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Andrew Bird简介, l) B$ T( E) f' H
Andrew Bird是一位独特的民谣音乐人,这个出生于1973年的巨蟹座男人来自芝加哥,除了音乐,从没做过任何其他工作。他从4岁开始接触小提琴,受着学院派的古典音乐训练。他每天练习10到13个小时,直到手肘发炎;5岁就跟奶奶学习吹口哨。早在1996年,就以self-funding的姿态发行独立制作唱片的Bird,倚靠独特的古典乐背景,将弦乐与民谣摇滚完美融合。然而真正把口哨用在他的音乐里,是2002年。那次演出,他的乐队Bowl of Fire不能出席,他便硬着头皮一人带着乐器上阵,并尝试在演出时吹口哨,然而观众的反响出乎意料的好。直到现在,优雅的口哨声已经成为他音乐的标志之一。 H$ y% _; w3 T8 u2 I
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8 h+ S1 y! K7 E├─1992 - Music of Hair5 ~, T. x1 F0 c9 `! A# x' \
│ 01 Nuthinduan Waltz.m4a
/ H! B3 g; ^; [' S: W% n│ 02 Ambivalence Waltz.m4a- N7 l" X: h5 P& ^0 B
│ 03 Oh So Insistent.m4a
) S4 J" w. r3 X1 }9 B5 c│ 04 Rhodeoah.m4a
1 m$ x9 ?0 F+ G2 ?0 g; H│ 05 Two Sisters.m4a
$ N0 D# R, k4 S5 F6 G3 `1 [│ 06 St. Francis Reel.m4a
# Z( i: U# X1 P" M; |│ 07 Ratitat _ Peter's Wolf _ Obliviou.m4a
5 q! G2 _/ L) A! S- z R│ 08 The Greenhorn _ Exile of Erin _ G.m4a7 l9 W. q+ e- K0 D A
│ 09 Pathetique.m4a; W. V, q$ O6 X/ C4 S
│ 10 Song of Foot.m4a
7 Y% R& ?: g8 W3 w5 H( `9 `│ 11 Minor Beatrice.m4a
) d9 |" k% k9 ~5 x│ 12 Oh So Sad.m4a, Q" n- Z7 K5 n% b
│
6 Z0 y/ A: ^9 w0 _7 A3 l0 X├─1998 - Thrills
, m2 M: m' I8 Y# ]2 O│ 01 Minor Stab.m4a
+ l/ M8 H! {, _7 L│ 02 Ides of Swing.m4a
, f1 E2 N' T6 A+ w6 [3 R. |│ 03 Glass Figurine.m4a7 H- s% j3 ` W1 o
│ 04 Pathetique.m4a! s5 d, t+ e1 W
│ 05 Depression-pasillo.m4a
, Q) U# [! g. a! o b( e, S9 l7 L│ 06 50 Pieces.m4a% r4 b- S, J* D, \# }* Y5 N
│ 07 A Woman's Life and Love.m4a2 G8 d8 T) I% a- L/ k* a
│ 08 Swedish Wedding March.m4a+ W9 P8 [; a4 O' ^& c
│ 09 Eugene.m4a& {" Y0 O( J8 C3 y$ C$ ]4 q
│ 10 Gris-gris.m4a
7 C1 b0 w- ]( e│ 11 Cock O' the Walk.m4a
! i+ p& M- G- M4 k│ 12 Nuthinduan Waltz.m4a
! s4 K# k) L2 c. G! O7 G _│ 13 Some of These Days.m4a
# M+ |- Q; I' [4 P8 {4 f│ 14 Chinatown, My Chinatown.m4a* Q# Y6 p: N/ p/ S! H* |
│
) ], P+ g9 a; f% A├─1999 - Oh! The Grandeur! i w% c2 r1 c) Z' _
│ 01 Candy Shop.m4a/ \$ F3 j+ R O$ v) E0 G4 Z+ T9 y
│ 02 Tea and Thorazine.m4a
( {& Z! z9 y" @: U) g! q% ]% B│ 03 Wishing for Contentment.m4a
0 _& G; s. q- R7 [. {* v# v. t V│ 04 Wait.m4a& P6 }+ i- ]* R' U
│ 05 The Idiot's Genius.m4a9 |/ l7 R/ V1 s. g% O; |* l
│ 06 Vidalia.m4a
! L3 f& f" M2 ^5 x4 N│ 07 Beware.m4a7 P2 _/ u9 X- O) q
│ 08 Dora Goes to Town.m4a
7 @6 A3 k1 j% L4 |│ 09 Feetlips.m4a
* B' \6 X8 @- D, j. ?9 G│ 10 And So....m4a7 L9 @ w3 g) {# [. i& B, d
│ 11 Coney Island Shuffle.m4a
% s2 v, ?9 O4 i│ 12 Respiration.m4a$ R7 i0 W( `- N; k5 h: \+ X
│ 13 (What's Your) Angle_.m4a: ]( ]7 I5 T) I2 {
│ 14 The Confession.m4a& E& u6 I, y0 P5 o1 L, e7 M! Z
│ 15 Beware (Reprise) _ Drinking Song.m4a6 n% @1 x* K& r. X M
│ 7 _1 ^) Z+ T f5 b+ x
├─2001 - Ballad of the Red Shoes - EP! ]3 o8 a. m( @! F$ {1 k* h
│ 01 Theme 1 (Waltz).m4a7 h0 z5 o- ]. `$ ~
│ 02 Something Sinister.m4a% C ?' C0 Q1 d2 ]0 Z! Y' _
│ 03 Chorus of the Swan.m4a! R: }+ s$ L4 A1 [
│ 04 Theme 1 (Restated).m4a6 N) l1 F0 f5 D1 m& Q; r
│ 05 Dance of Death.m4a- H2 g/ m- R. Y- y8 F( V
│ 06 The Door.m4a
* S( k @$ T/ c4 v# ^8 |3 n│ 07 Swedish Folk Tune.m4a. d( O+ X# g c% e8 j, R# I) ~4 }
│ ! g4 Z" }' E" b+ ~, p! O: n
├─2001 - The Swimming Hour, ^ O- M/ r/ I
│ 01 Two Way Action.m4a& [& N( {+ |0 }/ J- A
│ 02 Core and Rind.m4a
6 ~; \) k9 p" `│ 03 Why.m4a8 B1 f) @. T( L/ q9 H7 k
│ 04 11_11.m4a5 K. j. U5 h1 z
│ 05 Case In Point.m4a/ H$ g( j( X2 G7 r
│ 06 Too Long.m4a
8 x3 b# A7 y% n$ u- R& J│ 07 Way Out West.m4a' h3 w- Z: `" T
│ 08 Waiting to Talk.m4a) o T& Z& I" N- N
│ 09 Fatal Flower Garden.m4a
. G+ H: ]) J' z: e1 x0 h│ 10 Satisfied.m4a
# o" p; Z8 N! {( U│ 11 Headsoak.m4a0 l3 L7 d/ O& M9 r3 y6 X
│ 12 How Indiscreet.m4a1 u& U% l k9 }% V- `5 X9 D
│ 13 Dear Old Greenland.m4a0 J* Y( Z) D9 c: T7 [8 o5 q3 t% }
│ 2 |! q; L/ H1 A) v6 W' x1 ^
├─2003 - Weather Systems
3 ?7 m) I8 X z) Z2 k" \5 N│ 01 First Song.m4a
4 o9 a% U& H. a8 A. }. |' D│ 02 I.m4a
- c* K V$ O. B" x! y5 V│ 03 Lull.m4a
, r0 V8 \' O* V│ 04 Action _ Adventure.m4a
% |& Q2 o; h# {; r: T @6 F│ 05 --_.m4a
& ^* J1 ]3 g) Q3 \. H│ 06 Skin.m4a4 E- v0 b+ k; m5 |6 B
│ 07 Weather Systems.m4a( j% x, @6 h6 P) h0 J/ E7 S
│ 08 Don't Be Scared.m4a0 W Y1 S9 `! E
│ 09 _--.m4a, M& l3 Q5 l4 x. B8 p5 f( s# X
│
! p0 _7 a+ o. s2 Q4 r7 e├─2005 - The Mysterious Production of Eggs6 I+ h7 H, Z% x: R, Z
│ 01 Untitled.m4a6 g' M" \5 b1 G9 W- ^( P+ j
│ 02 Sovay.m4a# i" Y) u4 B/ K; f# I2 \) T* U
│ 03 A Nervous Tic Motion of the Head.m4a, z9 ]2 |, L! T: S3 f( h. M0 U' z: \) ~
│ 04 Fake Palindromes.m4a
; ~) z4 }% K7 F/ r% M" Z* @│ 05 Measuring Cups.m4a7 B: w' \- L' i' J3 _0 W7 w, K7 L1 ?
│ 06 Banking on a Myth.m4a$ Q" O+ H2 ]6 |) T1 z; V3 t+ a
│ 07 Masterfade.m4a
4 Z5 n! {& ^( S% @9 r& s│ 08 Opposite Day.m4a$ S/ s+ X: _; ^) w3 {8 S+ o
│ 09 Skin Is, My.m4a
, _6 Q2 K } N4 Y│ 10 The Naming of Things.m4a
$ M [6 D' Y* X5 o V/ f│ 11 MX Missiles.m4a
. e/ d2 K$ p: A$ a5 E% r% U/ ` a│ 12 Opposite Day Reprise.m4a5 @( ^$ i/ t+ ?; e
│ 13 Tables and Chairs.m4a8 W. ]# a F( d7 v" y& o
│ 14 The Happy Birthday Song.m4a
% h/ L5 E. O; G; D' K/ P% s7 k( u│
' q3 a7 J, A$ S. w6 P5 _& N├─2007 - Armchair Apocrypha
: W# D/ b! D( r+ O* C: z8 Z│ 01 Fiery Crash.m4a
0 \, n* O% h7 k6 l│ 02 Imitosis.m4a
" Y8 E/ P. @0 U7 {│ 03 Plasticities.m4a
0 M1 Q2 ]& r$ O. w│ 04 Heretics.m4a5 Z3 Q, J( V5 h% m& @
│ 05 Armchairs.m4a
4 T. A& g: W& A4 \" t4 \5 h& G│ 06 Darkmatter.m4a( b5 s) L" h9 k
│ 07 Simple X.m4a" K. M+ b! W9 t' a! I/ z
│ 08 The Supine.m4a
! X0 @# {" w$ O3 p+ f' B" K; W│ 09 Cataracts.m4a
# L8 {2 d2 K) N1 @: C7 M9 x6 p│ 10 Scythian Empires.m4a; f" A$ E2 D3 k+ r* h
│ 11 Spare-Ohs.m4a# J" d; c( N0 v6 k
│ 12 Yawny At the Apocalypse.m4a9 R/ k1 O6 `9 B9 d) b5 |* ?/ p
│
& \- s' c! i4 Y/ _& X! F├─2007 - Live At Austin City Limits Music Festival 2007 Andrew Bird; ?9 A" q3 D6 Y# y3 G1 W J4 k
│ 01 Anonanimal (Live).m4a/ T! g' d d2 ^
│ 02 Fiery Crash (Live).m4a
0 k/ c/ C' L: `, D. j│ 03 A Nervous Tic Motion of the Head.m4a
/ U% l0 L0 J& k│ 04 Plasticities (Live).m4a* D2 [5 } x% C% d" I2 F( \6 T
│ 05 Scythian Empires (Live).m4a
( o% l% t9 }- N9 v3 a8 V2 z- A│ 06 Heretics (Live).m4a
: p' b) g" ~* ?; x9 R│ 07 Simple X (Live).m4a
! R e3 ]& L( l" c7 B! D│ 08 Imitosis (Live).m4a
6 G3 C9 Z9 E, `2 `7 ]│ 09 Fake Palindromes (Live).m4a/ z8 A7 _/ X& g$ ^9 E0 C* C
│ 10 Skin Is, My (Live).m4a
& p* K# {) ]& V E│ 11 Darkmatter (Live).m4a1 h+ P% }% ]" Y9 ]8 y0 c9 B- C
│ & b6 x7 y6 _4 M* _2 q
├─2008 - Soldier On% U0 F& U4 ~ X1 w/ ?) o' K( f
│ 01 The Trees Were Mistaken.m4a
/ u6 i0 w- _& O4 f│ 02 Sic of Elephants.m4a. G* [4 a8 @+ B" ]6 ], X
│ 03 The Water Jet Cilice.m4a0 d: X: M7 B, t$ Q B2 k9 v
│ 04 Plasticities (Remix).m4a
2 N1 j: ?/ X6 {; Q- z1 `│ 05 Heretics (Early Version).m4a8 X$ ?7 g9 }$ }7 Y! `: J+ x
│ 06 Sectionate City.m4a
9 W& m& O F6 C+ n# d5 V3 ^: U│ 07 How You Gonna Keep 'Em Down On th.m4a
4 C* L6 S+ o9 @2 Q" I" m$ w6 g4 k│ 08 Oh Sister.m4a
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├─2009 - Anonanimal See the Enemy - Single
K( e" n! o: O; ^6 ~' o│ 01 Anonanimal.m4a, b$ _1 M* Y; F9 d
│ 02 See the Enemy.m4a" T k. `$ p; F
│
0 y/ r) e* d6 N3 c: u- D: K4 t2 C├─2009 - Noble Beast9 q" w9 Z" Y$ D4 q( \
│ 01 Oh No.m4a
) D2 F3 _4 y& R1 E│ 02 Masterswarm.m4a
6 x6 Z' l! Q. R1 i% v/ S│ 03 Fitz and the Dizzyspells.m4a
1 a- f7 s! ]& M) L│ 04 Effigy.m4a
5 B0 P( C2 ~2 d7 S, n& g! L│ 05 Tenuousness.m4a
7 V7 S7 i r2 v/ |2 J* F│ 06 Nomenclature.m4a/ J' K+ y) i9 W6 X. F0 _' i
│ 07 Ouo.m4a
+ U8 h# g( k! |" `1 S3 r: R( }│ 08 Not a Robot, But a Ghost.m4a
/ c5 n) F1 q& l! U- {│ 09 Unfolding Fans.m4a
5 V+ R2 \' Q8 n! B7 o. I$ X│ 10 Anonanimal.m4a
/ y: b5 h* e% e# @$ {│ 11 Natural Disaster.m4a) c ~+ Z# o& T' i* |
│ 12 The Privateers.m4a
; g, I% j8 a/ X1 X│ 13 Souverian.m4a; o4 f$ U w# e
│ 14 On Ho!.m4a
& P, a/ T# Q- I0 ?│ 15 Section 8 City (Bonus Track).m4a
+ N2 M) p2 B4 C7 _# l% g, [│ Digital Booklet - Noble Beast.pdf8 }& d& X8 U! W4 B
│ $ `; z) V. d3 J8 i2 `! f: x
├─2010 - Useless Creatures+ K$ q- ?' R5 \6 @9 T. O, }0 ~% p( _
│ 01 Master Sigh.m4a9 c8 _$ Q( D9 @) |2 V/ K" \/ J
│ 02 You Woke Me Up!.m4a* h' X. U4 K. g; ?* ]
│ 03 Nyatiti.m4a4 n- z1 J# p/ V: }
│ 04 The Barn Tapes.m4a
' K( N, h$ |4 a│ 05 Carrion Suite.m4a
( [5 S5 p+ u1 Y H7 r│ 06 Spinney.m4a
% M h. Q5 q' \│ 07 Dissent.m4a: I3 l/ D! |. V
│ 08 Hot Math.m4a/ X, ?) B3 T! t9 j- Q+ n& K! ?
│ 09 Sigh Master.m4a0 U9 }1 P' B4 x; i* Z6 l
│ J7 H9 ` P- T ~6 N
├─2012 - Break It Yourself# I3 @& p1 _4 I8 k& y
│ 01 Desperation Breeds ....m4a5 k L6 C1 K# _6 G) X2 ?6 z5 Q
│ 02 Polynation.m4a
9 h0 Q1 p* p7 G( f! S7 m3 }9 g7 Y│ 03 Danse Caribe.m4a) ?+ K& i3 Y( b# b D1 r
│ 04 Give It Away.m4a4 E( ~; D1 j, w d
│ 05 Eyeoneye.m4a
4 f3 E l/ W7 Q) |: i8 J5 P│ 06 Lazy Projector.m4a8 V: Q; n& M% f7 `
│ 07 Near Death Experience Experience.m4a
; }- p! v' H5 v+ G' ^6 ~+ }│ 08 Behind the Barn.m4a a: M) i" \& Q3 n, G
│ 09 Lusitania.m4a
! {1 B! v2 c, @; ?# k│ 10 Orpheo Looks Back.m4a
% s d0 W- Y3 b' z8 Y- f4 v Y7 v│ 11 Sifters.m4a
$ I5 `; H# Y6 X0 S6 J* l│ 12 Fatal Shore.m4a) y; H( f- f! R5 {0 q+ j* P
│ 13 Hole in the Ocean Floor.m4a
7 F( x$ a2 q3 N) q/ F) z1 N' L. J│ 14 Belles.m4a9 \, ^; I6 c* w
│ Digital Booklet - Break It Yourself.pdf
1 r7 m# U& B! v$ w) O4 e│
+ x) y% {2 e! f├─2014 - Things Are Really Great Here, Sort Of
* H$ S' ?; s/ V2 X│ 01 Cathedral in the Dell.m4a1 m4 M+ Z* S' r9 ?0 O2 g
│ 02 Tin Foiled.m4a# S: K0 E" f5 \, `* i" z
│ 03 Giant of Illinois.m4a
& V6 ?6 ]4 c+ O, R│ 04 So Much Wine, Merry Christmas.m4a4 H% Z" _5 n) u; u# u7 [4 @# S
│ 05 My Sister's Tiny Hands.m4a8 a ?0 t5 g0 P' e! @# N
│ 06 The Sad Milkman.m4a9 `, f$ D) s" F9 K; P4 K
│ 07 Don't Be Scared.m4a; C* e/ C: g9 }2 Y }( u
│ 08 Frogs Singing.m4a9 b' X7 S# O- m0 @! \
│ 09 Drunk By Noon.m4a4 u- G) L" c. m6 C3 g1 k5 m- T- m
│ 10 Far From Any Road (Be My Hand).m4a
& J9 I0 G$ y8 i│
" x( U- |9 P K' D├─2015 - Echolocations Canyon) T s6 R" c: E5 H$ Q
│ 01 Sweep the Field.m4a" h: G$ {: Q. k+ Q4 _
│ 02 Groping the Dark.m4a
) t6 V L V3 ?# p* q9 M3 j│ 03 Rising Water.m4a6 F# x' E. Q6 n
│ 04 Antrozous.m4a
P' J7 Z2 q% X C│ 05 The Return of Yawny.m4a3 V, H2 X' v: a) N
│ 06 Before the Germans Came.m4a
4 ?) i) a, t |* K: L│ 07 The Canyon Wants To Hear C Sharp.m4a
, i" u5 p; S' h5 [! \0 r│ ) ~ G N, e; Y# ~+ d( W5 M/ D! ^" t
├─2016 - Are You Serious (Deluxe Edition)
6 s) u% y5 u' M: I│ 01 Capsized.m4a
1 B# Z1 c, [0 ~. Q│ 02 Roma Fade.m4a
* C" O! u- q/ e! u│ 03 Truth Lies Low.m4a
x0 v; l% _+ S, Z( F; e6 S│ 04 Puma.m4a9 |6 k. a% b" F
│ 05 Chemical Switches.m4a9 _& W# p0 v0 {/ d; n" A
│ 06 Left Handed Kisses (feat. Fiona Apple).m4a7 l) `# j* v3 A* F+ e
│ 07 Are You Serious.m4a. C# E( O( X$ A* [
│ 08 Saints Preservus.m4a3 \8 t2 K% w) D" T* ]4 G( W
│ 09 The New Saint Jude.m4a
; X- _% G$ l5 f' w: e& [4 y# Y& W│ 10 Valleys of the Young.m4a
: X/ o0 x3 y* B│ 11 Bellevue.m4a" E2 X3 p) N9 Z& G
│ 12 Shoulder Mountain.m4a* I$ g/ v; m" x' _ C/ W
│ 13 Pulaski.m4a1 p) h. P! w- E4 z
│ . ?2 I" v [6 N8 U
├─2016 - Are You Serious (Deluxe Edition) [Matered]6 V: Q9 ~3 Q/ a6 t
│ 01 Capsized.m4a1 N0 ?9 ^- w! i) Y9 o3 Y; C
│ 02 Roma Fade.m4a
# x, X% V. W( e# x2 t│ 03 Truth Lies Low.m4a
4 }3 W0 P- { v7 P, R. i5 h│ 04 Puma.m4a2 z; w- b' R5 \& ~7 J4 G3 h/ H) I9 y
│ 05 Chemical Switches.m4a
8 Q) ?% B2 A' G8 p" Z│ 06 Left Handed Kisses (feat. Fiona Apple).m4a
$ |+ K! n$ ~/ Y/ T3 G" P# r8 i│ 07 Are You Serious.m4a
/ l3 q6 z0 |3 E! c│ 08 Saints Preservus.m4a
t: u& q* B9 ]! Z- k9 S7 g- ]│ 09 The New Saint Jude.m4a
6 F( M X. X3 b9 v6 Q% _6 P: \, Q│ 10 Valleys of the Young.m4a) B Y+ F- O2 P5 _
│ 11 Bellevue.m4a
) x2 V. @0 ?/ r│ 12 Shoulder Mountain.m4a% T( b, B) i% `' L+ U- G/ K6 i s
│ 13 Pulaski.m4a2 E2 i& {, o0 J
│
0 C8 X- X2 |5 Q' ]3 c5 l6 d├─2019 - My Finest Work Yet
: v; q7 M+ m9 z9 E9 l) ~$ n! l: }│ 01 Sisyphus.m4a
! k$ W7 D7 A# r7 U+ R+ d G│ 02 Bloodless.m4a3 N T: g5 j. @& W; i: b6 L) _2 U
│ 03 Olympians.m4a
) i9 l0 a- O( n" ?- K6 z! U│ 04 Cracking Codes.m4a
0 w# l" P1 @7 Z) P' Y# y│ 05 Fallorun.m4a6 O6 W* Z- U: H* n, v* r- k: G
│ 06 Archipelago.m4a/ o7 t# Y" U- ?5 g
│ 07 Proxy War.m4a
4 \9 u. t4 x2 @│ 08 Manifest.m4a6 g! U9 ?0 L- l. l8 r
│ 09 Don The Struggle.m4a6 b% Q1 L4 B0 p4 m1 _' N4 E; ~
│ 10 Bellevue Bridge Club.m4a
/ v7 I6 Z0 ]5 [4 ]1 v│
7 X5 Y7 N) n0 z! Q├─2020 - HARK!
. s! k$ M5 n, K9 l. L, d│ 01 Andalucia.m4a
% ] o P( P4 Y) }. u│ 02 Alabaster.m4a* @7 _7 _- w9 t5 F) |
│ 03 Greenwine.m4a
( h: e8 ]: [/ h) R1 C3 R% Z% f- Y# C│ 04 Christmas in April.m4a$ ?( M: g6 h+ |) _
│ 05 Souvenirs.m4a
4 e! W" |( s h8 Y5 J+ m/ b│ 06 Oh Holy Night.m4a
6 g- I( Y! `$ A" S│ 07 Mille Cherubini in Coro.m4a
N: f1 M2 M) D' ?│ 08 Night's Falling.m4a5 l( j: r1 b' A) x5 r( Q& |
│ 09 Glad.m4a
3 U" ^ ]7 @5 E6 ?/ G( Y│ 10 Christmas Is Coming.m4a( h- @ h; ?" v1 N
│ 11 White Christmas.m4a8 m% `' Y$ G& i/ B, X: q6 V4 W* d1 s7 n
│ 12 Skating.m4a+ q5 C( @7 i/ X$ Z; C: V
│ 13 Auld Lang Syne.m4a
3 d0 @1 G' i {2 h│ ( X& i" E2 u( Z9 I2 e$ A; i# E
├─2021 - These 13
5 W" ~, c M, O* S│ 01 Poor Lost Souls.m4a
% v3 h/ M/ B( @2 _- M" i│ 02 Sweet Oblivion.m4a" [1 u4 D$ {+ A+ M
│ 03 Encircle My Love.m4a" m% S# q; x9 O! k
│ 04 Beat Still My Heart.m4a
8 c% @% |/ G* p. x│ 05 Red Velvet Rope.m4a6 c1 T7 T0 D6 g/ L
│ 06 High John.m4a
: f" _( @9 f# h4 S* x) j│ 07 Stonewall (1863).m4a
: _: a- h8 n! i: M; P+ @6 |) r1 A I, I│ 08 Bright Sunny South.m4a
9 Q7 a4 b i$ [' J4 G) L! U# X│ 09 Bell Witch.m4a
+ g" M7 E \4 b7 B' R6 O│ 10 Dig up the Hatchet.m4a
2 s1 I/ U1 A) D3 F) l2 ^5 y/ A│ 11 Jack O' Diamonds.m4a+ g' x6 X3 E5 Z1 Q$ v1 B7 `) N
│ 12 Burn the Honky Tonk.m4a& N' {, K7 q9 ?4 Y
│ 13 Three White Horses and a Golden C.m4a
R* z, e6 I; `5 h3 V- a- @│ 7 h9 q% @9 ~% ~- q
├─2022 - Inside Problems! [. ]2 m) k( U# H3 L# G2 [
│ 01 Underlands.m4a: P. D5 b: ] j( L B
│ 02 Lone Didion.m4a
% r w) D/ d2 A; o* Q; m) D( K│ 03 Fixed Positions.m4a5 I, f8 w+ o3 f* h2 `- K
│ 04 Inside Problems.m4a% W0 U8 K" _& V' L2 s
│ 05 The Night Before Your Birthday.m4a
0 V3 b$ H* A9 f│ 06 Make a Picture.m4a- V. [/ i( w- t, D) W' L
│ 07 Atomized.m4a
# w/ g/ ?& _% m7 x5 G3 a% N# g│ 08 Faithless Ghost.m4a
: F* T) ^3 b s! \│ 09 Eight.m4a
* i0 s6 u2 a1 f8 L, K0 K4 m+ w$ Z│ 10 Stop n_ Shop.m4a
4 S8 `4 z) D o│ 11 Never Fall Apart.m4a, j1 m V3 ?) i1 O; l+ s
│ , N& w# c W: Z) D8 C0 r
└─2023 - Outside Problems
+ \7 g/ n8 l4 W, d 01 Mancey.m4a
I7 g. s6 ^, ?. a$ a" _ 02 Epilogue.m4a# R7 d5 X/ d2 O6 l
03 Festivus.m4a
# U1 m0 v F3 N1 S 04 What We Saw.m4a0 O: j( M3 t- U; ?9 C; n
05 Mormon House Party.m4a, \! L; `2 q c7 u9 ?1 k$ C$ ^) j! ?* \
06 Mo Teef.m4a. b; L' t+ t4 X) R/ \1 \# X3 Q
07 Heaven_s Boughs.m4a
. b1 |, @4 s8 T2 R 08 Improvisation on a Familiar Theme.m4a
, E- i/ ~- M$ h' z! T. ^. E6 n 09 Tik Tok.m4a
6 ^1 E9 Z; O( J) z " G. r( q. `1 ~9 w6 D" A
$ L1 I9 r+ v5 T' L ' Y# ?6 N( ~9 u. t
( Y- u H C2 s) U5 a) c$ _ o" j1 C; D5 T3 P% a( l$ D
3 o0 ~+ Q, U" y- u9 v0 s
5 D' C# Y5 F( N( ]3 h* ?) z- C- |9 b2 `: q
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