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4 G, ?0 l) a+ x5 q7 ]The Clash简介
8 n4 Y3 p3 J: y$ x. r" pThe Clash（碰撞）乐队，成立于1976年，是英国庞克摇滚浪潮的最初成员之一，也是这一时期在商业运作上最为成功的朋克乐队。最初是一支政治反叛乐队，然后乐队也尝试了雷鬼、斯卡、Dub、放克、饶舌与山地摇滚等多种曲风。尽管后来他们逐渐偏离了朋克的路线，但他们的首张同名专辑已经成为了朋克摇滚的圣典，而1979年的专辑《London Calling》更被众多的摇滚评论家推为有史以来最好的摇滚专辑之一。! C0 ~: k9 R" ?2 r3 i' m% D
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乐队介绍
( d& M9 s& A; C/ T# e7 |+ C0 R8 _风格：British Punk（英国朋克）、Punk（朋克）、New Wave（新浪潮）同时尝试过雷鬼、斯卡、Dub、放克、饶舌与山地摇滚等多种曲风
+ }0 p) o( l% _! y- H* m主要成员：乔·斯特拉莫（主唱、节奏吉他）、米克·琼斯（主奏吉他、副唱）、保罗·西蒙（贝斯、合音、偶尔的主唱）与尼基·黑登（鼓、打击乐）
% G5 @3 Z/ h) {% n: u0 h/ b成立于1976年的英国庞克乐队，是英国庞克摇滚浪潮的最初成员之一。除了庞克摇滚之外，冲撞乐队也尝试了雷鬼、斯卡、Dub、放克、饶舌与山地摇滚等多种曲风。他们的主要阵容，是以乔·斯特拉莫（主唱、节奏吉他）、米克·琼斯（主奏吉他、副唱）、保罗·西蒙侬（贝斯、合音、偶尔的主唱）与“上等货”尼基·黑登（鼓、打击乐器）组成。黑登于1982年离团，隔年琼斯也因团内不合而求去。冲撞乐队在加入新成员后维持了一阵子，但仍于1986年初宣告解散。
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" m: S% |7 m3 Z/ `主要成就! h* V( s( x: ^# h' `$ |/ K& P4 z/ B
冲撞乐队1977年发行的首张同名专辑，便让他们在英国开启了成功的大门。
! j2 K7 b: i: q9 Q7 h& _7 f$ z( b" W1979年12月，他们的第三张专辑《伦敦呼唤》发行于英国，隔月发行于美国后，冲撞乐队在美国的人气暴涨。《伦敦呼唤》得到了评论的一致喝采，其十年后并被《滚石杂志》宣布为1980年代的最佳专辑。+ W* S! z8 Z% v4 X* U( w
冲撞乐队政治化的歌词、音乐上的实验与叛逆的态度，为摇滚带来了深远的影响，尤其是另类摇滚。他们被唤名作“唯一重要的乐队”，其原是他们唱片厂牌哥伦比亚唱片所创的宣传口号。2003年1月，冲撞乐队－－包括最初的鼓手泰利·柴姆斯－－受邀入摇滚名人堂。2004年，《滚石杂志》将冲撞乐队列为史上百大歌手第三十名。
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2 P6 s$ L; O3 k% _% V1 @├─1977 - The Clash
0 U% ~( B* I4 L8 R9 v- W% A│ 01 Clash City Rockers.m4a
( |" H# N. k* a- X4 ~, j& j1 }│ 02 I'm So Bored With the U.S.A..m4a
8 e: C3 e7 I1 {$ L: c" Y# G│ 03 Remote Control.m4a0 |( {5 z3 ?0 |. V9 s2 T# E
│ 04 Complete Control.m4a
9 ^3 `5 N, L. p, j3 ?" O. t X# |│ 05 White Riot.m4a
; L: J0 T p/ _# x; F│ 06 (White Man) In Hammersmith Palais.m4a
9 R' I$ O' d' F2 p# J6 N$ m+ i│ 07 London's Burning.m4a
7 a6 q1 \5 Z6 h5 v" y│ 08 I Fought the Law.m4a* A: t6 j/ j; G. _% Z3 ^* F: I' J0 C
│ 09 Janie Jones.m4a
2 W1 i7 n' z! `% S. Z [│ 10 Career Opportunities.m4a: s+ Y9 f. `9 p* A7 n
│ 11 What's My Name.m4a
1 C' G1 E8 @7 w8 z' ~ F│ 12 Hate & War.m4a, T* O, Y" P- @' _, G/ y# }. s
│ 13 Police & Thieves.m4a* z9 g$ d1 ?2 e. S$ Z! Q
│ 14 Jail Guitar Doors.m4a: O) F1 E0 Q- z' U' V% x* M$ U' }9 M
│ 15 Garageland.m4a
3 _& G% A* \" G+ F- g# n9 V+ x│
7 l$ D9 i/ H' E; g1 w+ B5 r├─1978 - Give 'Em Enough Rope: O9 q. ^1 m( N0 C& `- [
│ 01 Safe European Home.m4a
0 \0 j* q# X2 g3 c) Z│ 02 English Civil War.m4a% Y& q% A+ i; y a# D( m8 X
│ 03 Tommy Gun.m4a
" t' e! X# H2 U7 k2 V│ 04 Julie's Been Working For The Drug.m4a
) P* ]# ~" E: P; }6 b1 w) G│ 05 Last Gang In Town.m4a
* c7 w# v: g: z. Z│ 06 Guns On The Roof.m4a
# I9 e: Z; P0 P* B/ f4 B5 ?│ 07 Drug-Stabbing Time.m4a
3 u2 v: ]' _ W3 y1 j# ~: p( ?│ 08 Stay Free.m4a: a5 i7 h1 D4 h% k6 Z9 ~
│ 09 Cheapskates.m4a
) n: M9 p$ l9 }5 M│ 10 All The Young Punks (New Boots An.m4a! N3 F% ~* P1 J$ e- A
│ 8 B2 {0 c+ k. d8 \/ H, L/ _
├─1979 - London Calling
! e( Y2 p" U+ W4 @# M& r│ 01 London Calling.m4a
& S' d; x" V4 W; W6 {" S│ 02 Brand New Cadillac.m4a( r% U9 a- }- N9 m4 L& m
│ 03 Jimmy Jazz.m4a5 w$ a% m( \: h! U; g+ q
│ 04 Hateful.m4a! c( y$ n" y5 O" F( T) _
│ 05 Rudie Can't Fail.m4a
; F) P8 ^& M6 ^; p L│ 06 Spanish Bombs.m4a
7 c3 M2 g# b* E3 z│ 07 The Right Profile.m4a
6 C; \) X+ M' Z( L# Q' {│ 08 Lost In the Supermarket.m4a6 O' ~( F3 V) b e$ ]1 {& c2 t( a
│ 09 Clampdown.m4a0 x; W. t$ ^* m5 E; J6 q
│ 10 The Guns of Brixton.m4a
0 y2 I# Y d; k% Q3 K3 t7 F# z│ 11 Wrong 'Em Boyo.m4a
0 n g" x; U5 T( y" P2 d; O│ 12 Death or Glory.m4a
' C% b0 A# D# }; e9 ?2 @│ 13 Koka Kola.m4a6 p8 ?% \5 K. t$ }6 h
│ 14 The Card Cheat.m4a! y" [' K% a+ e; J! Y
│ 15 Lover's Rock.m4a
% J! L) {' s: T: j2 D# t│ 16 Four Horsemen.m4a
9 K0 a; l' p* X b; d│ 17 I'm Not Down.m4a* \5 N9 w0 W: X, B/ c! d
│ 18 Revolution Rock.m4a$ N S' g: x. f( P# }+ g: e' N
│ 19 Train In Vain.m4a
. j+ m/ N) X$ P! s1 ?9 \. M│
5 z6 r- B8 o, O( e├─1980 - Sandinista!+ t# o( n6 y @2 Q7 t
│ 1-01 The Magnificent Seven.m4a( s6 }5 Q# z& }+ I# M& l# g
│ 1-02 Hitsville U.K..m4a7 F- v/ r" m- s, n" @# Q7 [
│ 1-03 Junco Partner.m4a( N9 i5 y/ ^1 V2 k3 w& s8 l4 f
│ 1-04 Ivan Meets G.I. Joe.m4a# c% q* K1 g* G) R- S3 |
│ 1-05 The Leader.m4a( b* N8 k( v4 q$ d5 W
│ 1-06 Something About England.m4a/ `5 A) { x3 s/ w* w( f
│ 1-07 Rebel Waltz.m4a
8 f+ k5 Y7 ^) N$ S│ 1-08 Look Here.m4a' N! W& j# Q0 T% k, H5 K& m
│ 1-09 The Crooked Beat.m4a' ]0 P% c4 H; N3 Y4 _
│ 1-10 Somebody Got Murdered.m4a9 v5 T! c+ F* [$ h" b9 e
│ 1-11 One More Time.m4a
& Z2 ]7 D- s" k9 a" m0 t5 R│ 1-12 One More Dub.m4a( |: b! q. Y% {
│ 1-13 Lightning Strikes (Not Once But Twice).m4a0 g+ B4 f# A/ u5 `4 h% X
│ 1-14 Up In Heaven (Not Only Here).m4a2 R4 Q# s8 u, X" Z
│ 1-15 Corner Soul.m4a! k; t3 K- B8 s0 m( h9 ^
│ 1-16 Let's Go Crazy.m4a8 \/ o9 B( x& F6 d8 j3 Z$ ]0 T
│ 1-17 If Music Could Talk.m4a& h5 q0 [, R4 e/ H2 Z$ J# J2 U
│ 1-18 The Sound of Sinners.m4a# _! u5 ~0 b, B" u$ i0 g
│ 2-01 Police On My Back.m4a
4 j$ Q6 E) a `: S+ @3 i( l│ 2-02 Midnight Log.m4a
! G- G. V# W, }* H$ `│ 2-03 The Equaliser.m4a5 ~! {3 z/ y5 ~+ I+ I7 q8 V/ Y
│ 2-04 The Call Up.m4a
, K" {5 f, |7 s2 q- `* r/ t│ 2-05 Washington Bullets.m4a1 O7 ?* T+ k5 u/ w) |( {' z2 ~" ~
│ 2-06 Broadway.m4a5 p6 A* U2 E" S3 I/ K- h
│ 2-07 Lose This Skin.m4a
3 f& R+ X1 X O! S' j0 U! q& l" C+ }│ 2-08 Charlie Don't Surf.m4a2 E+ e- _' ?; i7 a, A: j0 O0 k8 V. W
│ 2-09 Mensforth Hill.m4a
, C, {1 e& |: k- Y: u│ 2-10 Junkie Slip.m4a
" [0 R: Z! F2 [0 s6 j│ 2-11 Kingston Advice.m4a8 j4 Y, k( Y- y- I4 O& q; M, m
│ 2-12 The Street Parade.m4a
, T( ]) N/ E* {9 C) A│ 2-13 Version City.m4a6 R: B" P3 B y' C! N2 g7 j- R
│ 2-14 Living In Fame.m4a
" | F9 Q% {6 V8 i│ 2-15 Silicone On Sapphire.m4a
$ N1 V' l6 \& n+ M1 q! y2 r│ 2-16 Version Pardner.m4a. p- B) d$ P" j( z# k: x
│ 2-17 Career Opportunities.m4a9 ]6 d. T( B8 O1 n+ z% V6 a+ q( \9 v
│ 2-18 Shepherds Delight.m4a
( w' D. _# k% d1 F W2 s" y7 f( l9 g│ 6 i6 {/ K; N9 q8 Y4 J! L
├─1982 - Combat Rock
* p- H+ S7 g: }' I9 `│ 01 Know Your Rights.m4a
' ^% @3 F) Y3 Z( R│ 02 Car Jamming.m4a8 l: U$ r" Z4 k: ^6 G+ o6 O1 c
│ 03 Should I Stay or Should I Go.m4a3 @0 n/ o; e% I9 t& _+ a
│ 04 Rock the Casbah.m4a7 \7 s$ S* w, Q. J- x, u# U
│ 05 Red Angel Dragnet.m4a5 C: V( e# }6 F; ^, i9 u4 {
│ 06 Straight to Hell.m4a
6 C3 A) h5 C$ Q% m+ L3 m6 l8 b1 C│ 07 Overpowered By Funk.m4a9 L' I4 w' W- {# ?0 V, b2 H5 e4 _; s
│ 08 Atom Tan.m4a
4 H8 V6 ]% w3 G) m' b- A│ 09 Sean Flynn.m4a
8 |6 v4 |6 p' f1 L) ]" P│ 10 Ghetto Defendant.m4a
4 c/ G, [ l. M│ 11 Inoculated City.m4a. r; J4 n( {# }
│ 12 Death Is a Star.m4a3 b5 o" B ]$ d8 X9 O- K4 n
│
+ F" z; ]4 E5 \" S0 G- g8 t1 N├─1985 - Cut the Crap7 O9 M- i1 ~6 R5 ~: ~6 X5 g
│ 01 Dictator.m4a. D) y8 a5 T8 p$ _6 j- h
│ 02 Dirty Punk.m4a
: i9 W+ o2 E$ g4 u) S3 S│ 03 We Are the Clash.m4a0 J0 b: f6 p9 w+ W" ?; [
│ 04 Are You Red... Y.m4a
1 R- u/ T' R) J' e4 a1 }& f│ 05 Cool Under Heat.m4a' o1 y, p# y4 K6 V7 R8 K! Q9 |* b3 ]
│ 06 Movers and Shakers.m4a
, |6 M7 g. |0 v" \│ 07 This Is England.m4a5 \' C& J2 v- V- z- J% \
│ 08 Three Card Trick.m4a8 N# p& j8 U. s' o
│ 09 Play to Win.m4a
% E% s* t. u9 j+ ]8 }* S│ 10 Fingerpoppin'.m4a) r7 p" p! U. d. a
│ 11 North and South.m4a
4 b+ L: K9 N/ B9 ^" o; j│ 12 Life Is Wild.m4a9 }! x3 W" D( _
│ 13 Do It Now (Bonus Track).m4a3 d, m5 M, V5 T- A* @6 C
│
/ Q( x! W# F5 c+ O K├─1991 - Clash On Broadway5 m$ w' d+ [% h& G+ G
│ 1-01 Janie Jones (Demo).m4a% \7 l( }# O8 L# T7 h. D
│ 1-02 Career Opportunities (Demo).m4a
+ ]/ C4 j8 v: p8 E) {7 k0 _│ 1-03 White Riot.m4a
* y- Y+ \9 ] x* ~│ 1-04 1977.m4a( V0 H. z6 H0 t$ \9 K8 ^
│ 1-05 I'm So Bored With the U.S.A..m4a
; s; J# `- |& T0 ^# G. V8 x* N│ 1-06 Hate & War.m4a
3 V6 |* ^ R6 Y8 c, M1 x# y' B0 u) w* u│ 1-07 What's My Name.m4a& p0 P8 @1 U/ ^) H; G6 q. D
│ 1-08 Deny.m4a8 c" L% C( z+ a% D l5 d$ D
│ 1-09 London's Burning.m4a
3 d6 D& R6 W8 e- j" @, V [3 J│ 1-10 Protex Blue.m4a ]' r) m+ s% i. y# z; \% s2 B
│ 1-11 Police & Thieves.m4a* \. h; W) Y: n) f/ S/ Z
│ 1-12 48 Hours.m4a9 t1 \5 J7 }# ]; W2 v7 G+ M7 s \
│ 1-13 Cheat.m4a
9 h8 B5 L& g0 b% f, A│ 1-14 Garageland.m4a
) |$ v# _1 K N│ 1-15 Capital Radio One.m4a6 e/ e" Z+ Y* V' X- B
│ 1-16 Complete Control.m4a
9 I; J8 U/ j) W4 Z& m- J# E- }│ 1-17 Clash City Rockers.m4a# B4 }" t3 j6 _$ Q) a8 D
│ 1-18 City of the Dead.m4a- d1 M/ `- B2 i9 a
│ 1-19 Jail Guitar Doors.m4a
2 _" z! n1 |7 P4 V% R, m│ 1-20 The Prisoner.m4a3 o4 Q0 l+ ?3 V. b: Z9 S3 f
│ 1-21 (White Man) In Hammersmith Pala.m4a7 j$ N, g5 q' b$ I8 x& g' p S
│ 1-22 Pressure Drop.m4a# ]9 }. a" N3 U0 |' Z, A
│ 1-23 1-2 Crush On You.m4a
! P( [ G- f9 f( C│ 1-24 English Civil War.m4a
* \4 S. B, c2 o│ 1-25 I Fought The Law (Live).m4a, T7 Z8 V3 b x; T. ?4 s9 H9 _7 X8 F
│ 2-01 Safe European Home.m4a7 q1 E, r) M( ]0 m- V
│ 2-02 Tommy Gun.m4a, Z/ {" D) c& X4 a/ P. n
│ 2-03 Julie's Been Working for the Dr.m4a% S p/ {( _6 s* s
│ 2-04 Stay Free.m4a' K* F5 `7 a: \* l: @5 N
│ 2-05 One Emotion.m4a6 t3 ]! y9 u5 O* I: h& d5 A! K; V7 H
│ 2-06 Groovy Times.m4a. H% [5 Q8 X- R: V% Q- Y s
│ 2-07 Gates of the West.m4a
1 C! w& w7 k5 F7 z7 h7 [│ 2-08 Armagideon Time.m4a( o1 A. a" U, p
│ 2-09 London Calling.m4a2 S/ k$ n) V6 I" U
│ 2-10 Brand New Cadillac.m4a
/ I; H# u; d, u1 J6 i+ I│ 2-11 Rudie Can't Fail.m4a! t3 n- J' V0 S$ e! N. P
│ 2-12 The Guns of Brixton.m4a! U# D" t. o* b& k$ H7 d
│ 2-13 Spanish Bombs.m4a
7 f: v8 t( O3 `9 X4 ?: ~│ 2-14 Lost In the Supermarket.m4a
5 |/ t. r1 n. b# y│ 2-15 The Right Profile.m4a
0 \+ T4 A, K6 [/ z/ j│ 2-16 The Card Cheat.m4a
3 q( b6 }. N" `! ?│ 2-17 Death or Glory.m4a5 v; Y) J' x0 }( m
│ 2-18 Clampdown.m4a
5 J1 B# c- p' ^9 M* R) b│ 2-19 Train In Vain.m4a8 i' H$ x, r1 D4 j7 h# l6 `
│ 2-20 Bankrobber.m4a4 [) W/ S C- o2 @0 m4 v- a
│ 3-01 Police On My Back.m4a
" X7 u A" q# M# E# v8 V* K- T& C│ 3-02 The Magnificent Seven.m4a
; G( y2 s9 h2 u1 s│ 3-03 The Leader.m4a
$ w2 n* @4 _: d" E' d│ 3-04 The Call Up.m4a8 F' c {4 O9 q% V& A
│ 3-05 Somebody Got Murdered.m4a
2 Q3 U; f" |0 n( q7 A) o6 d. W" h│ 3-06 Washington Bullets.m4a+ _7 x. }: F& B s/ s) E
│ 3-07 Broadway.m4a
" A+ n& s# G0 u9 j/ d│ 3-08 Lightning Strikes (Not Once But.m4a2 C+ g9 Y6 c+ |! l: l9 a& N
│ 3-09 Every Little Bit Hurts.m4a. z) l4 V6 g. I7 z0 w' K$ s2 D$ l+ F
│ 3-10 Stop the World.m4a' p4 c X& i) c) \& D2 T t4 x
│ 3-11 Midnight to Stevens.m4a: N+ Q' T/ n: M. i& _
│ 3-12 This Is Radio Clash.m4a# e' b+ f1 u; m% |4 S8 G2 b4 f
│ 3-13 Cool Confusion.m4a
% s" O: ?$ M% n+ U0 Z│ 3-14 Red Angel Dragnet.m4a& A& h- r, q p2 I% {% C
│ 3-15 Ghetto Defendant.m4a; `) G3 @* K* s) K( b
│ 3-16 Rock the Casbah.m4a m0 \9 T; C) X( N! z$ D/ S8 f
│ 3-17 Should I Stay or Should I Go.m4a
" S- l! e Q. y& A* R- Z│ 3-18 Straight to Hell.m4a
* C% I' A( b) F│ 3-19 The Street Parade.m4a
) B) j3 `; I9 y│ * o; s* h5 [' ]. @$ W7 \
├─1991 - London Calling (30th Anniversary Edition)/ Y) e" R, s$ t
│ 01 London Calling.m4a4 j# P6 s. A. ?3 M8 V" l3 @
│ 02 Brand New Cadillac.m4a
% L+ Z2 ~: r8 q+ Z│ 03 Jimmy Jazz.m4a" h; O; q; K+ ] O6 Z
│ 04 Hateful.m4a
) _& t' O" x* t9 ?0 r│ 05 Rudie Can't Fail.m4a
; q8 u+ A2 P0 D5 G│ 06 Spanish Bombs.m4a
5 }# x& g# d* J5 b4 {6 T│ 07 The Right Profile.m4a
: w; m9 n% l. G+ |% G5 A& \* u% g│ 08 Lost In the Supermarket.m4a2 w+ o* _3 b0 ?4 _/ E
│ 09 Clampdown.m4a
; w. ^* E( V% e& Q7 Y│ 10 The Guns of Brixton.m4a
0 a* w- N4 Y) V5 v8 m% k1 t& E│ 11 Wrong 'Em Boyo.m4a& u5 H- C" b. _3 f/ X4 G
│ 12 Death or Glory.m4a
6 U, }7 L8 A# d0 L1 j│ 13 Koka Kola.m4a, F8 V+ @2 F- b9 W
│ 14 The Card Cheat.m4a
' D. p4 u% z) n9 N8 _ r' j│ 15 Lover's Rock.m4a- L6 S r% x+ ?8 I0 W3 S6 d' M
│ 16 Four Horsemen.m4a
# V& U. z# f: l2 I2 N; C│ 17 I'm Not Down.m4a
6 O$ P1 u8 D8 C+ J$ y1 X. P& E( }│ 18 Revolution Rock.m4a2 i$ |2 c( r( F: g7 f. e
│ 19 Train In Vain.m4a
8 h, V* X' D" ]; b, W" g- r│ 20 Hateful.m4a
! u) Q4 h/ \; P6 f│ 21 Rudi Can't Fail.m4a0 }$ E `3 K# }' y% Q
│ 22 Paul's Tune.m4a
" `( M9 j4 E4 n4 q! [│ 23 I'm Not Down.m4a- E% q) ^9 }) h+ g! y. ]- i* J
│ 24 Four Horsemen.m4a
0 r& F. m4 z# j0 B% k: J│ 25 Koka Kola, Advertising & Cocaine.m4a) g+ i, W2 {( K4 H2 g
│ 26 Death or Glory.m4a3 u) T0 ?( }# K$ B1 _( Q! J
│ 27 Lover's Rock.m4a
/ U/ s" K w0 W- l. {7 A│ 28 Lonesome Me.m4a' f8 J( F8 E- B
│ 29 The Police Walked In 4 Jazz.m4a
* n' V9 `) D" v0 l+ s│ 30 Lost In the Supermarket.m4a
4 X: U- B1 x% S' j' D% J│ 31 Up-Toon.m4a5 |+ d* J* x- d: `
│ 32 Walking the Slidewalk.m4a% E- i1 h* c. L# Z( G5 ?7 j/ z
│ 33 Where You Gonna Go (Soweto).m4a
' p. f; E4 j# j5 @- B│ 34 The Man In Me.m4a
" b* R7 q' b7 [8 M, }% e; v│ 35 Remote Control.m4a
/ X; T! P S! ?8 s0 \4 O│ 36 Working and Waiting.m4a
/ B" a- }% v( w3 v' a2 \│ 37 Heart and Mind.m4a5 j% R. V7 }* J, y0 d' v
│ 38 Brand New Cadillac.m4a
, u1 o3 I1 b4 n0 P0 ]2 p0 m│ 39 London Calling.m4a' w! ]" n* A! y ^* x2 i
│ 40 Revolution Rock.m4a
( B/ v( e3 U; r2 h! k# V9 @$ `│ Digital Booklet - London Calling 30t.pdf! ~9 R7 T/ N3 p$ Q
│
" z, ?- `2 b/ R; a2 w3 T├─1991 - The Clash - The Singles0 U0 F% d: `3 |( m6 b0 q
│ 01 London Calling.m4a- i9 v% m) G! X# ?! A) C; `
│ 02 Rock the Casbah.m4a
( z, g7 ]" P6 L0 C$ `% m8 N& T3 l. |│ 03 Should I Stay or Should I Go.m4a
6 F3 N) x9 o6 O5 ]. n│ 04 I Fought the Law.m4a
! K0 q3 U1 j/ {0 Y* B│ 05 (White Man) In Hammersmith Palais.m4a- t0 J0 i/ ?0 g2 F5 G
│ 06 The Magnificent Seven.m4a
5 g5 J3 E! L- A│ 07 Bankrobber.m4a( G7 o2 m, ?$ H Z6 `
│ 08 The Call Up.m4a' v, J+ g. n, F" k4 Y
│ 09 Complete Control.m4a3 A7 L: X. B/ D6 `; b
│ 10 White Riot.m4a
# n1 n L0 g$ B│ 11 Remote Control.m4a
5 I# s- i2 e& c9 G$ L$ r! i' r, _│ 12 Tommy Gun.m4a) G5 n" [7 @+ n$ s1 x3 t1 F
│ 13 Clash City Rockers.m4a
6 q. R, ^) o- q% G R│ 14 English Civil War.m4a7 O- I. Y8 [& [7 k
│ 15 Hitsville U.K..m4a
) y" x4 B/ O" b│ 16 Know Your Rights.m4a, B8 H) C6 ]0 d9 P3 k& @
│ 17 This Is England.m4a5 G" U& V |) Q M' r
│ 18 This Is Radio Clash.m4a
" L q) }/ J- ?, _( S│ 19 Train In Vain.m4a
, @5 H7 I0 i" {: M# e8 K$ ?4 P│ 20 Groovy Times.m4a2 [) b9 g0 m4 @, K. T e
│ 0 X) t3 F0 P7 t s0 G' [
├─1993 - Super Black Market Clash- l8 k1 A8 {/ ]$ f* J
│ 01 1977.m4a* f7 Q, R0 H5 D& ]1 z
│ 02 Listen.m4a
3 \9 w+ R; g# z( T│ 03 Jail Guitar Doors.m4a/ M4 w) H0 s5 g9 V
│ 04 The City of the Dead.m4a' [# {$ m5 b: c) r9 [
│ 05 The Prisoner.m4a- [; w5 D7 c( J, q
│ 06 Pressure Drop.m4a" O; J) g, F/ f% w& W( r. ^( B) p
│ 07 1-2 Crush On You.m4a
* ~$ ~0 T# |, {│ 08 Groovy Times.m4a4 Z8 J! H- r0 k3 E1 J$ t' C( K, T
│ 09 Gates of the West.m4a
G. L# ]: l# Y, R│ 10 Capital Radio Two.m4a
+ ~# n. _# Z" z# z# A│ 11 Time Is Tight.m4a
# S" M0 R4 n) |- [│ 12 Justice Tonight _ Kick It Over.m4a
8 @3 X. t* t+ |9 k6 ~4 F│ 13 Robber Dub.m4a
1 N/ p, l, |7 f- Z│ 14 The Cool Out.m4a
9 U) N) C, B; K& W) W│ 15 Stop the World.m4a* z, R! C; y1 h' N
│ 16 The Magnificent Dance.m4a
- M. ]) W# W1 w( U: x g% k│ 17 This Is Radio Clash.m4a& t/ Q3 F$ L1 n/ m4 R
│ 18 First Night Back In London.m4a' B; I, O: H7 L& X! ^- C
│ 19 Long Time Jerk.m4a# x: t$ c) m7 C9 ~0 j4 T
│ 20 Cool Confusion.m4a0 N6 v' l- i5 U+ T7 @% o3 C% Q& z
│ 21 Mustapha Dance.m4a& g' ?) i5 h( G; R) t% J
│
# B. }! ~+ u6 a' F0 @├─1999 - From Here to Eternity (Live)
* b0 r. B1 D, e7 j" Q) X, w│ 01 Complete Control.m4a# M5 ^4 M1 P1 \6 v5 z
│ 02 London's Burning.m4a
8 F: S: E1 k/ K│ 03 What's My Name.m4a
7 [+ F# e1 I7 r2 x, }3 i, M│ 04 Clash City Rockers.m4a7 v- y+ T! x' f0 G8 S
│ 05 Career Opportunities.m4a
6 Y+ I7 S% X- k# \1 \! z│ 06 (White Man) In Hammersmith Palais.m4a
6 a D! {8 D, l; H! w0 s% F. [│ 07 Capital Radio.m4a
/ b6 r6 `7 S( X1 P, F1 D│ 08 City of the Dead.m4a
8 M" D i" i b) T6 `5 Y+ G! v$ _! S│ 09 I Fought the Law.m4a: n$ [4 ]* X P
│ 10 London Calling.m4a
* T0 x0 F. [2 E0 y│ 11 Armagideon Time.m4a; I" @, ~. A, j7 \# J
│ 12 Train In Vain.m4a; |% B. @4 `; U/ ]' o g5 P( k
│ 13 Guns of Brixton.m4a
) ~* P% i* d. y( }( m7 l1 g, V2 d│ 14 The Magnificent Seven.m4a1 x3 W" M) {4 D6 u4 k1 |
│ 15 Know Your Rights.m4a- G7 d3 ?$ {6 n7 l" T8 K# E* [2 J
│ 16 Should I Stay or Should I Go.m4a
; D8 T+ L: l/ f9 \' O│ 17 Straight to Hell.m4a1 l$ w* ]; g* r8 J+ x# i) G' u
│ 5 e2 _7 r5 ?2 [/ |9 U% J7 d" l
├─2008 - The Clash Live at Shea Stadium5 h5 x8 Q8 f% }3 n' P0 e# i
│ 01 Kosmo Vinyl Introduction (Live).m4a, c6 z& j" G2 k
│ 02 London Calling (Live).m4a7 Z$ F) H- R. p" s4 p9 ~1 A
│ 03 Police On My Back (Live).m4a# Z& k4 V% T F9 Z3 k
│ 04 The Guns of Brixton (Live).m4a( C _2 S* B C, {
│ 05 Tommy Gun (Live).m4a
6 K/ Y) `9 N1 ^ k│ 06 Magnificent 7 (Live).m4a0 a5 t5 s8 l; d5 O5 B5 R6 x
│ 07 Armagideon Time (Live).m4a# [, z. O9 T) L1 i4 t
│ 08 Magnificent 7 (Return) [Live].m4a E2 z1 L& C5 J) E ~( h5 i
│ 09 Rock the Casbah (Live).m4a
/ g0 q* @ q" k" {2 x│ 10 Train In Vain (Live).m4a
% ^4 f7 }2 b' ~│ 11 Career Opportunities (Live).m4a6 [% Y/ y- H$ W
│ 12 Spanish Bombs (Live).m4a
6 ^! R% |9 m$ Q3 m│ 13 Clampdown (Live).m4a0 z3 K) u/ X3 ?- ` l0 ^ L
│ 14 English Civil War (Live).m4a
2 `& ?- g; _% F' g│ 15 Should I Stay or Should I Go (Liv.m4a
& ~9 y3 a$ K% B& z* z& }# l/ \│ 16 I Fought the Law (Live).m4a
% E/ E& n( x P; F$ P│ $ x+ k3 J5 s! e
├─2013 - Hits Back
* `2 [, n* R& X" g. A7 Q│ 1-01 London Calling (2012 Mix).m4a
3 x1 u$ ?5 R4 ~. r0 w, s* t: h│ 1-02 Safe European Home.m4a
! k* s" E x' n6 B% M; |│ 1-03 Know Your Rights.m4a
7 N! d/ M+ S1 }. S│ 1-04 (White Man) In Hammersmith Palais.m4a6 m. o4 M% b9 C) j8 h$ l
│ 1-05 Janie Jones.m4a
- P- `: H! o8 j2 y5 }/ v│ 1-06 The Guns of Brixton.m4a, T3 R+ n( W3 b7 {# |! a
│ 1-07 Train In Vain.m4a
. p, s. r* T+ n2 L( q│ 1-08 Bankrobber.m4a
- W5 X" X) B8 l│ 1-09 Wrong 'Em Boyo.m4a7 z0 Z/ V3 y+ j5 U: A& p. ~
│ 1-10 The Magnificent Seven.m4a7 j, s2 e5 D* w
│ 1-11 Police On My Back.m4a
6 I9 V% x0 N3 P│ 1-12 Rock the Casbah (Bob Clearmountain Mix).m4a
& A7 ^, N! r6 P# B9 f! q│ 1-13 Career Opportunities.m4a. `1 a; r2 u4 z" j5 ]( u4 ]
│ 1-14 Police & Thieves.m4a* C# n8 N+ d" A' M- g9 B) p
│ 1-15 Somebody Got Murdered.m4a
( Y9 p5 E9 s9 @& e" Z) m│ 1-16 Brand New Cadillac.m4a C8 x4 H& E. w$ I) ~3 G" {$ p6 V% b
│ 1-17 Clampdown.m4a; @3 k; `/ M7 H j c4 P6 O( e
│ 1-18 Ghetto Defendant.m4a
$ \& {/ T# r/ Y* O│ 1-19 Armagideon Time.m4a
5 F) I F. j" P$ [$ C) H│ 1-20 Stay Free.m4a9 F1 `# Q% o7 v& E
│ 1-21 I Fought the Law.m4a
; e1 e9 A4 u7 E0 E# m O│ 1-22 Straight to Hell.m4a
/ I/ Q9 {* q' G" B( B7 L0 L6 R│ 1-23 Should I Stay or Should I Go.m4a: v- k! T, g9 g! q N- d
│ 1-24 Garageland.m4a
7 t% {: M5 ~ c* T8 b. S│ 2-01 White Riot.m4a
# F5 p: ~, c L$ l C3 K0 E, A│ 2-02 Complete Control.m4a
' J; H# H1 p, o│ 2-03 Clash City Rockers.m4a8 I0 O. ~9 l7 m, U- w9 b- u+ h4 g3 s
│ 2-04 Tommy Gun.m4a; O! I! ?: @" X1 c% y4 Z7 t
│ 2-05 English Civil War.m4a5 _/ A; z: s7 y4 ^$ Y* E
│ 2-06 The Call Up.m4a; ]: c1 e3 Z' V5 R
│ 2-07 Hitsville U.K..m4a! F: v/ R& n& n, J
│ 2-08 This Is Radio Clash.m4a
, A- Q+ L7 u& K6 S9 W- y2 k│
6 r0 e d3 s- ]& ^5 \└─2014 - 5 Studio Album Set! T# b- {! p, n0 }! i. U# _" h* q
1-01 Janie Jones.m4a
- \4 @) T2 D" \" J 1-02 Remote Control.m4a
+ r" |: N% w0 b3 D, H 1-03 I'm So Bored with the U.S.A..m4a- p4 Q5 U6 U( B, K( Z+ ~; ]
1-04 White Riot.m4a
6 q( `& m& @, E" c7 ~: w) G* R: V i 1-05 Hate & War.m4a4 W$ H+ q$ f9 A) M$ [5 S: u) a8 O
1-06 What's My Name.m4a/ e: G6 A% M. i0 X: n# N* o. F! `4 c
1-07 Deny.m4a, c; p/ C& Z( E [
1-08 London's Burning.m4a
* R5 _" o5 @9 m0 e 1-09 Career Opportunities.m4a: \0 E! y- \( ?9 p0 G
1-10 Cheat.m4a
& F7 E+ T8 V& [$ C$ x: j9 ?: |' C 1-11 Protex Blue.m4a: ~6 @' L9 a! O2 {) @1 P
1-12 Police & Thieves.m4a
8 M1 i) n, A V- m" h7 M- l3 u q5 s L5 c) H 1-13 48 Hours.m4a
: c. K. ~, p( _: S7 R# Q9 L2 S 1-14 Garageland.m4a
P. E6 p1 ^/ `" x3 L0 s3 S 2-01 Safe European Home.m4a! b2 P% J5 d! p8 U& z$ G
2-02 English Civil War.m4a
" V, @3 l6 l/ D8 t! N, i4 Y 2-03 Tommy Gun.m4a
. H S# `/ K4 L# \% S9 J- Y 2-04 Julie's Been Working for the Dr.m4a& T1 s) F. h' _/ @
2-05 Last Gang in Town.m4a
4 z$ Z) i; X$ ~5 g- } 2-06 Guns on the Roof.m4a
6 n$ W% t4 [8 t7 F 2-07 Drug-Stabbing Time.m4a
" y+ s) {4 v9 u+ U 2-08 Stay Free.m4a! U& n7 W) }; m0 P+ `% S+ L
2-09 Cheapskates.m4a) B( K! E6 i$ [! E) Y
2-10 All the Young Punks (New Boots.m4a
$ d6 d- Q# [: A% w* P* K5 l 3-01 London Calling.m4a e0 W9 s# k! ^* K- d) E
3-02 Brand New Cadillac.m4a; ? E3 U. Q) U9 w3 I8 x9 c
3-03 Jimmy Jazz.m4a" z6 f6 V$ K5 b1 b5 N
3-04 Hateful.m4a
5 M8 q2 G( {4 n& ~: L6 \ 3-05 Rudie Can't Fail.m4a/ e# m8 F* i' n* @6 u- L
3-06 Spanish Bombs.m4a
8 G& A# K' U$ Y( U; r, t9 q! e 3-07 The Right Profile.m4a3 w" ?& S& [+ }3 [' r! n, h
3-08 Lost in the Supermarket.m4a7 A, t" G/ n4 u7 ^) h
3-09 Clampdown.m4a9 y2 u% H) s) q( r( f: c
3-10 The Guns of Brixton.m4a) j0 w% G& H( V1 G, }+ l0 X
3-11 Wrong 'Em Boyo.m4a
* i0 `- G2 p; f$ n 3-12 Death or Glory.m4a# d, c( g' \( `& |" M7 F* _ x" N
3-13 Koka Kola.m4a E3 Y/ _2 m7 `) B
3-14 The Card Cheat.m4a
O; f8 L) w7 q 3-15 Lover's Rock.m4a
5 A @/ W( E: i; G2 c. @# [ 3-16 Four Horsemen.m4a
$ T" e1 h3 [+ D" }9 G: { 3-17 I'm Not Down.m4a
1 c2 u+ O/ N: ]( Z% e1 F" N+ b9 x 3-18 Revolution Rock.m4a
! |( |' M& o8 N6 r; s' D 3-19 Train in Vain.m4a
# Y" n, M ]; l; |+ M$ x1 z 4-01 The Magnificent Seven.m4a# M: f+ C+ x3 ^
4-02 Hitsville U.K..m4a
7 A& S4 p3 q ? t) j, i 4-03 Junco Partner.m4a3 _! M) F r! A8 i
4-04 Ivan Meets G.I. Joe.m4a- }6 M9 i! F' `" z% O9 Y
4-05 The Leader.m4a
% R. h0 S' }; q6 L& | 4-06 Something about England.m4a( v( n! F" B7 Q( t6 _% Q) f
4-07 Rebel Waltz.m4a+ ], R8 Q0 `0 K
4-08 Look Here.m4a
, v& N6 k1 O( y0 i, D6 b9 k8 C 4-09 The Crooked Beat.m4a% @: j5 c; X; f
4-10 Somebody Got Murdered.m4a
) V+ c1 h% `' u. S1 m% J 4-11 One More Time.m4a
0 R; L2 y% M! ^4 S- j6 H 4-12 One More Dub.m4a
% n8 k, ~: H/ K3 Z1 `* ?7 P 4-13 Lightning Strikes (Not Once but.m4a
6 U4 H- [' B$ S. v& l1 L 4-14 Up in Heaven (Not Only Here).m4a
1 k# q* i. i* z1 A3 C 4-15 Corner Soul.m4a J8 _3 s9 b* Z2 f: ?
4-16 Let's Go Crazy.m4a
4 z4 f2 p0 D3 {/ g: a1 k. N; D 4-17 If Music Could Talk.m4a
/ K) @; \4 b. E, |( O# S" }" e1 V 4-18 The Sound of Sinners.m4a
; M2 ]7 z6 R9 F8 b+ L: ? 4-19 Police on my Back.m4a
. V' F6 J6 n1 n7 U1 d# L 4-20 Midnight Log.m4a# f$ c \$ i0 X& V) Q0 T7 z
4-21 The Equaliser.m4a6 t: J ^3 o2 Z' g/ t$ F
4-22 The Call Up.m4a, ~, @! x. o. } \7 r( F3 M
4-23 Washington Bullets.m4a
2 |* {0 t( @6 @/ l5 n5 Q 4-24 Broadway.m4a
* ~- H$ N8 @6 u6 Q, x. A 4-25 Lose This Skin.m4a
1 Q! x2 t! @( O3 r& o 4-26 Charlie Don't Surf.m4a7 C+ ]/ z* d# M; {
4-27 Mensforth Hill.m4a
/ Z# q1 ]' F$ F 4-28 Junkie Slip.m4a2 S* E4 |+ d8 d# j1 {6 C: ?" L
4-29 Kingston Advice.m4a6 _( S4 m% @: \: q7 u
4-30 The Street Parade.m4a3 P! _8 q6 C. k. G% p
4-31 Version City.m4a
* |$ W) F* ~, ]8 q+ S 4-32 Living in Fame.m4a
' R: R% Z p4 y% R# P+ n/ a 4-33 Silicone on Sapphire.m4a4 d o# p X( H" Z: C1 j+ d" ~
4-34 Version Pardner.m4a7 l% X5 @ N* d5 v" s
4-35 Career Opportunities.m4a
z* M* _) r" {9 v: C% |1 y 4-36 Shepherds Delight.m4a
- H k1 _0 s* l5 l5 j) ]: { 5-01 Know Your Rights.m4a+ s6 l9 c$ {7 g9 A9 }* G
5-02 Car Jamming.m4a2 i ^0 g. v9 |& ~% R5 l2 V, @
5-03 Should I Stay or Should I Go.m4a8 l+ A: P2 r' `* z# _
5-04 Rock the Casbah.m4a5 N$ P! v6 }0 r- ?# W3 G
5-05 Red Angel Dragnet.m4a
1 r* M+ G) ^ Z4 r 5-06 Straight to Hell.m4a
8 ]9 Q# w; t5 v8 G! ?1 J% P 5-07 Overpowered by Funk.m4a# R2 z' x- X2 z2 ?
5-08 Atom Tan.m4a" Z1 x" B! R0 w( Q8 V
5-09 Sean Flynn.m4a7 b" y, o2 v+ p7 z
5-10 Ghetto Defendant.m4a
" a5 b8 ^: g# ^ 5-11 Inoculated City.m4a. V: x' b9 w; E
5-12 Death Is a Star.m4a& A; s& e, b: [& Q% \0 a
2 L6 O3 g( A( x- H) w/ S
. V- M! g, M8 c7 l" h. `% U" i& i; [+ `+ x: s: ]" S
9 [6 E4 U& }1 [/ Z2 ?/ J) w9 c W% x6 ]5 R5 f3 p
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发表于 2019-4-16 12:44:31
发表于 2020-4-26 20:23:14
