马上注册,畅享正版iTunes音乐,电影下载!
您需要 登录 才可以下载或查看,没有账号?立即注册 
×
; ?! j' @6 d. v% ]4 H
+ ]( d8 j& b0 d" p' P+ \
) i$ p* o/ Q3 g0 e: q, {. `导演: 朱利安·邓波. C1 |# Y \3 N1 D
主演: John Lydon / Malcolm McLaren / Steve Jones5 X2 `3 y+ G! U5 A8 D
类型: 纪录片 / 音乐 / 传记
7 q7 J6 B' X+ [ o! F5 l; E1 p官方网站: http://www.filthandfury.co.uk/
4 I# s5 U/ z6 t! y制片国家/地区: 英国 / 美国
$ [( C% {" o2 [2 O/ P语言: 英语
3 Y; `+ X8 {, P4 M/ W M上映日期: 2000-02-126 @4 H( s6 Z$ F* O7 f& [9 J
片长: 108 分钟
, D2 |$ _& b( i& m$ oIMDb链接: tt0236216
' h ?; c: _) j, x6 v& E' J) \* H
/ I8 A; l/ b! @5 a8 ?7 z" z2 B% {4 O( J, z
污秽与愤怒的剧情简介 · · · · · ·- h: K& S; v8 O, J6 o
If nothing else, this is the only Sex Pistols film (there are now at least 3) to make explicit and in-depth reference to the band members' working class roots, and the way that experience informed their project. This alone makes the film worth seeing, as it explodes the myth, fostered no doubt by their PT Barnum manager, Malcolm McLaren, that the whole project was an exercise in cynical nihilism and money grubbing. As the band members tell it, nothing could have been further from the truth. I believe them.
( s) z$ v, d4 ^9 q The film is cobbled together in large part from 2 previous Sex Pistols documentaries, "Rock 'n' Roll Swindle," (a McLaren project also directed, ironically enough, by F&F director Julie Temple) and "D.O.A," plus clips from BBS television and elsewhere that try to locate the Pistols in the political and social climate that spawned them. This effort, to give the Pistols a historical context, is by far the most valuable part of the film for those trying to understand how a bunch of working class stiffs, who could barely play their instruments, and who only released one album, could set off an explosion that reverberates in the music world--if increasingly faintly--even today.
4 r& ~2 J* u# ]7 ^- X& [- c Best part of the film: footage from their last, secret gig at a palace in a working class district (they had been banned from appearing anywhere in England) before embarking on their ill-fated US tour. It consists of two performance on Christmas Day, benefiting the families of striking local firefighters, who had been out of work for many months. The attendees consist of the local lads and lasses, none of whom are "punk" in any apparent sense of the term.
) `( U) h- o% ?" _ Before the Pistols performed, everyone eats Sex Pistols cake and ice cream; "Never Mind the Bollocks" shirts are stretched over the pubescent bodies of every bobby soxer. Then, after a thank you from the emcee, the Pistols launch into the searing "Bodies," its sarcastic refrain sung from the point of view of an aborted fetus ("I'm not an animal!/I'm an abortion..."). All the boppers dance like it's a sock hop, with the difference that everyone gleefully throws leftover desserts at one another. Steve Jones is shown playing guitar with his face covered in cake icing, beaming. In his reminiscence about the gig, Rotten grows wistful, saying it was easily their best memory as a band, and the last good one before it all fell apart.' s5 | X' e8 K9 f% R+ e) ^
I never knew the guys were such sentimentalists.$ [" U( B! }+ v$ c8 I: A* ?
It's hard to believe that there once was a time when rock music could actually matter, when it was possible to actually escape the commodified rebellion that now sells Budweiser, Nike, and SUVs, when it was possible, however briefly to scare the pants of the political establishment. Young pop music lovers who swallow the meretricious rebellion of rap or grunge--whose self-important lyrics and idiotically monotonous rhythms make their authors rich off the weekly allowances of white middle class kids whose idea of rebellion is big loud subwoofers in the Corolla Daddy bought them for their 16th birthday--might profit from getting a glimpse of the Real Thing.
/ Q0 Q8 W+ k3 V4 J8 W+ d6 A+ \ The rest of us, who were lucky enough to have been there when history was made, and who can still recall the opening chords of "Anarchy in the UK" blasting all traces of "More Than a Feeling" and "Take It Easy" out of our speakers cabinets and into the first circle of music Hell where they always belonged, can enjoy the film for what it teaches us about the power of ordinary, thoroughly obnoxious people to make their own history, and ours.4 [, P6 V2 T9 }3 u' P) [3 N
/ t( y: ^+ F% X1 z' J! H' M
$ G# n) J/ _$ p[bilibili=500,375]https://www.bilibili.com/video/BV1Bz4y1y79R/[/bilibili]7 M: W5 |: @* \: v- @) u7 k! G
4 h: ]) M& K/ {% p8 Y1 K) V+ l% |+ X4 X( E" l# J# u1 W: M- R
AAC合集·免责声明
*本网站所收集的部分公开资料来源于互联网,转载的目的在于传递更多信息及用于网络分享,并不代表本站赞同其观点和对其真实性负责,也不构成任何其他建议。
*本站部分作品是由网友自主投稿和发布、编辑整理上传,对此类作品本站仅提供交流平台,不为其版权负责。
*如果您发现网站上有侵犯您的知识产权的作品,请与我们取得联系(Email:admin@aacheji.com),我们会及时修改或删除。
*本站服务器不提供任何形式的音乐视频等下载,以及网络硬盘存储服务,网盘不存储任何音乐资源。
*所有在本站下载的音乐、视频资源只作试听用途,请下载后24小时内删除。
|