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+ k4 ]$ @0 P$ F {4 D( A- p3 B6 A+ LArcade Fire简介* K' R* ] t9 W w
The Arcade Fire是来自加拿大蒙特利尔的一支独立摇滚乐队,于2004年推出第一张专辑《Funeral》。他们的音乐风格有Talking Heads,Joy Division以及其他一些乐队的影子。The Arcade Fire善于用吉他,手风琴,小提琴等很多乐器一起制造旋转并跳跃的声音阵列。他们的音乐,能让你感受到在白色雪地上,一个人象雪一样安静的并不抱什么希望的呼喊。The Arcade Fire的乐队里有一对夫妻,还有一对亲兄弟。, C% R3 r9 r" h; S
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乐队介绍8 j! Z9 h4 U+ l' C# X1 W
The Arcade Fire是来自加拿大蒙特利尔的一支独立摇滚乐队,于2004年推出第一张专辑《Funeral》。他们的音乐风格有Talking Heads,Joy Division以及其他一些乐队的影子。The Arcade Fire善于用吉他,手风琴,小提琴等很多乐器一起制造旋转并跳跃的声音阵列。他们的音乐,能让你感受到在白色雪地上,一个人象雪一样安静的并不抱什么希望的呼喊。The Arcade Fire的乐队里有一对夫妻,还有一对亲兄弟。
5 |- o7 t& m; q3 W6 p v2004年,他们的不幸之年,随着他们的几位亲人的去世,带给他们的是沉重的悲痛。也可以说是“化悲痛为力量”,他们毫不犹豫,创作了他们2004的《Funeral》,通过他们毫不掩饰的心情演奏,来表达对亲人离去的伤感。
% Z7 R* o* j6 C1 D/ R5 E在录制这唱片期间,Chassagne的祖母、Butler的祖父和另一位成员的姨姨相继离世,因此说唱片被不安所笼罩,并没有半点夸张。碟内有多首命名为《Neighborhood》的歌曲,似是诉说某幻想中的邻居的故事。例如《Neighborhood #1 (Tunnels)》表面看是一首纯洁的情歌,但当歌者那率真的爱情观与其父母们失败的婚姻并列,却令爱情埋藏著一丝危机;《Neighborhood #3 (Power Out)》中唱到《what’s the plan? / is it a dream? / is it a lie? / I think I’ll let you decide》,勾划出成长途上的怅惘。
; |; r2 ~ {' m( Q3 @2005年9月发行现场专辑《Live EP (Live at Fashion Rocks)》。0 N" `. ^+ j+ ~1 U
2007年发行录音室专辑《Neon Bible》。1 o: ?+ w) P3 u0 K% M
2010年发行录音室专辑《The Suburbs》。5 o! D) t4 Y. R+ t; n( ^
2013年10月发行专辑《Reflektor》。
" v4 B4 q! s5 U( \' d6 j2 I2014年发行电影《云端情人》原声带《她》。
F/ h6 \. A& d" U B; ~2015年发行单曲《Get Right / Crucified Again》。
& M0 C# A+ v9 n: N2016年6月17日,成员Butler主持Reddit AMA,他透露乐队正在筹备新专辑的录制。7月19日,成员Tim Kingsbury透露第五张新专辑将会在2017年发行。; T3 g9 ^# c( c( e2 m- }/ S
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├─2003 - Arcade Fire - EP
3 J; u% ~4 Z V5 [│ 01 Old Flame.m4a
7 i, l9 H" J8 p' Z/ b│ 02 I'm Sleeping In a Submarine.m4a
4 P2 s: x7 Z1 H6 q. E: S5 i% C; Y│ 03 No Cars Go.m4a- F3 @+ ]) j0 {$ _, a% L
│ 04 The Woodlands National Anthem.m4a
A" D3 j' l/ B' O6 P5 n+ x4 F│ 05 My Heart Is an Apple.m4a
+ H X- X3 B3 `3 K! ?5 l. U, l( @│ 06 Headlights Look Like Diamonds.m4a
' m3 h: Z/ i' i/ q( z( t│ 07 Vampire Forest Fire.m4a
8 w& a; W2 a/ v1 U" y6 |& E1 K│ 4 U0 u! f7 C2 d2 @, P+ H [2 w% r
├─2004 - Funeral8 u8 L d2 X0 w" ^. i2 ]6 m5 _
│ 01 Neighborhood #1 (Tunnels).m4a4 A3 w. w/ j, }% N
│ 02 Neighborhood #2 (Laika).m4a1 |' P- p7 w1 v9 q' n
│ 03 Une Annee Sans Lumiere.m4a
3 G9 X' L! j& P4 j8 l8 o; E│ 04 Neighborhood #3 (Power Out).m4a) t: y: s+ `% S b# P
│ 05 Neighborhood #4 (7 Kettles).m4a7 E# j2 R3 V% c
│ 06 Crown of Love.m4a" K5 P2 N8 K3 k
│ 07 Wake Up.m4a' F: B1 |" d8 d. F! V
│ 08 Haiti.m4a: f. G8 J/ i/ |$ L3 E" K' m
│ 09 Rebellion (Lies).m4a+ i5 ~) w6 e/ ]" c; ^4 j: |( y
│ 10 In the Backseat.m4a
8 G b, a: o; v7 w) B4 h8 z. O│
3 \" `9 E5 v: c8 d T4 d├─2007 - Neon Bible
, K# k% N4 `0 X( n- ]; v# H; E' r│ 01 Black Mirror.m4a
( l. {7 G% d0 P5 r: L# K│ 02 Keep the Car Running.m4a
4 A V9 ^$ S, E. \( W! n4 ^5 Y│ 03 Neon Bible.m4a
* V& F0 F$ N1 h% s│ 04 Intervention.m4a
4 G( W {, Y: R6 {2 l8 b│ 05 Black Wave _ Bad Vibrations.m4a
2 G3 f1 {8 V* \/ _/ ^│ 06 Ocean of Noise.m4a
: j( w5 r! C7 Y% y│ 07 The Well and the Lighthouse.m4a5 A3 z3 {3 c4 J9 s7 Z
│ 08 Antichrist Television Blues.m4a
7 {$ h1 J: D: P0 R u, Z2 G│ 09 Windowsill.m4a
0 c* X; [ q0 W( Z% {8 Y1 Q│ 10 No Cars Go.m4a
+ d/ j& l$ Z! D9 D/ Y9 ]$ }│ 11 My Body Is a Cage.m4a! ]/ |; K. ?4 L& X/ d9 M) r
│ Digital Booklet - Neon Bible.pdf7 t$ a/ G2 @7 p. k
│ 4 Z0 F) ^0 E, M6 l7 h- ~, B0 j
├─2010 - The Suburbs$ r1 N8 o$ G& v$ }
│ 01 The Suburbs.m4a
, u- i; L8 Z5 o5 F( s│ 02 Ready to Start.m4a/ @. {) R* k% ?/ N+ a8 `. U
│ 03 Modern Man.m4a; Q# B# H6 z- X! z) p
│ 04 Rococo.m4a
. |- P# T* F. c, C* [│ 05 Empty Room.m4a5 F5 F; d4 d2 L$ ~( ?. W: J
│ 06 City With No Children.m4a
% }. F# C$ S3 }6 t; e: D│ 07 Half Light I.m4a- e; \, k6 j. M0 u0 n+ b% @4 L
│ 08 Half Light II (No Celebration).m4a9 k& z$ h5 I$ x M- _7 j+ g
│ 09 Suburban War.m4a0 J' ~9 _5 Q* f$ h% W
│ 10 Month of May.m4a }+ B, _3 I6 f1 v$ V5 L
│ 11 Wasted Hours.m4a& K4 |, b, ], X/ M b- F r
│ 12 Deep Blue.m4a" U4 w; q# Y: s# A( ~" h
│ 13 We Used to Wait.m4a- V4 W# n4 _! x: [. z
│ 14 Sprawl I (Flatland).m4a P5 _- S9 Y+ J
│ 15 Sprawl II (Mountains Beyond Mount.m4a
) I( H* _/ C2 K( k│ 16 The Suburbs (Continued).m4a
9 H3 p. e" s" H$ m│ Digital Booklet - The Suburbs.pdf# \: e% M$ v7 p# t
│
! k& ~. h, ]! K9 G1 H- x* @├─2010 - The Suburbs (Deluxe Version)
$ \1 s, o3 y0 V) y- j4 _│ 01 The Suburbs.m4a% V- Z4 v( j8 f# \; l) w, |2 N; D
│ 02 Ready To Start.m4a
3 O2 h6 o) _2 `" z│ 03 Modern Man.m4a
: E- z# H. c0 X" L: F( H+ }│ 04 Rococo.m4a0 C& ^9 ^* p- q) A5 R
│ 05 Empty Room.m4a
0 x4 C, U0 ?# ?) F│ 06 City With No Children.m4a
- U+ s2 z- Y: M│ 07 Half Light I.m4a
9 {- O3 _7 R' T: a" L3 z│ 08 Half Light II (No Celebration).m4a
* u) w, T0 P' u1 U- o" J j5 X0 @* T│ 09 Suburban War.m4a j( W0 O, L5 n+ U+ s7 u* N1 e
│ 10 Month Of May.m4a
$ Y. a% i8 q4 C% ]│ 11 Wasted Hours (A Life That We Can Live).m4a3 G# o3 R0 r6 ]9 R0 ^6 g- d/ l
│ 12 Deep Blue.m4a
4 ?) t5 A2 r1 T+ W│ 13 We Used To Wait.m4a/ R5 N' B0 F& s+ K
│ 14 Sprawl I (Flatland).m4a. q2 \! x1 w3 V; D- k! ?$ p
│ 15 Sprawl II (Mountains Beyond Mountains).m4a
" k& G4 }# B/ H& r& I│ 16 The Suburbs (Continued).m4a
! ]/ J, Z/ ], C; J% v/ n9 u│ 17 Culture War.m4a- g4 _# }+ Y N5 h; _
│ 18 Speaking in Tongues.m4a
/ b% R3 R: U9 L: J5 L3 A# \% L- H# P│ 19 Scenes From The Suburbs.m4v
" m0 Y7 ], W+ _│ 20 Behind The Scenes From The Suburbs.m4v. c1 d- |* h. n( b
│ 21 The Suburbs [music video].m4v; L! x' E ]0 l" H- p! @6 p
│ Digital Booklet - The Suburbs (Deluxe Version).pdf
; a8 f" z! s9 F% h│ 9 t5 I3 b( ]! G5 i3 W4 c
├─2011 - Scenes from the Suburbs (Deluxe Edition)
. U: S5 }. i0 G2 w( H│ 01 The Suburbs.m4a4 Y, [9 D; Y$ o7 e0 k
│ 02 Ready to Start.m4a
! g$ b7 U( C/ d; m$ a│ 03 Modern Man.m4a! H, T( m6 j+ s) g' s1 l5 P! d
│ 04 Rococo.m4a+ [9 k' M" P; n( R* {7 Q
│ 05 Empty Room.m4a9 r) J1 R3 A% n2 U/ n
│ 06 City With No Children.m4a" B7 u' k5 n4 X7 A7 q
│ 07 Half Light I.m4a) M: N7 {$ n9 U( }
│ 08 Half Light II (No Celebration).m4a1 }4 q' u) ` O! s: T3 h2 r
│ 09 Suburban War.m4a
' p( N8 h$ `9 m) D1 D' p│ 10 Month of May.m4a
% ~- n& l- ?; z* D│ 11 Wasted Hours (Extended Version).m4a
7 q; z) J: X, g│ 12 Deep Blue.m4a
5 ^5 d; \$ t4 m6 V# f9 P4 `│ 13 We Used to Wait.m4a% X4 V2 q5 G0 ]& P" K2 O
│ 14 Sprawl I (Flatland).m4a
# Q7 E, f# N& z) n│ 15 Sprawl II (Mountains Beyond Mount.m4a
7 b, |9 W6 l; H0 [7 A# t│ 16 The Suburbs (Continued).m4a; N. N# M8 k3 m. t; [: q" {2 q( J3 O6 _5 R
│ 17 Culture War.m4a( I. h- n% k4 l# X9 ?/ f
│ 18 Speaking In Tongues.m4a# \- c, D9 |7 Z0 P2 y" z0 l
│ Digital Booklet - Scenes From The Su.pdf
4 L) K* p4 V( s/ u- a│
1 c ~) p4 \; ^├─2012 - Sprawl II & Ready to Start (Remixed By Damian Taylor & Arcade Fire) - Single. H+ f* z) ^' v3 C- j0 @
│ 01 Sprawl II (Mountains Beyond Mountains) [Remixed By Damian Taylor & Arcade Fire].m4a1 e- N3 {3 W& S- g& b% M, Z& s
│ 02 Ready to Start (Remixed By Damian Taylor & Arcade Fire).m4a
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5 O/ E/ b4 N+ i8 b g. K├─2013 - Reflektor
) q7 r& w) l1 ^2 Y│ 1-01 Reflektor.m4a. ~; b1 _7 r6 p; y" R9 B+ n9 Q U5 `
│ 1-02 We Exist.m4a
2 V5 r# ~6 z/ b, S |│ 1-03 Flashbulb Eyes.m4a3 I( f' ~/ `: R3 O" {5 e
│ 1-04 Here Comes The Night Time.m4a1 U8 q3 ~8 V; [
│ 1-05 Normal Person.m4a) d+ I% S5 Z1 J) J! d0 n/ K
│ 1-06 You Already Know.m4a7 ~; F/ h* }4 c
│ 1-07 Joan of Arc.m4a
) N6 O! P9 \4 `│ 2-01 Here Comes the Night Time II.m4a
" ?! c0 J- W: Z' i4 [! p│ 2-02 Awful Sound (Oh Eurydice).m4a5 h" c+ l$ s( ]& i' r' [
│ 2-03 It's Never Over (Oh Orpheus).m4a% N( r9 _! G9 J9 s' `/ L, A' ~+ S
│ 2-04 Porno.m4a
) t% P$ c: g4 _1 a) A8 f│ 2-05 Afterlife.m4a3 ~& k, Z" l! f; u5 y& R1 Y+ G
│ 2-06 Supersymmetry.m4a
2 K4 X6 a! H7 j5 e2 B5 z5 K│ Digital Booklet - Reflektor.pdf
2 |$ n" ~5 A: ?* n│ ' i5 `3 H- b9 X; n
├─2015 - Reflektor (Deluxe), ^; Z# }3 C9 `% t
│ 1-01 Reflektor.m4a
5 m' k! B( Y* b" D" m* I' B│ 1-02 We Exist.m4a! G! q$ K6 H) G; C; Q0 Y( m
│ 1-03 Flashbulb Eyes.m4a2 x+ r u \& Y2 e( Z5 i! D
│ 1-04 Here Comes the Night Time.m4a
+ K1 L: N& H! s7 Q│ 1-05 Normal Person.m4a; v' C: l, [' F. P) g( f9 F" k
│ 1-06 You Already Know.m4a
* ` v Z- Q' S4 c. ]; H, P* ~( n% r│ 1-07 Joan of Arc.m4a" D7 ~$ C! t, _. C$ K1 O# I0 [* }
│ 2-01 Here Comes the Night Time II.m4a
9 s3 `; h, U M& e│ 2-02 Awful Sound (Oh Eurydice).m4a
- f* V( Q, i1 H" U│ 2-03 It_s Never Over (Hey Orpheus).m4a
4 ]5 J& W4 \8 p/ _$ Y6 D│ 2-04 Porno.m4a
% ?' ~# k: i8 X! J0 a0 j│ 2-05 Afterlife.m4a
( v: y' J. A- _% t" ~6 E0 G0 _│ 2-06 Supersymmetry.m4a
" Q2 ^+ ^! p0 K7 I0 o│ 3-01 Apocrypha.m4a
) Y* J: {7 n* \$ Y. W. [│ 3-02 Women of a Certain Age.m4a( F1 ~1 ` d- ]. K( G: E4 V1 m, i
│ 3-03 Flashbulb Eyes (Dennis Bovell R.m4a; Z! E# @& B& P
│ 3-04 Soft Power.m4a
9 T; X! _/ E% g/ t# H9 C2 P! ^│ 3-05 Get Right.m4a
, s6 r$ w6 J! M3 Y, C6 K9 [( u' h│ 3-06 Crucified Again.m4a$ B$ k1 z: r- L3 S- J! ~
│
6 h. }& G0 E9 W% A- T1 }8 {* |├─2017 - Everything Now
( N/ a- y/ ?3 ~; ?: G│ 01 Everything_Now (continued).m4a
A8 v D$ m' k# G' ^. }* U│ 02 Everything Now.m4a' a6 v# _# C& i% [# r
│ 03 Signs of Life.m4a. ]% Y) ~# }4 l0 z; ^2 i
│ 04 Creature Comfort.m4a& O/ g9 W! x6 t/ N* d
│ 05 Peter Pan.m4a; y$ p! f1 \- Q, N5 a
│ 06 Chemistry.m4a
3 d8 ]# L" d) D0 c5 M8 K│ 07 Infinite Content.m4a
) n C, L" B7 B+ h! t" g│ 08 Infinite_Content.m4a) g" R2 K2 _: V# N R' R; n- O
│ 09 Electric Blue.m4a3 ~ B3 Z1 K; D+ f
│ 10 Good God Damn.m4a, u# G+ i* m- i7 _7 {% b
│ 11 Put Your Money on Me.m4a+ u7 p5 F, `, } x! V+ ]
│ 12 We Don't Deserve Love.m4a
* U: |, g" w! m│ 13 Everything Now (continued).m4a
" i' o6 j6 H5 F3 c│ Digital Booklet - Everything Now.pdf
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├─2017 - I Give You Power (feat. Mavis Staples) - Single& D' t8 z: o5 x! U0 i: w
│ 01 I Give You Power (feat. Mavis Staples).m4a
E6 y3 \/ Z, h, b. i. D│ ) W5 S8 M3 `, b8 X. A& \# H7 R/ V
├─2018 - Put Your Money on Me (Single Version)
7 X! f" h9 |1 S5 h8 i* C+ w│ 01 Put Your Money on Me (Single Vers.m4a
: `# T& D# z/ Z│
$ f) C, P: o( o- v, i0 C├─2019 - Baby Mine (From Dumbo) - Single
! k+ e3 Z+ U$ I# N& N% f6 r│ 01 Baby Mine (From _Dumbo_).m4a
5 a5 x: G" K( G4 z( s: N│
/ }1 C( k" V% H- b7 Y- [0 [7 s├─2021 - Her (Original Score)
: V8 `: s" }5 u r- z: q8 V, H│ 01 Sleepwalker.m4a
* i. _+ |' n- T* t2 T3 A6 w' F( u│ 02 Milk & Honey #1.m4a
+ z% ?4 c, P' s) K* g│ 03 Loneliness #3 (Night Talking).m4a" I! m" L, m2 _; g' ]! y
│ 04 Divorce Papers.m4a0 p$ H. b* p, p& {
│ 05 Morning Talk _ Supersymmetry.m4a/ }6 P( p. o. }" D& x! M- a2 a" x
│ 06 Some Other Place.m4a+ s& P# t. I* C2 B$ M. \! r3 H
│ 07 Song on the Beach.m4a5 Y$ w$ C% B/ C, z3 _2 [
│ 08 Loneliness #4 (Other People's Let.m4a
6 P4 P6 d: e5 N @/ b│ 09 Owl.m4a5 f( E" j% j& i W+ R( z; H) {
│ 10 Photograph.m4a2 ~( L- d& l. _7 U# T8 B% D5 q) u1 a: _
│ 11 Milk & Honey #2.m4a3 b* g7 W O, B8 n5 p
│ 12 We're All Leaving.m4a
3 P) R7 ^2 \, O( y# ?6 }" a0 [│ 13 Dimensions.m4a, Q0 N0 N, @( z4 a: Z# N* [
│
! Z) R1 W4 f0 K& k$ W; s- E└─2022 - WE
9 O$ @1 n# B$ V; q1 l, f 01 Age of Anxiety I.m4a
' _" I m- C' d5 \4 W( t, H1 x 02 Age of Anxiety II (Rabbit Hole).m4a, i" ]. d1 m% R# D$ c: Z
03 Prelude.m4a
- d7 V# y* k( S# i 04 End of The Empire I-III.m4a' e. h3 k( y! U: a" x9 o" i: T
05 End of the Empire IV (Sagittarius.m4a
" |$ m+ {! o" N: Z 06 The Lightning I.m4a6 g! ]: {" j" O7 o7 X. W0 X% J
07 The Lightning II.m4a
$ E7 b9 K" r0 k% Q 08 Unconditional I (Lookout Kid).m4a
6 \; W. v Y4 N 09 Unconditional II (Race and Religi.m4a P' J2 |/ I# T1 \! k# o- y
10 WE.m4a E7 y% o0 G* s6 \
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