E: |& g2 v6 m) H
│ ├─1994 - The Downward Spiral [Mastered for iTunes]8 P W/ }5 E( { Q" O
│ │ 01 Mr. Self Destruct.m4a
2 H* A' n" Q: \7 p0 O6 J. w# ?4 q│ │ 02 Piggy.m4a
5 {( c5 Z* ]% r4 j/ g$ G│ │ 03 Heresy.m4a, {: X$ {' J- M1 b* h7 {! c, M
│ │ 04 March of the Pigs.m4a. f; z2 l6 M N9 S
│ │ 05 Closer.m4a+ k5 b1 p6 w( e; J3 l
│ │ 06 Ruiner.m4a
N% R# y! J- x6 u│ │ 07 The Becoming.m4a
' i4 D8 ^3 N2 J9 n│ │ 08 I Do Not Want This.m4a7 x, l0 H& ]- L, G5 E" O8 o
│ │ 09 Big Man with a Gun.m4a) P/ h5 z0 _3 |4 y8 S
│ │ 10 A Warm Place.m4a% U6 K2 B% D% I" y8 }6 D5 d6 T$ r
│ │ 11 Eraser.m4a" E7 n1 i6 ?; K) h% E
│ │ 12 Reptile.m4a6 G) U) m+ K! \7 |1 j( G
│ │ 13 The Downward Spiral.m4a6 W* @; j# h4 O
│ │ 14 Hurt.m4a
2 Z7 A7 B( C! U! N' s% q│ │ cover.jpg
+ S! a/ K* b, Q│ │
2 W8 ^1 H- F. P' J$ N4 x5 j) h│ ├─1999 - The Fragile [Mastered for iTunes]0 F5 v7 G, b- l# ]
│ │ 1-01 Somewhat Damaged.m4a
. C, x% a: J6 |- X* I│ │ 1-02 The Day the World Went Away.m4a
* M+ I0 y$ C4 K│ │ 1-03 The Frail.m4a% u7 ?- u) T, p1 w# ~. b4 k2 Z! S* g# R# t
│ │ 1-04 The Wretched.m4a1 d1 F& @ m5 b6 O8 ?! Z( ~
│ │ 1-05 We're in This Together.m4a
0 v# C: d& l# }" H I│ │ 1-06 The Fragile.m4a
" V# Z7 J. V8 m0 M│ │ 1-07 Just Like You Imagined.m4a2 w" D: @5 {( t$ n' {( ?+ O+ g
│ │ 1-08 Even Deeper.m4a7 p7 Y, y4 N: C: N. n: K
│ │ 1-09 Pilgrimage.m4a
+ x# |7 k' |% O│ │ 1-10 No, You Don't.m4a& E2 q+ x, Y. w2 h- ~& _# h2 @
│ │ 1-11 La Mer.m4a
5 Z5 w$ U* Z o( ?8 W+ a│ │ 1-12 The Great Below.m4a
, R# A$ L; N6 V$ r. {│ │ 2-01 The Way Out Is Through.m4a! [, P! Z" c, m: q3 c# N
│ │ 2-02 Into the Void.m4a5 c" G, o, S3 \! j; Q! B3 V
│ │ 2-03 Where Is Everybody_.m4a
: O4 f2 k0 M' J5 R, m* Y│ │ 2-04 The Mark Has Been Made.m4a' e9 v) l, c3 T, k+ X, e
│ │ 2-05 Please.m4a
8 U/ u q% D* V: w4 o9 S│ │ 2-06 Starf--kers, Inc..m4a
1 d; W. i+ D) F/ I! \: W4 R0 m│ │ 2-07 Complication.m4a
6 o( v* i ~4 ?& Q0 a z- S6 e│ │ 2-08 I'm Looking Forward to Joining You, Finally.m4a5 `( ^7 G0 L; q2 z8 D
│ │ 2-09 The Big Come Down.m4a
7 Z# G9 u/ y1 n# F& o) O│ │ 2-10 Underneath It All.m4a
" G0 }5 K7 {+ {7 a0 _│ │ 2-11 Ripe (With Decay).m4a
! a' k6 K/ b- ?3 c│ │ cover.jpg& D2 e. v; R* ~: J9 k, o8 Q' s
│ │
9 h3 Y' a$ }( `, P" U$ p│ ├─2002 - Still! L* F5 a" r# I! _6 ^* f% c: W, { m! u
│ │ 01 Something I Can Never Have.m4a0 f4 z: v+ Z* L8 r
│ │ 02 Adrift & At Peace.m4a6 }7 q! \- T$ s M6 c6 ]& H) a) ]
│ │ 03 The Fragile.m4a
* w- V. w- l1 e5 W│ │ 04 The Becoming.m4a
4 v" Z+ k9 h: s* L3 z│ │ 05 Gone, Still.m4a1 | t1 ~' d) ~, I" e
│ │ 06 The Day the World Went Away.m4a2 R) U- Y1 p: ^
│ │ 07 And All That Could Have Been.m4a; Y0 @- j* O- J2 u8 }6 \
│ │ 08 The Persistence of Loss.m4a
) E) r7 x! M, i4 e7 y│ │ 09 Leaving Hope.m4a m! C& P" e- ^
│ │ cover.jpg
% _; [% n% a# M% }│ │ + T) J$ ^+ j; S4 z* U( X
│ ├─2005 - With Teeth
% o0 {- j; t7 I' I$ ?│ │ 01 All the Love In the World.m4a
5 C1 T; Z% }0 E│ │ 02 You Know What You Are_.m4a; A; U8 q& x V+ m
│ │ 03 The Collector.m4a2 n7 c- b% [. S w+ k) U
│ │ 04 The Hand That Feeds.m4a
, G- ~4 Z1 p/ j9 l% {' W/ C│ │ 05 Love Is Not Enough.m4a
' h0 {- o* L7 W& O7 v1 g│ │ 06 Every Day Is Exactly the Same.m4a
; k( {& Z. W2 w7 ]: z4 ~1 m│ │ 07 With Teeth.m4a" I. c/ b' S2 R8 q4 f" I
│ │ 08 Only.m4a0 A, U T8 k2 X7 w1 ] t
│ │ 09 Getting Smaller.m4a
) X' \2 S1 t" A5 c4 L- S│ │ 10 Sunspots.m4a
4 m+ D' L& M( |│ │ 11 The Line Begins to Blur.m4a
1 ^) ?3 j! T* O) r- Y% p6 ^5 ?│ │ 12 Beside You In Time.m4a
$ L7 B( P3 F. F ]6 r8 m│ │ 13 Right Where It Belongs.m4a
( y, x& I" c+ a/ c' u* r3 ]2 s- Q; H│ │ 14 Home (Non-LP Version).m4a
( }* B- ]+ [: d, E7 A: ~( d│ │ 15 Right Where It Belongs (Alternate Version 2).m4a' ~+ |8 n) Y" }6 k6 Z3 h0 U4 B6 }
│ │ cover.jpg3 n* T4 G; [4 s5 I! `# ~
│ │ ( y& S% p3 P9 p( Q5 ?$ e% D
│ ├─2005 - With Teeth [Mastered for iTunes]4 P3 L7 X w9 L4 m. c. [: Q' w9 u6 K' m3 F
│ │ 01 All the Love in the World.m4a
' Y4 `8 v8 a/ t3 Z/ s. [7 z│ │ 02 You Know What You Are_.m4a
! |) m0 T; O5 q2 w: I. J! @& ?│ │ 03 The Collector.m4a
) ?$ \% G5 S* S. l ~' e% o0 W│ │ 04 The Hand That Feeds.m4a+ [4 d4 C& o/ b1 d1 E1 S
│ │ 05 Love Is Not Enough.m4a
4 h3 i0 L& i4 M# Q; s' u4 u│ │ 06 Every Day Is Exactly the Same.m4a( E# j$ D$ r4 N! [) {' F3 F O
│ │ 07 With Teeth.m4a
4 _3 w% a1 w P& D2 y. C: i│ │ 08 Only.m4a \1 H" @* O# q- z* \/ y
│ │ 09 Getting Smaller.m4a
2 y: A9 ]& W. E; f3 G3 s6 G│ │ 10 Sunspots.m4a8 n: W$ i/ I- [) m# j
│ │ 11 The Line Begins to Blur.m4a
; I6 h9 V8 L3 S' p* w1 U, d│ │ 12 Beside You in Time.m4a3 N" ]+ |. n# ?5 J2 `
│ │ 13 Right Where It Belongs.m4a s% B5 L, t7 f& z# B) Q7 B7 J. d
│ │ cover.jpg
' }' r% A9 G' a* T0 H( K│ │ $ f3 o- n6 `" A7 g9 q% h& u7 N
│ ├─2007 - Year Zero [Mastered for iTunes]
/ l5 f8 C& e& o2 ?8 L" _│ │ 01 Hyperpower!.m4a
: h2 N9 ]5 c7 t" r+ ]% S. o6 t│ │ 02 The Beginning of the End.m4a
0 } O* h9 @# H) p│ │ 03 Survivalism.m4a: \0 [9 {; e) F* \8 ~ Z
│ │ 04 The Good Soldier.m4a6 f9 `# g4 S* `
│ │ 05 Vessel.m4a6 ]" P l! [6 `) x
│ │ 06 Me, I'm Not.m4a5 x1 B n2 }, V$ e
│ │ 07 Capital G.m4a" c9 h* T1 c6 I0 |% K
│ │ 08 My Violent Heart.m4a
; ~3 ~, K7 P9 }! v│ │ 09 The Warning.m4a
& u- `- _; n8 @$ o│ │ 10 God Given.m4a5 z3 y" Y9 Q$ k8 r& i, s; ^5 Q
│ │ 11 Meet Your Master.m4a1 @# t( M$ C: B% h: J; \, Y& Q
│ │ 12 The Greater Good.m4a
; B- y! v7 u0 z$ p" z- w│ │ 13 The Great Destroyer.m4a
7 ]3 K& k; O5 q+ A│ │ 14 Another Version of the Truth.m4a4 V# r" G3 s# y7 [
│ │ 15 In This Twilight.m4a
" k5 W% _4 n+ g6 F, B│ │ 16 Zero Sum.m4a3 B- N1 i9 L! O. x) L
│ │ cover.jpg, S) F9 R% H) z* O; g( t3 H ^
│ │ % a: D% m9 v4 q
│ ├─2008 - Ghosts I-IV
$ t3 _" K$ h6 {2 d& A: ?│ │ 01 01 Ghosts I.m4a3 h; \4 E& K8 g. c
│ │ 02 02 Ghosts I.m4a2 Z9 y0 `( e3 G' o. i* A, i1 e
│ │ 03 03 Ghosts I.m4a
' s: f% [/ ?' }/ _│ │ 04 04 Ghosts I.m4a
, Y/ p; Q+ W' M( f; @│ │ 05 05 Ghosts I.m4a
7 L- ^! k+ y1 b- \& H0 u% h│ │ 06 06 Ghosts I.m4a; S& `$ q! v. D0 q& v
│ │ 07 07 Ghosts I.m4a( y& e w3 X. C( B% Z
│ │ 08 08 Ghosts I.m4a
. n W- b Y) V) L- |: ^2 }│ │ 09 09 Ghosts I.m4a
- H, _! ]4 R% K7 V7 w│ │ 10 10 Ghosts II.m4a
* |: v9 J! Z- T3 Y& H│ │ 11 11 Ghosts II.m4a; U& z `, d/ R2 s6 y4 {0 s
│ │ 12 12 Ghosts II.m4a- T5 X5 ?& Z# ~0 @
│ │ 13 13 Ghosts II.m4a
9 `# G! R8 Y) m! E: W: d6 n│ │ 14 14 Ghosts II.m4a2 {7 I9 C5 J3 s5 V
│ │ 15 15 Ghosts II.m4a
# ~ z4 @# P4 ]1 f5 A. C5 o│ │ 16 16 Ghosts II.m4a
! C9 _& L5 {; B8 @2 x│ │ 17 17 Ghosts II.m4a/ D, | F- O/ c: ]) b7 X+ v' F
│ │ 18 18 Ghosts II.m4a
: f5 f" p* S- P4 L│ │ 19 19 Ghosts III.m4a' |/ O3 v9 P- k, ]6 K
│ │ 20 20 Ghosts III.m4a" W9 u/ ?5 m/ N
│ │ 21 21 Ghosts III.m4a
, D/ m+ p6 T# w4 g( k9 ]│ │ 22 22 Ghosts III.m4a- h( d3 N9 @; b! H# N6 j; r3 l0 ]
│ │ 23 23 Ghosts III.m4a- m7 ~3 {3 J" j
│ │ 24 24 Ghosts III.m4a
1 e. H5 y3 g# X) y; R/ D& u9 k) [│ │ 25 25 Ghosts III.m4a$ P( t: d ?' }
│ │ 26 26 Ghosts III.m4a
$ G, z6 a. M m│ │ 27 27 Ghosts III.m4a% d! q7 a0 D# A" y
│ │ 28 28 Ghosts IV.m4a, B/ R1 [: a" n( q5 x6 E: `2 N" n% d' \
│ │ 29 29 Ghosts IV.m4a5 Y7 {' U% R: Y. i5 B
│ │ 30 30 Ghosts IV.m4a0 |- D" O- K1 K3 a
│ │ 31 31 Ghosts IV.m4a: X1 e! T# l" w$ A9 i- N
│ │ 32 32 Ghosts IV.m4a9 i! F5 O7 p; ^7 N, O0 G
│ │ 33 33 Ghosts IV.m4a
, q0 C7 |: {# n& s│ │ 34 34 Ghosts IV.m4a/ N3 X F6 C. k- n2 T+ u* d# K- h
│ │ 35 35 Ghosts IV.m4a
5 a0 ~7 t5 E$ `│ │ 36 36 Ghosts IV.m4a
) |. W- \0 W2 r) I3 U( p5 ^│ │ cover.jpg
3 o- E8 z% K$ m8 s8 g│ │
, M# G% s! B1 m* l4 ?$ `8 U│ ├─2008 - The Slip' h& t' _+ w# \. I; g
│ │ 01 999,999.m4a
$ X; E/ `3 ^$ V' s- A) v5 T│ │ 02 1,000,000.m4a
: O% Q$ t3 Y+ h$ p( {2 `│ │ 03 Letting You.m4a, u) h5 g! H1 _3 O) P. q" M w
│ │ 04 Discipline.m4a
% I, r& Q. q9 G8 H2 r( S7 Q│ │ 05 Echoplex.m4a8 C$ y+ o; Y0 F$ s0 M9 q
│ │ 06 Head Down.m4a
$ o0 j; L: z7 r- M! m* l/ N1 g│ │ 07 Lights In the Sky.m4a& U4 u; x1 X2 O; R& n9 b0 g, \
│ │ 08 Corona Radiata.m4a
6 O# O5 U2 Z/ A│ │ 09 The Four of Us Are Dying.m4a* {. g6 g$ _4 K0 v0 | J
│ │ 10 Demon Seed.m4a' o2 s9 y R9 r, X, `# W
│ │ cover.jpg
5 r6 J: `. O. I' W* n6 h# ` ^│ │ ~* T, m e: r1 X8 G/ S. ^
│ ├─2013 - Hesitation Marks (Deluxe Edition) [Mastered for iTunes]) p' g1 V# w w) p
│ │ 01 The Eater of Dreams.m4a5 z4 i0 c4 _$ Y4 P. @3 R) q& f7 V
│ │ 02 Copy of A.m4a
$ o/ Z& y# K+ b│ │ 03 Came Back Haunted.m4a
0 U$ I5 C3 j: A5 ?( I│ │ 04 Find My Way.m4a4 C t7 `; c) O' v9 J- i
│ │ 05 All Time Low.m4a
# ~3 E {0 [+ ~7 v9 I│ │ 06 Disappointed.m4a
( h+ l8 @: U% e$ y│ │ 07 Everything.m4a
) n7 T4 E! {+ C8 _% Y│ │ 08 Satellite.m4a0 S. [) y. @. s. P& W: c8 f
│ │ 09 Various Methods of Escape.m4a. ]" d& K l& ?; z+ I
│ │ 10 Running.m4a
1 B, u {7 V- e1 t$ @' |│ │ 11 I Would For You.m4a
S# |, e$ K) l4 `. g' t* V│ │ 12 In Two.m4a; l" I: L0 q* E$ H8 N
│ │ 13 While I'm Still Here.m4a
, w. ], ` m$ k5 D; A0 z│ │ 14 Black Noise.m4a. C" X& [) b( ^ y5 v$ H. U
│ │ 15 Find My Way (Oneohtrix Point Never Remix).m4a
, }& V- |+ h. y% n# l& [) K: ^8 p│ │ 16 All Time Low (Todd Rundgren Remix).m4a
4 k5 D! P' @9 N8 V" X2 {7 u3 O│ │ 17 While I'm Still Here (Breyer P-Orridge 'Howler' Remix).m4a
, b" o' | b: Y' b* W/ O│ │ 18 Trent Reznor In Conversation With....m4a
4 f9 R5 f, Q6 Q+ E$ }) [│ │ cover.jpg
' `! k( W: x% x$ ~9 C) t4 C. G│ │ ( H) S' I) y: |7 p( T0 W7 z
│ └─2018 - Bad Witch
2 C; f5 \0 t) k! t/ ?, K7 G│ 01 Shit Mirror.m4a
( ~9 d: T5 y7 P, o│ 02 Ahead of Ourselves.m4a
5 Y1 [) j5 ]+ C, `/ h' b│ 03 Play the Goddamned Part.m4a
" j7 l, U0 P) ^) {6 H% I2 o3 |. ]│ 04 God Break Down the Door.m4a
+ S; U: n" ~) l2 E" H7 A│ 05 I'm Not from This World.m4a$ P& z9 B9 \5 d
│ 06 Over and Out.m4a# `5 I8 [# G! F* G1 {' d
│ cover.jpg1 v- ^5 j3 ~% g) N
│ Q0 q4 s6 @" i
├─EP's4 Y d5 U$ ]5 r, L$ n( [
│ ├─1990 - Sin - EP
2 j' v( I, T- U0 h+ K│ │ 01 Sin (Long).m4a
. @+ s5 _4 U. F│ │ 02 Sin (Dub).m4a8 y' b- m$ d U6 o, |3 t
│ │ 03 Get Down Make Love.m4a
8 m o' z/ W/ P/ {& V1 |6 `- s# F: J│ │ 04 Sin (Short).m4a+ d, e$ C- t- _2 Q$ q1 h
│ │ cover.jpg- E( H4 D; s6 g# L9 s( K7 J
│ │ / P0 X1 \ H' P! q
│ ├─1992 - Broken - EP6 J3 {, m; D/ L
│ │ 01 Pinion.m4a8 r, |& D9 F* ^) n$ {0 P. t
│ │ 02 Wish.m4a
/ G% H0 U+ @9 l3 a5 t) `│ │ 03 Last.m4a* P5 @7 L( ^6 z- k
│ │ 04 Help Me I Am in Hell.m4a+ t' {) r) q& n* [* ^+ h2 z8 b
│ │ 05 Happiness in Slavery.m4a
. L0 ~6 e" ]8 N( U; [│ │ 06 Gave Up.m4a. \+ p( I* Y+ G/ Q9 @; i! r
│ │ 07 Physical (You're So).m4a
8 `; z+ C( H' b% f│ │ 08 Suck.m4a: g& \1 t6 ?* @
│ │ cover.jpg
* Q" D$ A1 f/ R& X' D2 {3 C& y, B# S @│ │ ) m" Y) |2 ]7 C+ w* d v( c
│ ├─1992 - Fixed - EP
" u. T2 E! {& K; Y6 ^9 Y6 z+ F│ │ 01 Gave Up (Remix).m4a
( \7 |3 P5 y( C4 U│ │ 02 Wish (Remix).m4a
) {- S& B6 H( h│ │ 03 Happiness In Slavery (Remix).m4a# s. u! ^9 [& Z% \( j# E) b
│ │ 04 Throw This Away.m4a
* G; q& h, x" B6 Z: [ L│ │ 05 First F--k (Remix).m4a7 {" c1 B3 T2 R
│ │ 06 Screaming Slave.m4a# j5 \5 M0 q' E3 A: k
│ │ cover.jpg
/ l8 E3 r6 H) c│ │ ! p& X3 v: W/ R6 e* i
│ ├─2005 - Only - EP2 X2 ^: T7 R( \; o1 S
│ │ 01 Only.m4a: x* s ^" c r' h
│ │ 02 The Hand That Feeds.m4a
! U" R) I) s& @0 L, e e│ │ 03 Love Is Not Enough.m4a, o3 X, {+ w0 ~5 @9 d
│ │ 04 Only.m4v
+ c$ n( v$ i' v) A│ │ cover.jpg
# r" H3 z/ L3 {+ `│ │ ! y8 g2 }( R2 y# w* }7 Q0 C9 D! P1 `6 ^
│ ├─2005 - The Hand That Feeds - EP
" D" H- v8 U3 H9 k: @│ │ 01 The Hand That Feeds.m4a
! v! E& d% q2 Y$ {! _9 l* k│ │ 02 The Hand That Feeds (Dfa Remix).m4a
9 ] @" h+ K. w, t7 }) X! B│ │ 03 The Hand That Feeds (Photek Dub).m4a6 t" A R+ M2 T
│ │ cover.jpg
4 O' C9 a: e% S3 l│ │
* Z, z) V( }9 C│ ├─2006 - Every Day Is Exactly the Same (Remixes) - EP' L) M, K& X, y3 y. v
│ │ 01 Every Day Is Exactly the Same.m4a
) ?) D# b: N' Y5 }3 @* X* v│ │ 02 The Hand That Feeds (Dfa Remix).m4a
8 x1 {8 q5 C, {6 f% {! P│ │ 03 The Hand That Feeds (Photek Straight Remix).m4a. M( P0 w# x# n5 a% e$ X5 k- E0 Y
│ │ 04 Only (El-P Remix).m4a
( L5 N' k2 |; S3 }│ │ 05 Only (Richard X Remix).m4a
9 t8 I3 s% W" C, A# i* X8 K│ │ 06 Every Day Is Exactly the Same (Sam Fog vs. Carlos D. Main Mix).m4a) [+ c9 X& e8 i
│ │ cover.jpg& `- I2 Z% x1 b" w+ d
│ │
2 d6 W2 Z* ]+ b1 r) Q5 A) R│ ├─2007 - Survivalism - EP% G% R+ [: p, N S
│ │ 01 Survivalism.m4a, W% N0 m, r |2 ?- Q7 M- g" ~
│ │ 02 Survivalism (Tardusted Remix).m4a
2 X+ ]* s) J- M" V│ │ 03 The Greater Good (Instrumental Version).m4a! _ Y# h5 G( T& X/ b0 T
│ │ cover.jpg1 B/ k: j( X, d; m* [; T; J& F
│ │
( m z' M- Y4 T a3 X9 S8 S│ ├─2014 - Recoiled - EP (w. Coil)* M; i2 z( Q+ g6 [ M0 W' u4 k
│ │ 01 Gave Up (Open My Eyes).m4a
8 m9 G, P8 R1 w4 W5 m# t│ │ 02 Closer (Unrecalled).m4a7 K' x5 Q- F0 S. W3 }- s! H
│ │ 03 The Downward Spiral (A Gilded Sickness).m4a4 D' ]1 @4 ]5 }5 G% v! Y0 P: Y) n
│ │ 04 Eraser (Reduction).m4a" I2 F1 s$ ` ?- g" G
│ │ 05 Eraser (Baby Alarm Remix).m4a
: E! T N, b* Q6 Y; S- V1 i5 ~& A1 z│ │ cover.jpg4 D0 w0 X# G% B" n& o0 j* |
│ │
' o9 d, V3 o, ~3 A O3 g0 q│ ├─2016 - Not the Actual Events - EP
9 S. n+ q+ r! I│ │ 01 Branches _ Bones.m4a
: p" W6 v0 y ^4 j│ │ 02 Dear World,.m4a
: u/ D2 C2 V7 W4 j' t3 g' j I│ │ 03 She’s Gone Away.m4a5 f6 k# g6 Y! l
│ │ 04 The Idea of You.m4a/ e7 i! d& T# }. m/ Z3 \8 H; k
│ │ 05 Burning Bright (Field on Fire).m4a0 Q6 s5 J% ~) b; y7 B! ^9 N3 g
│ │ cover.jpg4 z6 {/ q/ z2 J7 W, o' w
│ │
! f: c& L. w; [, F+ {$ l* W0 C│ └─2017 - Add Violence - EP; j% w& Y* c% l/ z
│ 01 Less Than.m4a
7 V* o, }) ]; p8 ~) G' z* p. I│ 02 The Lovers.m4a
; ?' p. X* H# i; E1 g2 k│ 03 This Isn't the Place.m4a
9 H2 K2 T; T1 u' q│ 04 Not Anymore.m4a p9 E+ q$ O. V! s; K$ ^/ X
│ 05 The Background World.m4a
5 x. b: }3 G& U, m9 z: @│ cover.jpg! n) ~/ C9 l& M! J
│
, x0 A. B( p$ Z├─Live* n/ {7 y+ L* O* K
│ ├─2002 - And All That Could Have Been (Live)- f: _% L- c1 ?. O$ S9 I
│ │ 1-01 Terrible Lie.m4a
6 ~1 t" {) N8 G3 Q( A│ │ 1-02 Sin.m4a
2 E' Y3 _# }+ u$ ]4 J l2 w6 {: @% i│ │ 1-03 March of the Pigs.m4a
2 A) W9 w$ C+ M1 v5 R& E5 i+ S. R│ │ 1-04 Piggy.m4a
4 u+ C# y+ P% L8 I/ z+ q6 L│ │ 1-05 The Frail.m4a
8 e+ T- W( I9 E! S% u│ │ 1-06 The Wretched.m4a( u8 f; @8 @4 I" N2 c: |7 u: g6 R
│ │ 1-07 Gave Up.m4a# M& [# {: }8 h# |1 T& S& @
│ │ 1-08 The Great Below.m4a
* a8 q# e) _7 r│ │ 1-09 The Mark Has Been Made.m4a
- v6 T8 }# d! ]│ │ 1-10 Wish.m4a
5 j# {2 _, {, }; `+ P│ │ 1-11 Suck.m4a" J& D5 s+ ?0 C) k. m+ ]3 H# w& ^ l4 ^
│ │ 1-12 Closer.m4a. Z; [8 g1 U1 U9 Q; u5 A! B
│ │ 1-13 Head Like a Hole.m4a6 V) `$ ?+ e6 A% R, n
│ │ 1-14 The Day the World Went Away.m4a
3 d% f5 Q2 _8 [6 K; ?9 ^│ │ 1-15 Starfuckers, Inc..m4a4 a& I+ T( ]3 V9 u
│ │ 1-16 Hurt.m4a
; D9 j/ p; o4 z3 S# o│ │ 2-01 Something I Can Never Have.m4a0 p, r2 k" }5 W5 c
│ │ 2-02 Adrift & At Peace.m4a
5 @& K3 y: T' p" b }. ^- P│ │ 2-03 The Fragile.m4a( U0 Y5 n6 N. _0 e, C1 A; ?
│ │ 2-04 The Becoming.m4a @, k. n* H7 |" F% E* w
│ │ 2-05 Gone, Still.m4a* L5 _/ Y f2 k; C" E9 f. K2 _3 h
│ │ 2-06 The Day the World Went Away.m4a
5 g' \# X# u/ x│ │ 2-07 And All That Could Have Been.m4a- N: x0 N" U/ i, A5 O
│ │ 2-08 The Persistence of Loss.m4a
/ ] ~) J+ X( c│ │ 2-09 Leaving Hope.m4a a# ]2 m4 k$ }0 Z j) H4 L
│ │ cover.jpg9 y4 Y& V$ O$ }/ k+ k2 M
│ │
) M2 B+ U/ b M' I( T& f2 G; ~+ }│ └─2002 - Live_ And All That Could Have Been [Mastered for iTunes]
( w6 ^; T# b% W1 C1 ~; k5 j│ 01 Terrible Lie.m4a
, E4 {& v; C- q0 P; G│ 02 Sin.m4a
! r- f, @9 ~2 n│ 03 March of the Pigs.m4a, [7 P5 Y9 W( G, f
│ 04 Piggy.m4a
0 e5 q. _$ F7 N- c! p7 n# |│ 05 The Frail.m4a+ R' ~4 g0 I' z7 \" ~* Y! _
│ 06 The Wretched.m4a
3 d' H/ g( e3 p3 x, V6 Y│ 07 Gave Up.m4a2 E! P5 U2 U4 v3 @
│ 08 The Great Below.m4a
, c# V( [3 J9 x( S. x│ 09 The Mark Has Been Made.m4a
# w6 w+ x t! c/ _2 o5 W! E! v# @" \9 B│ 10 Wish.m4a
) U# z/ l9 S) f' f│ 11 Suck.m4a
$ ^4 o! X4 `/ [6 b! b│ 12 Closer.m4a
5 C# q3 a+ C, r% O4 Y$ E│ 13 Head Like a Hole.m4a$ U8 [) D3 i: H4 C R* e0 P" k
│ 14 The Day the World Went Away.m4a3 i1 Y- k: A" |# z: ^
│ 15 Starf--kers, Inc..m4a( b9 P. T+ v& s+ ?
│ 16 Hurt.m4a
% Z2 v4 |( U3 s( _) a0 M/ s│ cover.jpg" b, `7 \$ f6 x
│
- D2 H& v \4 A8 p0 B├─Remix Albums
$ {8 o$ i% w% G ?7 }5 R│ ├─1995 - Further Down the Spiral& ]6 j( S& d F" @/ v3 z! y$ p. a+ S
│ │ 01 Piggy (Nothing Can Stop Me Now).m4a
- _0 t+ O# n( V5 L$ [; t+ m│ │ 02 The Art of Self Destruction, Part One.m4a" b& L& G& P) @, c# {( u0 M
│ │ 03 Self Destruction, Pt. 3.m4a
3 V1 ]2 x8 w. u. I0 q│ │ 04 Heresy.m4a1 V" r* \* K+ S5 Y: H
│ │ 05 The Downward Spiral (The Bottom).m4a
, C B- X# t$ J' d7 ]- b, k8 A5 m│ │ 06 Hurt (Quiet) [Live].m4a
0 _( f* t& N% ?% ]$ P4 b1 L│ │ 07 At the Heart of It All.m4a2 q4 b* W, B) n5 g
│ │ 08 Ruiner.m4a5 U) f5 ^: O5 w8 G8 _
│ │ 09 Eraser (Denial Realization).m4a8 m u* c& x/ T& y
│ │ 10 Self Destruction, Final.m4a& z' P! k2 c( C4 b
│ │ cover.jpg/ Z3 h% G+ m6 c. M4 d+ @" D* B
│ │
1 h- @, p# ?6 b+ _8 _9 N" U│ ├─1995 - Further Down the Spiral (US Version)* G: c* R7 H1 k, m$ a2 a2 H
│ │ 01 Piggy (Nothing Can Stop Me Now).m4a
& q% u% A0 h/ k- x8 s1 _# b* o│ │ 02 The Art of Self Destruction, Pt. 1.m4a
, ~* D; W4 H4 U% a% ?3 d- ~/ _│ │ 03 Self Destruction, Pt. 2.m4a
' s, u# O6 D2 S) x( i c/ M│ │ 04 The Downward Spiral (The Bottom).m4a
& g& F$ U3 `. P; W: ^6 S. Z│ │ 05 Hurt (Quiet).m4a7 }/ N, h3 ^* S9 l& I( x
│ │ 06 Eraser (Denial- Realization).m4a( X/ ~. z- _% ^4 V" N' Z
│ │ 07 At the Heart of it All.m4a, T1 f: u1 a1 K8 p; E z
│ │ 08 Eraser (Polite).m4a
2 c& l, N% y. q# D8 _, `2 s│ │ 09 Self Destruction, Final.m4a, f. ~4 }- h5 Q" e( Y6 s( ]. n
│ │ 10 The Beauty of Being Numb.m4a
4 R) C$ z. N; h( B! E6 a$ N│ │ 11 Erased, Over, Out.m4a
/ c r" b4 M: t9 s6 U- B│ │ cover.jpg
* c! S* x; Y, b│ │
' o+ i( T7 W. N│ ├─2000 - Things Falling Apart
; u l" g0 F P! d+ G& G; Y│ │ 01 Slipping Away (Remix).m4a+ Q' q4 S0 F& ^& V0 D% P
│ │ 02 The Great Collapse (Remix).m4a
. o, _: S7 a4 M│ │ 03 The Wretched (Remix).m4a) o4 c: C5 D' U; U, I1 H2 d
│ │ 04 S--------rs, Inc. (Remix).m4a
q9 w, ^4 G) o5 l' f0 p1 F+ V│ │ 05 The Frail (Remix).m4a+ R( q. ~) ^& E* ]& a b! w9 `
│ │ 06 S--------rs, Inc. (Remix).m4a
% x& V7 o) s. E: y; i│ │ 07 Where Is Everybody! (Remix).m4a5 Q/ y( ]1 \: L- j- B2 P3 |+ \3 B
│ │ 08 Metal (Remix).m4a3 ]. k$ h- c% L( [ x" Y
│ │ 09 10 Miles High (Remix).m4a
0 c% J8 M9 q6 }( ?│ │ 10 S--------rs, Inc. (Remix cc).m4a. @; x" h* v2 i7 o" q' S" e- w
│ │ cover.jpg
1 }% [ i! {$ b2 X! R│ │ & \2 Z \7 W) ^" i
│ └─2007 - Y34RZ3R0R3MIX3D K0 M8 x# E) l0 D0 _" J7 M9 r# _
│ 01 Gunshots By Computer (Saul Williams).m4a
( @% M! ~( e6 O│ 02 The Great Destroyer (Modwheelmood).m4a* N9 X: j2 x) j3 }1 E, R' b
│ 03 My Violent Heart (Pirate Robot Midget).m4a
! P4 D6 N7 l+ e: F│ 04 The Beginning of the End (Ladytron).m4a [# P6 ^& P; _3 @( v0 q k
│ 05 Survivalism (Saul Williams).m4a5 z, F1 f6 `$ d+ N4 f/ @
│ 06 Capital G (Paul Epworth Phones 666 Revolutions Mix).m4a) N6 S+ {" k7 D4 m0 J
│ 07 Vessel (Bill Laswell).m4a
3 T D# E, p% g( j8 ^│ 08 The Warning [feat. Doudou N'diaye Rose].m4a
7 {+ d) p; \9 @$ Q0 F│ 09 Meet Your Master (The Faint).m4a
/ q! ]5 ~. `1 P# j' l; G4 H2 P│ 10 God Given (Stephen Morris and Gillian Gilbert).m4a
1 q$ z- k0 I- l: ^9 S; P; ^/ V│ 11 Me, I'm Not (Olof Dreijer).m4a
7 M; M g+ d) e9 `, F│ 12 Another Version of the Truth (Kronos and Enrique Gonzalez Muller).m4a7 F* s7 @, S* m9 p
│ 13 In This Twilight (Fennesz).m4a
% A0 P- D( Y* Y" h0 s+ K( i│ 14 Zero Sum (Stephen Morris and Gillian Gilbert).m4a
s5 A$ D* E7 L│ cover.jpg: S+ w* i9 }* Z3 y' s2 b
│ % _. o8 J4 R. w" z* H9 z
└─Singles
& {) `* h$ C6 \, ` ├─1989 - Down In It - Single0 X0 a5 n* h2 t( O: k
│ 01 Down In It (Skin).m4a
5 _4 [. G" T7 X8 G& u$ m │ 02 Down In It (Shred).m4a
- a5 o7 k8 w5 w( b: p │ 03 Down In It (Singe).m4a& i' n8 C. y6 ]+ w( N+ j6 t, T
│ cover.jpg* H# s4 ^0 O- a- K1 W1 N& z8 H- Z( i! D
│
! H/ d# V1 s; O; J- D9 f3 ? ├─1990 - Head Like a Hole - Single3 K; t/ V, Q" L" U& h" D) b
│ 01 Head Like a Hole (Slate).m4a
% | d3 t& n. G# F │ 02 Head Like a Hole (Clay).m4a
6 h! t! {9 h+ [0 r. L │ 03 Terrible Lie (Sympathetic Mix).m4a3 S" A0 G6 f$ t7 ?
│ 04 Head Like a Hole (Copper).m4a
' F5 b0 Q2 n6 [8 ? x │ 05 You Know Who You Are.m4a4 C, C- h) t2 s% k
│ 06 Head Like a Hole (Soil).m4a
9 _2 [- I0 L& R7 c │ 07 Terrible Lie (Empathetic Mix).m4a- t5 H8 V" ^) v9 u/ o: U' S( t
│ 08 Down In It (Shred).m4a
6 v9 o7 k/ i: ?* k( U$ ? │ 09 Down In It (Singe).m4a3 x9 y( b' A7 W/ k* G
│ 10 Down In It (Demo).m4a& J+ E" s- m# K$ O+ R
│ cover.jpg$ f* f, m- V1 \' d1 U
│
# ~- D' R5 ~8 Z: r/ {9 m6 j6 ^; o ├─1994 - Closer to God - Single
: o$ t; G- E- H$ D │ 01 Closer to God.m4a
( A3 ] }# n; Q( z8 ^" s$ _ │ 02 Closer (Precursor).m4a% e4 u: }1 s8 T/ W, U. @9 [
│ 03 Closer (Deviation).m4a
/ x% \% c& J* u0 X. J& ^ b- s _ │ 04 Heresy (Blind).m4a
2 Q. o( W1 a/ i' `! o6 R │ 05 Memorabilia.m4a& m7 s2 _; w+ y
│ 06 Closer (Internal).m4a _- ?% \2 A; \2 U- {, }, H# u
│ 07 March of the F------ds.m4a
" c) ]) I) P! u0 L/ \& Q │ 08 Closer (Further Away).m4a
; j# F4 O4 O& i9 g0 l L │ 09 Closer.m4a7 h0 j6 L3 w, R, ~7 h
│ cover.jpg
! R1 w3 ~! O4 N" G4 m │
+ y& j1 p$ }9 k" I1 ]: ^- Y3 s ├─1994 - March of the Pigs - Single9 s# W. t- o* m! @8 v) m: ]" a
│ 01 March of the Pigs.m4a# W7 h! _5 D; W
│ 02 Reptilian.m4a
* g; f2 r+ `7 V5 P3 H) f" O# J │ 03 All the Pigs, All Lined Up.m4a
9 ?4 ?6 z0 T* L g- `% C8 | │ 04 A Violet Fluid.m4a% l4 v3 z. m4 H" n. |/ d! b* j
│ 05 Underneath the Skin.m4a
* y* L2 |: k5 t/ {. }1 ^! }8 A │ cover.jpg) L* }! @) h2 d9 i
│
# V' c5 O9 c0 Y7 O! ^2 z- R ├─1997 - ''The Perfect Drug'' Versions - Single
; e) S6 w, F' |- P5 g [' a$ V │ 01 The Perfect Drug (Meat Beat Manifesto).m4a
1 I* y9 ^% F8 L4 h3 k! `8 K4 e │ 02 The Perfect Drug (Plug).m4a) @& D4 i4 p, X# K
│ 03 The Perfect Drug (Nine Inch Nails).m4a
- H+ x& _ i: V# K │ 04 The Perfect Drug (Spacetime Continuum).m4a
+ Q; R& L. j {: H* d. G+ S │ 05 The Perfect Drug (The Orb).m4a
- [2 P5 D, b& l3 K8 X7 i2 e" ` │ cover.jpg0 X+ {# b) M6 D( s+ ~; b$ [
│
( n$ E+ a! i3 @( y% n) W ├─2013 - Copy of A - Single
. Y t& }8 c8 |% C! _ │ 01 Copy of A.m4a# _4 I3 _# J0 G/ h) }( a/ N. Z
│ cover.jpg
' S8 n# f/ L$ A1 R │ & N7 L! l$ F% B2 B- y3 Z) U: `3 ^
├─2013 - Everything - Single
; U% g+ T# M8 V │ 01 Everything.m4a
& u* G! V! d$ ~ │ cover.jpg
% T% ]0 b" c Z3 ?" q* N1 t │
! s9 z$ {* W; G3 H0 ~7 M# r( X └─2017 - Less Than - Single8 | h6 H/ o- i" H+ G
01 Less Than.m4a
. p- |# l* h' T cover.jpg. U3 u& p) z- o; P8 y6 X* G
: b0 ^0 B) |7 L( i% J9 N9 j2 B9 G* L: c+ p8 Q) d S& q7 z4 f
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