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) U- W Z$ U) iNine Inch Nails简介
6 I3 w1 Q4 D' r4 o1 j" @美国工业摇滚乐队,工业摇滚代表性乐队。成立时间为1988年。Nine Inch Nails 首次推出的《Industrial Nation》为他赢得了为 Skinny Puppy、The Jesus & Mary Chain、Peter Murphy 的演出担任助演的机会。但真正给乐队带来商业成功的是 1990 年专辑《Petty Hate Machine》及其中的热门歌曲《Head Like a Hole》。该专辑有着重金属的狂暴、流行曲的构架、工业音乐的声响和丰富的舞曲节奏,它在榜上停留了两年多。
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信息简介
! |# j+ s/ Q) f. \" v( X; _负罪感、异化、无尽的痛苦及其艺术化的表达,创造了一些令人铭记在心的摇滚乐。这其中也包括 Trent Reznor的 Nine Inch Nails单人乐队。乐队的音响空间是荒芜的,而歌词则将自暴自弃与绝望推向了极点。但是 Reznor 写出的是流行歌曲而非自己恐怖电影的配乐。它同时得到了另类和主流硬摇滚乐迷的喜爱,并将工业噪音音乐引入了主流。8 _% F& u; f# G. e5 R
6 H1 Q5 y0 V5 N6 p( k0 \2 p' p早年经历
& o- p; ]0 o0 s. w5 YMichael Trent Reznor 生于宾夕法尼亚洲的默瑟。他 5 岁开始学习钢琴,同年父母离婚,他由外祖父母抚养。后来,他学习了萨克斯和大号。和其他初出茅庐的音乐家一样,他将自己的局外人情结埋进一支叫 Option 30 的乐队里。在 Allegheny College 攻读计算机工程后,Reznor 搬到了克利夫兰。 1988 年,他组建了 Nine Inch Nails,进行舞曲方向的探索,并汲取发展中的工业音乐和泰克诺风格。 Reznor 几乎包揽了所有创作、演奏和制作工作,只有当巡演时,他才会召来鼓手 Chris Vrenna 等乐手。' q; Y( _4 i- h4 H: ?& x. y
Nine Inch Nails 首次推出的《Industrial Nation》为他赢得了为 Skinny Puppy、The Jesus & Mary Chain、Peter Murphy 的演出担任助演的机会。但真正给乐队带来商业成功的是 1990 年专辑《Petty Hate Machine》及其中的热门歌曲《Head Like a Hole》。该专辑有着重金属的狂暴、流行曲的构架、工业音乐的声响和丰富的舞曲节奏,它在榜上停留了两年多。! H4 n X8 v6 Y e& @4 u" N4 f
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演艺经历# K$ t7 x; \+ t7 z: R. @/ U6 F
1991 年,Nine Inch Nails 参加了 Lollapalooza 巡演并成为了 T 恤衫的销量冠军。但是,乐队与其公司 TVT的法律纠纷耽搁了第 2 张专辑的推出。后来,Reznor 与经理人 John Malm 创立了自己的厂牌 Nothing,于 1992 年开始签新乐队,包括 Pop Will Eat Itself、Prick 和著名的 Marilyn Manson。同年秋天,乐队推出EP《Broken》,打入排行榜十佳,其中一曲《Wish》获格莱美最佳金属表演奖。它的风格更加强硬,但仍有着常规歌曲结构。此时 Reznor 与 TVT 公司和 Interscope 公司(Nothing 的发行商)最后达成协议,允许 Reznor 和 Nothing 自立门户,但 TVT 将在后续的 Nine Inch Nails 的专辑中分红。5 ^/ x, Z* r1 L% M
1994 年春,Nine Inch Nails 发行第 2 张专辑《The Downward Spiral》,它标志着乐队从地下跃入主流。该专辑在 Charles Manson 的信徒谋杀女演员 Sharon Tate 的洛杉矶房屋里录制。 Reznor 也同期为 Tori Amos 录制了《Pass The Mission》。这张被宣传为“概念专辑”的作品体现了 Reznor 所受的根源影响——70 年代前卫摇滚,而其中也有前 King Crimson 乐队的吉他手Adrian Belew 助阵。它打上了排行榜第 2 名,Reznor 登上了《滚石》杂志封面,并成为《花花女郎》杂志“十大摇滚性感明星”。乐队参加了 1994 年 Woodstock 演出。这一切对于一个唱着“我聚在痛苦中/这是唯一真实的事”的人来说应该是愉快的。“虽然我们成了支流行乐队,填满了主流媒体的各个频道 ”,Reznor 说,“但我真的感到我是在走我自己的路”。
& @1 y, T, `3 N8 u" g3 w在《 The Downward Spiral》之后,Reznor 为 Oliver Stone 的争议性电影《Natural Born Killers》(天生杀人狂)录制了富有创意的电影原声专辑。它将电影对白和歌曲(包括 Nine Inch Nails 的《Something I Can Never Have》和《Burn》)编织成天衣无缝的音响流动。此时,Reznor 和 Hole 乐队主将,Kurt Cobain 之遗孀Courtney Love 传出了绯闻。" P, T6 x( R9 i9 O& h
1995 年,Nine Inch Nails 推出了混音专辑《Further Down The Spiral》,并与对他的音乐产生重要影响的 David Bowie 合作巡演。 1996 年,歌曲《Happiness In Slavery》(Woodstock 1994 年现场专辑版本)再获格莱美最佳金属表演奖。年底,准备着新专辑,并为 David Lynch 的电影《Lost Highway》(妖夜荒踪)写了 3 首新歌。 Reznor 和 Lynch 出现在 1997 年 2 月的《滚石》杂志封面。
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├─Albums
' N; V0 K' P) J9 K; W3 i- k- q$ }& j│ ├─1989 - Pretty Hate Machine
. y2 G+ p& A8 C- ]│ │ 01 Head Like a Hole.m4a
2 y3 D. f1 s8 V% |* s│ │ 02 Terrible Lie.m4a
. j4 k; m( f5 l& E│ │ 03 Down In It.m4a
) P: @; x0 {) W3 g& Q│ │ 04 Sanctified.m4a, E/ z- t2 L, M4 W5 V& m* @* ^
│ │ 05 Something I Can Never Have.m4a. v3 p8 K' X+ m* [2 ]9 c
│ │ 06 Kinda I Want To.m4a
: a3 `$ Z$ a; S3 z│ │ 07 Sin.m4a
; O, F f& k; P; F/ N│ │ 08 That's What I Get.m4a
4 r) P/ |! J) H: {% r8 w│ │ 09 The Only Time.m4a3 ]. c7 O6 K( t- d1 d% V
│ │ 10 Ringfinger.m4a, F7 N# E" a, @; S0 A8 `# Y: ^. V
│ │ cover.jpg
, Y4 e7 k( m/ g! h│ │ 7 z; `& b/ _+ f8 N2 M- R
│ ├─1989 - Pretty Hate Machine (2010 Remastered)
0 Y( c, J2 V( }% s│ │ 01 Head Like a Hole.m4a( b0 h, J, f8 M% ~3 g
│ │ 02 Terrible Lie.m4a
8 J/ I5 k1 |+ ]5 H│ │ 03 Down In It.m4a. ^) X4 R2 f' U p! ]* X! _3 B
│ │ 04 Sanctified.m4a
& J4 U6 M3 p! l: p/ o4 p* C│ │ 05 Something I Can Never Have.m4a3 g$ `2 G% A1 R8 z- C" u
│ │ 06 Kinda I Want To.m4a. x, l! Y/ G, L7 @9 O, C7 t8 K2 l( T
│ │ 07 Sin.m4a
1 a) w( V7 @; o│ │ 08 That’s What I Get.m4a
! _2 a+ J! o8 d4 |9 O9 m i│ │ 09 The Only Time.m4a' S- z& E9 f7 z# f* U# M2 X9 y% ?
│ │ 10 Ringfinger.m4a
0 h# `$ @, o4 h│ │ 11 Get Down, Make Love.m4a
' K+ [2 {4 Q( {9 w│ │ cover.jpg' B- N4 w8 Q8 E1 _1 g
│ │ 9 y( W6 p0 ?9 Y- q, w- T3 v3 D* S; ~
│ ├─1994 - The Downward Spiral (2004 Deluxe Edition)! |9 y) W7 a5 w. z0 n
│ │ 1-01 Mr. Self Destruct.m4a
7 w( I, u/ q4 K3 Q4 r│ │ 1-02 Piggy.m4a
) Y7 x: a9 q- b8 C* B5 t' M│ │ 1-03 Heresy.m4a
. H% D& H3 i3 g│ │ 1-04 March of the Pigs.m4a
$ d! E( L7 H# Z" _6 s6 Q│ │ 1-05 Closer.m4a, [' P' b+ n. A) G' j
│ │ 1-06 Ruiner.m4a
" s" j7 e0 b1 \* [│ │ 1-07 The Becoming.m4a
* T! }2 X7 R% d9 a# Y2 }# t│ │ 1-08 I Do Not Want This.m4a
7 i9 P+ u- G& g2 Q4 y│ │ 1-09 Big Man with a Gun.m4a
* z/ l8 ^! a0 D+ C│ │ 1-10 A Warm Place.m4a
/ x' L$ O9 Q. Z$ D( s! I│ │ 1-11 Eraser.m4a$ `4 R9 J6 g* m; R4 V$ ^
│ │ 1-12 Reptile.m4a
6 K0 d) W0 ~( V* |│ │ 1-13 The Downward Spiral.m4a) E7 i3 N( z' J+ J' o0 }5 e" G
│ │ 1-14 Hurt.m4a2 M. C' S1 u+ n( h
│ │ 2-01 Burn (Soundtrack Version).m4a
. t* R, B1 e7 F6 q│ │ 2-02 Closer (Precursor).m4a
5 m1 w. M) ^) z: r0 J; c│ │ 2-03 Piggy (Nothing Can Stop Me Now).m4a
+ H8 d) a: ^: f│ │ 2-04 A Violet Fluid.m4a
& g$ H- P0 n* c( o( p8 v# s│ │ 2-05 Dead Souls.m4a1 e" [/ C. p& Y; ^9 R# _6 v3 x" o
│ │ 2-06 Hurt (Quiet).m4a' C7 x, s' w/ h, _- h0 L
│ │ 2-07 Closer to God.m4a4 C/ c9 y) R, W9 l+ [3 m' {
│ │ 2-08 All the Pigs, All Lined Up.m4a8 ^ Z2 Z/ O% P% d K- H# ?& ?
│ │ 2-09 Memorabilia.m4a9 Q) L* }" `$ Y4 A5 x
│ │ 2-10 The Downward Spiral (The Bottom).m4a
2 L" R2 h; Q# `: ~2 o2 v│ │ 2-11 Ruiner (Demo).m4a
" \# B. D* X/ E3 M* i│ │ 2-12 Liar (Reptile Demo).m4a' ]1 v( l0 a d/ L
│ │ 2-13 Heresy (Demo).m4a- q& X. T+ K7 h/ k6 l, N9 N
│ │ cover.jpg
6 ~/ q8 d" u8 g2 [2 b│ │
2 w7 K: U- h" p; ?1 U+ e1 ~│ ├─1994 - The Downward Spiral [Mastered for iTunes]
& e: l4 b' r! m c6 Q│ │ 01 Mr. Self Destruct.m4a: U& v/ ?' ]! j& Y5 A2 |" Y
│ │ 02 Piggy.m4a
4 g1 p, i+ [' ]$ ~" J) g│ │ 03 Heresy.m4a! P& E' M7 G+ F$ @9 f% p
│ │ 04 March of the Pigs.m4a
U' O A6 Y, S- `; f5 L+ Z│ │ 05 Closer.m4a1 x9 ]( \( Z3 y0 I/ l4 h) L* u
│ │ 06 Ruiner.m4a3 c# b+ ?) `, L" N0 i! t
│ │ 07 The Becoming.m4a3 W$ N* T0 S% P# K% T& n) y- e% K
│ │ 08 I Do Not Want This.m4a7 t f! T4 I* t1 m
│ │ 09 Big Man with a Gun.m4a( `. c, H# q! x& A
│ │ 10 A Warm Place.m4a
& G. w$ F3 H, N- [/ c5 J│ │ 11 Eraser.m4a
- [3 n* I7 ]0 `( m│ │ 12 Reptile.m4a
1 o5 z T6 V% A. p│ │ 13 The Downward Spiral.m4a
/ q" {0 Y' n" ]+ v! i+ o2 F0 o& `│ │ 14 Hurt.m4a
6 v' z& R8 A0 K( Q$ n│ │ cover.jpg/ F* J3 `9 j6 ^' l" k
│ │ . `$ _! d+ x6 y! R# c* W" s5 S
│ ├─1999 - The Fragile [Mastered for iTunes]+ e' h9 [: @+ X _- E" W
│ │ 1-01 Somewhat Damaged.m4a6 z" `* k$ L) P5 E" R, `
│ │ 1-02 The Day the World Went Away.m4a
2 S; I/ S1 k& g6 @# y) q* r│ │ 1-03 The Frail.m4a
5 q& P( V& y1 y1 r( m. V6 `3 ^- v│ │ 1-04 The Wretched.m4a4 d4 B' p( m1 L. O! M
│ │ 1-05 We're in This Together.m4a g2 O9 p! e/ x Q5 w
│ │ 1-06 The Fragile.m4a
+ g& v4 _9 n) F: Y$ N│ │ 1-07 Just Like You Imagined.m4a" M- z3 P- ]4 z9 B* Y _6 T ?
│ │ 1-08 Even Deeper.m4a$ b9 X+ ?5 U9 f; U: n. Z8 D
│ │ 1-09 Pilgrimage.m4a; v+ d' s- Y: T
│ │ 1-10 No, You Don't.m4a& b _& Q6 @6 R2 |0 m- @/ @
│ │ 1-11 La Mer.m4a1 b& {. _. N1 m' ^1 V
│ │ 1-12 The Great Below.m4a
0 [3 Q6 O% [# h# B│ │ 2-01 The Way Out Is Through.m4a- h+ Y+ u3 B) E2 h" ?' R5 R7 v
│ │ 2-02 Into the Void.m4a3 f' Z: `; @ Q& J- _* k' M
│ │ 2-03 Where Is Everybody_.m4a% y" w. |8 Y" g( u& r
│ │ 2-04 The Mark Has Been Made.m4a
8 C# s) R6 s- D! ^│ │ 2-05 Please.m4a2 ?: a# ^5 U& r" u% g2 o
│ │ 2-06 Starf--kers, Inc..m4a
1 `0 x0 h/ |! F6 z4 k$ R( D( M: X1 t│ │ 2-07 Complication.m4a% }: z- U7 |+ K6 `
│ │ 2-08 I'm Looking Forward to Joining You, Finally.m4a' G% T# s3 |. Z! n* X9 r
│ │ 2-09 The Big Come Down.m4a9 X2 e9 E/ _# ]9 ^$ p$ c( a" V
│ │ 2-10 Underneath It All.m4a
2 \: |+ ^; d9 R, m│ │ 2-11 Ripe (With Decay).m4a5 ?, \" e6 n8 i9 a' c2 Y/ v" E
│ │ cover.jpg
4 z, w* e1 c" l1 _; o│ │
( {4 X) r F7 {/ l* P. C3 v" f│ ├─2002 - Still
1 e: \7 ?1 w2 X│ │ 01 Something I Can Never Have.m4a
' n7 `) ^4 N% v│ │ 02 Adrift & At Peace.m4a, X& h% m1 x$ w |, ~# }
│ │ 03 The Fragile.m4a
4 i" N' E' q8 v( r6 ?│ │ 04 The Becoming.m4a
! [8 m& G+ ?% R8 @│ │ 05 Gone, Still.m4a9 J8 u! |' f- _' u& a8 Y+ N
│ │ 06 The Day the World Went Away.m4a6 Y4 q; Z% ^ A7 r
│ │ 07 And All That Could Have Been.m4a- h* L+ K- H/ y/ A: k. v0 @
│ │ 08 The Persistence of Loss.m4a
5 Y9 ^6 N- o2 C, Z% F│ │ 09 Leaving Hope.m4a
" I2 p" b9 b/ Y+ |│ │ cover.jpg4 p- `' Z3 C9 l: e2 V
│ │
! _1 N4 q9 b' _ v8 ?│ ├─2005 - With Teeth' N' n6 p: D) N: o9 e. d2 f/ H. x; s
│ │ 01 All the Love In the World.m4a/ W6 m7 f8 q- N# ^: k
│ │ 02 You Know What You Are_.m4a( k) U- K; k$ f/ A% C
│ │ 03 The Collector.m4a
) `: N% j: i0 V│ │ 04 The Hand That Feeds.m4a6 p) c3 a f, j- p5 }2 d
│ │ 05 Love Is Not Enough.m4a2 u7 y" u X) z* b5 } @( O; N& }
│ │ 06 Every Day Is Exactly the Same.m4a! K C6 W2 f% s+ ^4 o: V" Q3 `+ t' h& q
│ │ 07 With Teeth.m4a' f0 V$ u; J4 d
│ │ 08 Only.m4a
+ d9 e, F% z& ]8 j% A9 I o6 i│ │ 09 Getting Smaller.m4a; \: c9 _' F& k7 J
│ │ 10 Sunspots.m4a
5 w, J% d3 u# V; E* p4 o. w│ │ 11 The Line Begins to Blur.m4a
/ B" y Y: S# L5 d! R% G│ │ 12 Beside You In Time.m4a5 M* g: _% u. i( o, J. @- n
│ │ 13 Right Where It Belongs.m4a
2 p1 ~; N `) z+ a4 r. c3 A$ W│ │ 14 Home (Non-LP Version).m4a
q7 ] s) @3 ^' o- s│ │ 15 Right Where It Belongs (Alternate Version 2).m4a
$ j, B3 x% O1 x9 H│ │ cover.jpg3 L, j+ t+ C! z' p
│ │ + E# A1 K5 @7 m( }, a5 J" F
│ ├─2005 - With Teeth [Mastered for iTunes]
& c) x/ h! _: F4 o. I2 G5 d% Q" i│ │ 01 All the Love in the World.m4a
( p9 K$ V8 ?/ m. y4 O│ │ 02 You Know What You Are_.m4a
+ H9 z9 ^! ]! y2 \- \│ │ 03 The Collector.m4a
0 `9 S2 F' W6 ~. X3 l│ │ 04 The Hand That Feeds.m4a
K$ X; Q- ~- h: r! G' \ L│ │ 05 Love Is Not Enough.m4a5 n# g' H0 b+ y# Q/ n
│ │ 06 Every Day Is Exactly the Same.m4a
) r& C. _9 E0 R. B. a│ │ 07 With Teeth.m4a
; x! [: E+ n8 {! B7 @3 l│ │ 08 Only.m4a8 J* m4 D2 c. F* p, X& R
│ │ 09 Getting Smaller.m4a( M: j* Z2 }- v* j
│ │ 10 Sunspots.m4a1 [8 }, w' @" v0 i7 F1 t
│ │ 11 The Line Begins to Blur.m4a
# X6 b; t& R8 s+ u' l1 u│ │ 12 Beside You in Time.m4a, D! Z8 |4 q+ Y
│ │ 13 Right Where It Belongs.m4a
7 s" [1 @% A; {# ]' z" ]/ v7 p│ │ cover.jpg: I$ M' a8 s' y
│ │
2 n' C3 ~+ I, I U- [% t0 G│ ├─2007 - Year Zero [Mastered for iTunes]
4 X* I' O& R: \│ │ 01 Hyperpower!.m4a
1 F: e& P3 ?4 ]. Z3 M; `% T# V4 {4 }│ │ 02 The Beginning of the End.m4a
; H/ i$ c) j2 p$ F# n" S│ │ 03 Survivalism.m4a6 w+ U6 W Q! v0 c1 a- X
│ │ 04 The Good Soldier.m4a( D: l% Q. o# P8 X9 h9 J
│ │ 05 Vessel.m4a5 G$ f) N$ X! ]( f! w! ], b
│ │ 06 Me, I'm Not.m4a
, Q! D" n4 b4 B+ O│ │ 07 Capital G.m4a
* K- J6 U: ?8 w0 k│ │ 08 My Violent Heart.m4a
2 W( k' E/ [: h7 f2 k( V7 v/ C│ │ 09 The Warning.m4a
% O7 h4 G/ b" ]6 A( C/ N8 {│ │ 10 God Given.m4a
9 e. J9 U+ }2 \│ │ 11 Meet Your Master.m4a
1 t6 E) \8 {* r* b% ?8 I- q│ │ 12 The Greater Good.m4a
) S! L4 t/ A: _" Z% w2 G) G+ K& w. U│ │ 13 The Great Destroyer.m4a
+ V" I% Z6 z# P7 t│ │ 14 Another Version of the Truth.m4a
/ X0 _5 z& `: O: @│ │ 15 In This Twilight.m4a+ ~" ^( R* h, ^$ Q
│ │ 16 Zero Sum.m4a; x7 W! Z9 S3 C0 C1 _
│ │ cover.jpg
* J' b5 ~1 L$ n, _. h│ │
4 ?# w$ H) {$ X6 S│ ├─2008 - Ghosts I-IV
8 ?' Q0 {' ?6 e0 d6 N! w" h/ ~+ c& S│ │ 01 01 Ghosts I.m4a
. W3 W' q. [7 i! i5 z) d│ │ 02 02 Ghosts I.m4a
' Y4 h. E: E6 m7 V1 Z│ │ 03 03 Ghosts I.m4a
* t1 c) A, v0 ^3 p' }5 H, \ r│ │ 04 04 Ghosts I.m4a
! V3 Z5 j, a8 T5 e" W+ Z│ │ 05 05 Ghosts I.m4a6 Z5 [5 v3 G2 E0 o5 l1 a
│ │ 06 06 Ghosts I.m4a
& _) _7 T k7 u) X- L3 Q│ │ 07 07 Ghosts I.m4a5 l* z6 c0 h3 f
│ │ 08 08 Ghosts I.m4a
: u! }& M' v+ D- L k│ │ 09 09 Ghosts I.m4a! |9 {1 d5 O; x6 O. M
│ │ 10 10 Ghosts II.m4a4 r$ a) L* s4 W& L' J
│ │ 11 11 Ghosts II.m4a' X$ `' }1 |4 o( u! F& H6 y
│ │ 12 12 Ghosts II.m4a
9 C) v8 f% e' c k! d( @7 \│ │ 13 13 Ghosts II.m4a
2 R9 \- r4 B1 z% x2 h, f│ │ 14 14 Ghosts II.m4a( i+ v! v* Q+ g0 ?1 G
│ │ 15 15 Ghosts II.m4a
) m) @9 M, \! K4 ], [9 k│ │ 16 16 Ghosts II.m4a9 u* t+ @% o' `4 r4 g, x
│ │ 17 17 Ghosts II.m4a
& E+ K' S* S' A0 K9 F3 B│ │ 18 18 Ghosts II.m4a" M; X( l3 V* D+ _. w, w9 y
│ │ 19 19 Ghosts III.m4a
( b/ D8 H9 W( D) _5 S7 P$ \0 ?: Z* W" L│ │ 20 20 Ghosts III.m4a, V# a% Y4 k5 {- d
│ │ 21 21 Ghosts III.m4a$ m7 n5 @; |6 N% ^$ E; _6 b
│ │ 22 22 Ghosts III.m4a
5 J z" p- d1 C j4 N│ │ 23 23 Ghosts III.m4a
( ~8 A: P' u. R6 v( T: M│ │ 24 24 Ghosts III.m4a
/ }1 ]2 L5 C/ c8 O& v& O% K4 T│ │ 25 25 Ghosts III.m4a
0 {* Z& _9 S( d2 T/ H5 g│ │ 26 26 Ghosts III.m4a5 v& X2 n* o& B4 ^6 |/ p0 |
│ │ 27 27 Ghosts III.m4a
- s4 F' X! f9 O4 z1 V. q+ e│ │ 28 28 Ghosts IV.m4a! o0 Y8 o6 P& ^/ h) P. J
│ │ 29 29 Ghosts IV.m4a, S& {. u* n' b( i
│ │ 30 30 Ghosts IV.m4a/ W. @" d8 y) Q4 K2 o" |
│ │ 31 31 Ghosts IV.m4a- D% ^, ?* T7 ?, P1 ^. r0 S( r R
│ │ 32 32 Ghosts IV.m4a
3 o7 @% H, V- y│ │ 33 33 Ghosts IV.m4a
9 R% l9 r4 O* g' d│ │ 34 34 Ghosts IV.m4a: r% W6 n& w* w. Z* a4 D9 A
│ │ 35 35 Ghosts IV.m4a
( j; _4 M. g9 W│ │ 36 36 Ghosts IV.m4a$ E( t& V/ V, L' j5 q) n& j+ S
│ │ cover.jpg4 P ]$ F+ Q# t2 A
│ │ ( H O7 Y" x7 f8 V/ h9 X) s
│ ├─2008 - The Slip
3 U6 @) t- A! [+ E0 G6 k s7 Q│ │ 01 999,999.m4a
# h. b2 w, {& j9 G1 M│ │ 02 1,000,000.m4a" u! j1 | O# W1 n4 L Q8 k% @6 e
│ │ 03 Letting You.m4a
1 g) b6 z! \3 n m U5 G│ │ 04 Discipline.m4a* g' m) I! B& F4 t' z
│ │ 05 Echoplex.m4a
6 p) Q- k: s9 x* V│ │ 06 Head Down.m4a7 P' {9 @7 a4 P& ]. T h/ i# X8 P
│ │ 07 Lights In the Sky.m4a& {: L* N7 ?1 M4 s! L
│ │ 08 Corona Radiata.m4a& K/ G2 R( ?9 U* r! F# g
│ │ 09 The Four of Us Are Dying.m4a
3 b: z! x! B% b9 o│ │ 10 Demon Seed.m4a
8 F8 T1 n6 ]- ~│ │ cover.jpg
4 O. P6 E! {& U* m6 v3 e│ │ 6 N0 z. t% u: h4 B1 O5 p$ v
│ ├─2013 - Hesitation Marks (Deluxe Edition) [Mastered for iTunes]6 A e# c0 M) o( Y9 X0 W
│ │ 01 The Eater of Dreams.m4a% P J6 m- b3 D/ q
│ │ 02 Copy of A.m4a
0 }5 _/ ]5 J/ {1 E+ R9 U# a D│ │ 03 Came Back Haunted.m4a
+ z1 L- ^7 H y; p6 s" ?│ │ 04 Find My Way.m4a/ A N; V: l) I7 ~+ g
│ │ 05 All Time Low.m4a% Z6 E; ?# `6 b' Y+ w
│ │ 06 Disappointed.m4a: T J- f( i* M5 E- z
│ │ 07 Everything.m4a
7 \( V' _% r! {│ │ 08 Satellite.m4a
0 ?/ b: R/ K, k; C! c9 {) n6 \│ │ 09 Various Methods of Escape.m4a
, y2 g' c! V& ?9 ^- `│ │ 10 Running.m4a N2 B3 c% H2 ~- _( V
│ │ 11 I Would For You.m4a9 Y, x1 H" a/ t" s; [$ d
│ │ 12 In Two.m4a$ d2 ^2 p( H5 L9 \) r4 Y3 S# S5 H- v
│ │ 13 While I'm Still Here.m4a
& I" X+ [+ s/ U9 g% c" A│ │ 14 Black Noise.m4a
7 L1 e3 D. d/ y# e7 b│ │ 15 Find My Way (Oneohtrix Point Never Remix).m4a5 |; b8 R4 g/ J& n2 N
│ │ 16 All Time Low (Todd Rundgren Remix).m4a& I# P9 S* _' o, x+ o5 e* u, I' ~
│ │ 17 While I'm Still Here (Breyer P-Orridge 'Howler' Remix).m4a& u9 w, p% Z% Y( M8 ]1 M4 h: @
│ │ 18 Trent Reznor In Conversation With....m4a
+ B! J* T5 O3 E│ │ cover.jpg1 {/ z. u# d, V4 e, L, I7 e
│ │ 5 G5 p& M. B6 K7 O& g, [
│ └─2018 - Bad Witch
/ J0 x) s1 \1 Y; q8 d│ 01 Shit Mirror.m4a
) T# C6 B& v6 n3 d" S│ 02 Ahead of Ourselves.m4a. o( b2 p. t+ t7 R
│ 03 Play the Goddamned Part.m4a# i" C! M1 `' t$ X( P0 o3 a( y
│ 04 God Break Down the Door.m4a4 u( ]+ ?! ^# i9 [! V& E8 \
│ 05 I'm Not from This World.m4a7 p W0 g$ X1 T! j3 ~* _
│ 06 Over and Out.m4a
4 o8 V! z8 f1 \│ cover.jpg5 c& q/ p7 \" X
│ 8 C8 _( x! } x0 ?
├─EP's! N5 k4 `( D- r
│ ├─1990 - Sin - EP
6 z) b0 `$ r4 x: A. c5 j+ h│ │ 01 Sin (Long).m4a
5 A/ Y" D* e: m' o│ │ 02 Sin (Dub).m4a
9 L8 F% ^- W5 j! n3 u+ o│ │ 03 Get Down Make Love.m4a# l3 ^3 t5 A6 N! q+ X* U
│ │ 04 Sin (Short).m4a, I- u6 t( Z( i% p' F, o" H% y9 U
│ │ cover.jpg+ S# l/ V) v$ b7 ~3 _' E! M( v% G
│ │
: p1 R8 ]4 O2 K: i$ M│ ├─1992 - Broken - EP
$ w, d( G% h' q% K4 U4 w│ │ 01 Pinion.m4a& ?6 L* [8 |+ S1 z2 p2 w: T! h
│ │ 02 Wish.m4a5 c. |( K' `; \' g& r( H+ c. h
│ │ 03 Last.m4a
' M' M, Z: j& z, x% f" {% K( i- l│ │ 04 Help Me I Am in Hell.m4a
! M% F# u" }9 n% R! X/ g│ │ 05 Happiness in Slavery.m4a; I/ L5 u& e+ v1 g" G( f
│ │ 06 Gave Up.m4a4 i& l& C% R& K/ i0 N
│ │ 07 Physical (You're So).m4a
& ~3 d) ^; A: ^1 s# [│ │ 08 Suck.m4a; Z9 P3 i% U% Z& u
│ │ cover.jpg
; M Q4 }: X6 m E: [! W% P: P│ │ ' o1 A( ?- S+ I, z* k' x3 c
│ ├─1992 - Fixed - EP* a1 I$ U7 O: T0 \/ s# S$ [5 O
│ │ 01 Gave Up (Remix).m4a
4 ?5 c+ O2 }. ~' N+ D0 W. ]- a│ │ 02 Wish (Remix).m4a
# W% e* G; z6 J8 r2 y: c+ C│ │ 03 Happiness In Slavery (Remix).m4a
( ~6 c9 d+ g! a5 [3 e│ │ 04 Throw This Away.m4a
5 c9 C: `3 s# J" ^% _: }( q│ │ 05 First F--k (Remix).m4a
6 v3 X; J- B, d2 r! H│ │ 06 Screaming Slave.m4a! r$ y+ J" O3 i+ z4 r+ N# P" G
│ │ cover.jpg" Q4 L _( I3 O4 C4 j+ X0 D
│ │
0 N0 d. A5 K, w3 e1 L- w, i- L│ ├─2005 - Only - EP
6 D) m3 l& l: l/ k3 i, s" D│ │ 01 Only.m4a }7 c& m, y5 r @0 f# ^0 N( l6 W
│ │ 02 The Hand That Feeds.m4a
* }& E, N( e6 M│ │ 03 Love Is Not Enough.m4a
% ~. l$ i2 S1 x' n" Z" r│ │ 04 Only.m4v' }* A" h4 ~( e2 g2 q
│ │ cover.jpg
- b7 z! T8 F5 T' P│ │ j" q3 G1 q! q ]$ A% o
│ ├─2005 - The Hand That Feeds - EP
* E. D, g) N, [2 d" A│ │ 01 The Hand That Feeds.m4a1 n( j& p3 Z! b- E" }* k% n
│ │ 02 The Hand That Feeds (Dfa Remix).m4a4 c& Q' |: r! e6 E. Y! r8 k
│ │ 03 The Hand That Feeds (Photek Dub).m4a
6 a6 B. A2 ?& g│ │ cover.jpg/ g U7 X. J" j4 ^# W+ }6 _" I) X" J' f
│ │ + Z' \' `! \9 A
│ ├─2006 - Every Day Is Exactly the Same (Remixes) - EP4 _$ @$ ^2 h6 F7 f
│ │ 01 Every Day Is Exactly the Same.m4a s% X5 s0 V& M2 g5 |
│ │ 02 The Hand That Feeds (Dfa Remix).m4a
4 K( z# _7 N5 D, W4 N( t: w& q. J│ │ 03 The Hand That Feeds (Photek Straight Remix).m4a
: \* h" c. C4 R8 Q0 n4 h) g/ d/ h! p│ │ 04 Only (El-P Remix).m4a3 b) s4 Q6 J! i# [
│ │ 05 Only (Richard X Remix).m4a6 n7 n5 H+ ?" I" @" J0 k
│ │ 06 Every Day Is Exactly the Same (Sam Fog vs. Carlos D. Main Mix).m4a
; q6 p0 V; T' m0 d% a$ w│ │ cover.jpg
+ o0 ~6 N7 q" @) y; H) i5 o│ │ 5 V3 g6 h* L/ o3 V: I- V0 q
│ ├─2007 - Survivalism - EP9 x+ ?/ V4 a! Q
│ │ 01 Survivalism.m4a& z( c6 A; ^ q e! L
│ │ 02 Survivalism (Tardusted Remix).m4a
& d: s* U" ?3 K4 v│ │ 03 The Greater Good (Instrumental Version).m4a
; x; x6 j$ @( z! l+ S% Q│ │ cover.jpg
H; a2 I' I* l+ K- _│ │ + y6 E- H! y# I- I" P
│ ├─2014 - Recoiled - EP (w. Coil), Y) Q) X5 Q5 t
│ │ 01 Gave Up (Open My Eyes).m4a
; [& m, f, T8 b- i( |8 q│ │ 02 Closer (Unrecalled).m4a" h$ X/ f X7 G* Z, G( I
│ │ 03 The Downward Spiral (A Gilded Sickness).m4a
3 m+ F) u$ r- ^0 e$ w$ {│ │ 04 Eraser (Reduction).m4a# L+ m8 L# f. K7 D' H' M
│ │ 05 Eraser (Baby Alarm Remix).m4a7 ^6 h2 w8 R) I
│ │ cover.jpg' l4 W2 J/ P, c; c- p: C# S
│ │
2 X3 @3 ]' x* h" d8 j│ ├─2016 - Not the Actual Events - EP
8 \/ ]( \6 l6 S" l│ │ 01 Branches _ Bones.m4a
9 V0 I% a' z0 d& P│ │ 02 Dear World,.m4a
2 U) S0 U- X, I2 `│ │ 03 She’s Gone Away.m4a! I: H8 [; j! H* a' U2 I8 p
│ │ 04 The Idea of You.m4a$ I0 N& V3 E: j: w. M
│ │ 05 Burning Bright (Field on Fire).m4a
! k9 ~, Q+ I. R' m. [' `' H│ │ cover.jpg! u: g& z1 \1 A& [- M
│ │ 3 J6 S }% q4 w6 U
│ └─2017 - Add Violence - EP
0 }# o5 A& _/ R" U( B│ 01 Less Than.m4a
7 A( _' |' ]; ~5 |9 Z; D│ 02 The Lovers.m4a7 ]7 d- m) c8 \& ?+ m) }
│ 03 This Isn't the Place.m4a5 L$ [/ R6 n! b
│ 04 Not Anymore.m4a
' v* D, Q& \* Z7 Z5 C& c* B│ 05 The Background World.m4a3 Z) c3 E1 O$ L4 T0 s2 J/ g7 P3 V- h
│ cover.jpg
: `0 s5 h0 ^( n+ F& i. F│ 7 D/ `9 K# W& \. a+ C. G, C, l7 Z# k& b
├─Live0 }# P% p5 ]3 Y( ^& Y' s# x e/ C' @
│ ├─2002 - And All That Could Have Been (Live)5 M3 D# W# W$ N
│ │ 1-01 Terrible Lie.m4a9 D" S4 k" r* f; M! H! n6 j
│ │ 1-02 Sin.m4a; P, {8 D4 E/ \+ w& W4 n. @
│ │ 1-03 March of the Pigs.m4a
) B) f8 s1 ^0 H) K& G8 g│ │ 1-04 Piggy.m4a. V4 U& [$ U7 `1 \1 R
│ │ 1-05 The Frail.m4a
$ Z7 y. [$ o+ P9 H6 X# m# w│ │ 1-06 The Wretched.m4a. q6 I* ]) ]. A
│ │ 1-07 Gave Up.m4a
) v' f+ W% I! h( y2 A: H4 X% F│ │ 1-08 The Great Below.m4a
/ T0 i) \/ H1 g5 a {+ M0 s│ │ 1-09 The Mark Has Been Made.m4a) C8 m2 j5 W5 e
│ │ 1-10 Wish.m4a
. w. g+ Q5 i1 c* D1 b# o! j3 O& r% E│ │ 1-11 Suck.m4a
, L, f$ N! v% L7 V5 p│ │ 1-12 Closer.m4a/ b3 L3 }0 `0 H$ G H) w6 a
│ │ 1-13 Head Like a Hole.m4a' H" v1 B5 f+ P3 f+ I+ |& o
│ │ 1-14 The Day the World Went Away.m4a) z6 C8 d5 _: s% g
│ │ 1-15 Starfuckers, Inc..m4a
# C: ]% P6 l- F' R$ k2 M6 F│ │ 1-16 Hurt.m4a, M! g% T) z7 b. k" ]
│ │ 2-01 Something I Can Never Have.m4a4 }+ Z& Z5 j2 p' u1 ]
│ │ 2-02 Adrift & At Peace.m4a6 f9 w& z. C- U! Y- j j
│ │ 2-03 The Fragile.m4a) R# E& B G$ {8 L2 P
│ │ 2-04 The Becoming.m4a
" q9 \$ ?" ~! r. V│ │ 2-05 Gone, Still.m4a
; o1 R" B8 Q7 C! V4 k│ │ 2-06 The Day the World Went Away.m4a
# p" f& g* C+ `4 v# o: C│ │ 2-07 And All That Could Have Been.m4a
8 h0 x$ V% h. X$ r5 w│ │ 2-08 The Persistence of Loss.m4a! L o' _# f) e8 M0 X* A4 ? k! {7 R
│ │ 2-09 Leaving Hope.m4a& q8 z; \. x+ J/ ]4 f+ F
│ │ cover.jpg
" [. ]4 J+ ]) d6 ~- N│ │
0 a1 B4 ?" V4 r f7 t- [/ u. U! N) Y│ └─2002 - Live_ And All That Could Have Been [Mastered for iTunes]+ ?/ n& v/ V7 Q
│ 01 Terrible Lie.m4a
# L" a8 Z; {# {: r* @+ T│ 02 Sin.m4a9 C6 |' ? g* ^6 [
│ 03 March of the Pigs.m4a
3 q* Q; r) a" p% Q! c/ Z9 j│ 04 Piggy.m4a
- I, h& |4 ]2 e│ 05 The Frail.m4a
, ]1 f- s+ h" ?- P0 P$ g) ?) \│ 06 The Wretched.m4a" P" l0 L$ W" k& L
│ 07 Gave Up.m4a
) c7 c/ ^& w9 f4 W. e# A* |7 a# P0 A9 t│ 08 The Great Below.m4a
. i6 k3 ^0 u+ { z│ 09 The Mark Has Been Made.m4a
( y) O- d+ D. X) g│ 10 Wish.m4a
% x8 m" [$ B: I8 D( _7 w, L│ 11 Suck.m4a
( [) [+ J b1 _4 {9 ?; U+ \│ 12 Closer.m4a# @0 W9 e% l6 K
│ 13 Head Like a Hole.m4a
! [( C6 e: J- d$ k│ 14 The Day the World Went Away.m4a; `2 f: ^% w# s" p4 t% Z
│ 15 Starf--kers, Inc..m4a
9 n& {1 P& j% A4 m! [3 P2 W& r2 q│ 16 Hurt.m4a1 x5 k7 y' ]# }! _# G
│ cover.jpg1 n+ A9 ]6 U i0 A/ g! c
│
6 x2 k, F4 y2 e z: t. V├─Remix Albums
, b- d: @& ^3 z5 n8 d" Y$ h│ ├─1995 - Further Down the Spiral3 Y: ?: D: x: Z8 b7 A1 y' u6 S
│ │ 01 Piggy (Nothing Can Stop Me Now).m4a. \4 P3 J* C, x, A
│ │ 02 The Art of Self Destruction, Part One.m4a
, b' {7 z9 v- [│ │ 03 Self Destruction, Pt. 3.m4a
% q8 I& u" H& f│ │ 04 Heresy.m4a% t1 s1 n N0 H# H
│ │ 05 The Downward Spiral (The Bottom).m4a
9 S: @9 o. s( l+ w7 [* `│ │ 06 Hurt (Quiet) [Live].m4a+ B3 e3 l4 y# }0 H
│ │ 07 At the Heart of It All.m4a
; @; @: _) B; Y' t* y6 x. U2 r" m│ │ 08 Ruiner.m4a2 {4 c2 x2 u- S. g2 y3 s/ ?
│ │ 09 Eraser (Denial Realization).m4a8 X2 j4 c2 ]; G0 g+ D _9 o
│ │ 10 Self Destruction, Final.m4a3 W4 i) z" q4 |5 i8 z8 T- \
│ │ cover.jpg* b' w) h: n; M0 c% D0 S6 o
│ │
# D$ B4 v; \. h* @1 Q6 z' o/ H│ ├─1995 - Further Down the Spiral (US Version)
- W: ^# b6 A: w: ]│ │ 01 Piggy (Nothing Can Stop Me Now).m4a
% R2 K" W) T- S, E4 H│ │ 02 The Art of Self Destruction, Pt. 1.m4a0 V+ Y! d; G/ s0 t& G$ y/ P& t
│ │ 03 Self Destruction, Pt. 2.m4a9 J5 _9 j5 A% b$ ]* E _3 r# F
│ │ 04 The Downward Spiral (The Bottom).m4a
) e- h4 B% y3 g, ?' a0 W2 Q│ │ 05 Hurt (Quiet).m4a
# v' U- |7 d& n6 D/ q5 J│ │ 06 Eraser (Denial- Realization).m4a
' s. ^$ `) o1 F: g, g│ │ 07 At the Heart of it All.m4a# i# s0 B( X6 v% a; k
│ │ 08 Eraser (Polite).m4a
% D$ b# I' A0 q0 j. d│ │ 09 Self Destruction, Final.m4a$ x, y4 k4 A1 Y: ~" r7 K
│ │ 10 The Beauty of Being Numb.m4a9 ~8 c0 G/ u; W# i6 r' R+ k; Q2 |5 y& N
│ │ 11 Erased, Over, Out.m4a- {* C" N8 G: m" s( M; ]
│ │ cover.jpg
: g9 K* M2 ]0 G# S+ p n" f" o. q" v│ │
; T/ o) ?$ A' U9 V/ `' h# ?│ ├─2000 - Things Falling Apart* E- A3 O0 p1 w9 L" g, C4 m- v7 k
│ │ 01 Slipping Away (Remix).m4a
' ]! r8 j6 L% v│ │ 02 The Great Collapse (Remix).m4a
' o0 d* j, z- D, U" C│ │ 03 The Wretched (Remix).m4a2 u; Q, ], C/ |6 ^
│ │ 04 S--------rs, Inc. (Remix).m4a
& j, j& B u) j( [1 p" {│ │ 05 The Frail (Remix).m4a. l! G; |( S; V! l/ f a
│ │ 06 S--------rs, Inc. (Remix).m4a p4 G6 |0 H0 r3 Y
│ │ 07 Where Is Everybody! (Remix).m4a
0 h5 q+ Q& j; B1 I& G' { q1 N4 G│ │ 08 Metal (Remix).m4a
$ G0 \- M' `. P; U" j' r1 L1 h│ │ 09 10 Miles High (Remix).m4a
/ B: V2 s+ v/ n│ │ 10 S--------rs, Inc. (Remix cc).m4a& A' W- l2 Z- |
│ │ cover.jpg
. F1 L0 k* e: _" ?' Z│ │ ( a, `6 X4 o% w$ R6 l$ m( b
│ └─2007 - Y34RZ3R0R3MIX3D
# ^8 d$ e. P% p+ |│ 01 Gunshots By Computer (Saul Williams).m4a
* ^# d4 }- Q' g" \│ 02 The Great Destroyer (Modwheelmood).m4a$ h" @: F4 Z! j; H7 Q# N
│ 03 My Violent Heart (Pirate Robot Midget).m4a
# j5 }! y) V4 u& {$ y│ 04 The Beginning of the End (Ladytron).m4a0 Q/ D w# D% s3 @! t* u
│ 05 Survivalism (Saul Williams).m4a
: s* \/ k( \: d; s H- o2 [- a│ 06 Capital G (Paul Epworth Phones 666 Revolutions Mix).m4a
: U4 f, U, u6 Z, W( A) i. ~│ 07 Vessel (Bill Laswell).m4a
- O9 Y7 |5 N+ e│ 08 The Warning [feat. Doudou N'diaye Rose].m4a
1 m& f4 j' C4 D" j│ 09 Meet Your Master (The Faint).m4a" W* ?* j# o X. ]2 T a6 V. C
│ 10 God Given (Stephen Morris and Gillian Gilbert).m4a; [" V# e8 t9 |8 u3 l
│ 11 Me, I'm Not (Olof Dreijer).m4a$ q6 l* G- U2 H' F/ C
│ 12 Another Version of the Truth (Kronos and Enrique Gonzalez Muller).m4a
0 w6 D2 V$ }4 x1 I- S" B│ 13 In This Twilight (Fennesz).m4a+ g: `! u+ G' x) H2 t: U3 Q
│ 14 Zero Sum (Stephen Morris and Gillian Gilbert).m4a
- C- s% @$ T9 U; A; D│ cover.jpg
) w0 J8 t% o4 F6 F, @│ w3 T, [) v/ n- W9 y! E
└─Singles4 l6 l6 b: E, F9 a m2 A
├─1989 - Down In It - Single
/ L. T& T' M E! b/ K$ k7 u* U/ y │ 01 Down In It (Skin).m4a
0 N' r7 L9 n. V" A% m │ 02 Down In It (Shred).m4a# p$ x3 Q4 j/ z2 s/ ^
│ 03 Down In It (Singe).m4a; g y |. V [+ m6 e$ O! M
│ cover.jpg
6 k, G9 |! h; a │
$ n, J. L' s, Y6 M5 h9 \ G ├─1990 - Head Like a Hole - Single
4 [, L6 K- Q" J- B3 i% K │ 01 Head Like a Hole (Slate).m4a+ ~, @0 F! C1 K! y6 V
│ 02 Head Like a Hole (Clay).m4a
' u3 q2 h W5 }+ B* u- } │ 03 Terrible Lie (Sympathetic Mix).m4a3 R: d# d3 \/ r F! ^+ n
│ 04 Head Like a Hole (Copper).m4a
8 [( \; q+ y& F& S+ H │ 05 You Know Who You Are.m4a
: D, r! I4 Q" H2 j2 i8 c( S& b │ 06 Head Like a Hole (Soil).m4a; ]$ \" U4 U7 t: c. `
│ 07 Terrible Lie (Empathetic Mix).m4a: `( E/ z+ l) L1 q+ k4 ]
│ 08 Down In It (Shred).m4a
: ?) t# G' n/ g; r$ {% J │ 09 Down In It (Singe).m4a
_. b: b' _- S' j. u │ 10 Down In It (Demo).m4a
/ u! [% f1 a2 s+ c( d5 q( X │ cover.jpg @( o7 P+ ~3 d) ^8 d2 M9 m. n" i- [
│ 6 \1 R- \ S% ]# z+ O
├─1994 - Closer to God - Single
- N. N/ ]8 y, m6 d4 Z" `% _/ Z │ 01 Closer to God.m4a+ K. R g: q1 H% {- a" @4 C8 e8 t0 u
│ 02 Closer (Precursor).m4a
, _1 S6 C( o1 Y: r% W. _/ \ │ 03 Closer (Deviation).m4a
( b* V. M& r6 v# b' E8 d │ 04 Heresy (Blind).m4a
) \0 z' b/ i; x/ H │ 05 Memorabilia.m4a' D7 H- e1 g& I: f7 Z; Z( W
│ 06 Closer (Internal).m4a- |) P2 @6 s. ?. h: L5 h6 M& t
│ 07 March of the F------ds.m4a& b/ S. |+ o! W+ H+ H& ^
│ 08 Closer (Further Away).m4a
$ i1 s* m! @' e) Y# \. b1 V9 S │ 09 Closer.m4a3 j/ B. j# {* j7 F: B v% q' m
│ cover.jpg" J( b. M/ v" W* y2 W: f. C9 I
│
\+ s9 v& ?% v' ~( R ├─1994 - March of the Pigs - Single9 t, Q0 O0 n0 g3 q X
│ 01 March of the Pigs.m4a
- v! Q: _/ Q$ k% G) |- X, ?: u │ 02 Reptilian.m4a, O) }6 A- S. P" Z' X
│ 03 All the Pigs, All Lined Up.m4a. D0 A- G' H3 b2 h- r8 n
│ 04 A Violet Fluid.m4a) C, K9 Q& V+ l$ L' `
│ 05 Underneath the Skin.m4a
! y: n8 z/ e( c- y; O4 ?* {% F/ z │ cover.jpg; ]" {6 Z. ^3 _0 c/ y* J6 V
│
* b1 r! U( _$ V8 p. Y ├─1997 - ''The Perfect Drug'' Versions - Single
: q3 z1 `' v6 W4 M/ c/ k │ 01 The Perfect Drug (Meat Beat Manifesto).m4a
9 X# ^$ o! Q+ A! E │ 02 The Perfect Drug (Plug).m4a% c/ X9 f# i6 F Q1 w1 O
│ 03 The Perfect Drug (Nine Inch Nails).m4a$ |2 g7 ~; E# ]9 w+ Y' ]% \" Q
│ 04 The Perfect Drug (Spacetime Continuum).m4a7 |2 t+ q& K! }+ l* c+ `
│ 05 The Perfect Drug (The Orb).m4a1 i/ C; I/ J `5 \
│ cover.jpg9 b8 {1 d* ^/ L& l$ ^5 g0 }
│
7 z _+ [' |4 H0 C Z, r' S ├─2013 - Copy of A - Single4 J, v$ J. W& b$ U
│ 01 Copy of A.m4a
9 A' f1 C+ _, m# m- ?, ]- {- R │ cover.jpg0 A3 X+ X1 f" B4 h* ^0 t# J6 l
│ 4 f: f( Y4 P& _2 \
├─2013 - Everything - Single8 s+ ?, r, ]9 K% ?, y! M+ z
│ 01 Everything.m4a
* k- e* y# }, _% L+ C │ cover.jpg( _) Z9 _8 f- D w
│ 0 ?) t' J( U" A& a. L; A
└─2017 - Less Than - Single
% w0 s3 I5 |( L8 W 01 Less Than.m4a
{% O$ Q$ x {# h! }2 n4 v4 ] cover.jpg
( h0 t* l& k' J7 s4 s) I: a d: n N- \+ Z5 u! |
u4 k: P3 _! H5 }' I; X! ], R
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