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Andrew Bird简介
+ h) `* p8 E3 |% ^Andrew Bird是一位独特的民谣音乐人,这个出生于1973年的巨蟹座男人来自芝加哥,除了音乐,从没做过任何其他工作。他从4岁开始接触小提琴,受着学院派的古典音乐训练。他每天练习10到13个小时,直到手肘发炎;5岁就跟奶奶学习吹口哨。早在1996年,就以self-funding的姿态发行独立制作唱片的Bird,倚靠独特的古典乐背景,将弦乐与民谣摇滚完美融合。然而真正把口哨用在他的音乐里,是2002年。那次演出,他的乐队Bowl of Fire不能出席,他便硬着头皮一人带着乐器上阵,并尝试在演出时吹口哨,然而观众的反响出乎意料的好。直到现在,优雅的口哨声已经成为他音乐的标志之一。; O: f2 x; c) W, T0 V* G4 o
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) k$ ?$ M0 l" g' k; @9 ?├─1992 - Music of Hair
^+ S2 N4 O4 W' U. i6 f│ 01 Nuthinduan Waltz.m4a
+ M$ \7 F6 ~+ u( q5 {( R│ 02 Ambivalence Waltz.m4a
: k9 ?5 r6 J% G2 ]) J% i) C y% C- e│ 03 Oh So Insistent.m4a
8 U2 }+ ?, ?/ c" m! d* {% e│ 04 Rhodeoah.m4a
( E7 G+ s# [3 F0 V% D) T0 n│ 05 Two Sisters.m4a1 N$ b; H7 @5 D5 _- R
│ 06 St. Francis Reel.m4a9 U$ k& c1 ]* D# c( r
│ 07 Ratitat _ Peter's Wolf _ Obliviou.m4a0 w5 `/ R4 O, m5 J
│ 08 The Greenhorn _ Exile of Erin _ G.m4a
8 T4 q1 Y/ H% Y│ 09 Pathetique.m4a t( y: Y9 |( N! ]6 z' @
│ 10 Song of Foot.m4a5 {. E8 z! @$ L5 p
│ 11 Minor Beatrice.m4a. K) G9 {8 ?; I- z' U9 y; M& v
│ 12 Oh So Sad.m4a+ s; |" ~4 r T' {7 L; d
│
% l. f! m9 z) i% N├─1998 - Thrills' z- g% F/ ], A. l w2 |
│ 01 Minor Stab.m4a9 E: ~* ~ G% B: p7 I) U# ^4 X1 R
│ 02 Ides of Swing.m4a
2 ^/ t7 B1 I) N1 S" z6 \, R1 v9 ~│ 03 Glass Figurine.m4a
& P7 Q' z L. j5 C9 ?│ 04 Pathetique.m4a- V! v9 }1 Y. N8 A1 V" _
│ 05 Depression-pasillo.m4a }% n) n/ o8 U/ U
│ 06 50 Pieces.m4a, e/ A1 Y' x% l5 ^ f- U- q
│ 07 A Woman's Life and Love.m4a: H$ a7 p& O9 T* J E
│ 08 Swedish Wedding March.m4a
: t+ Y3 y3 d9 _6 x. s; h│ 09 Eugene.m4a9 `% K2 {- A0 F1 [5 F
│ 10 Gris-gris.m4a% M2 m2 s3 R! z0 c: C
│ 11 Cock O' the Walk.m4a
* \( x& h& e. V/ e( t: p; \6 B│ 12 Nuthinduan Waltz.m4a
. A) h* ^, I8 }- N│ 13 Some of These Days.m4a3 R9 S4 t- E! n" c! H9 L% G! A9 Z
│ 14 Chinatown, My Chinatown.m4a
. @0 d1 Y b( S5 p│ & t; W0 j. ~3 W% e) v3 Q4 J) i- k, T
├─1999 - Oh! The Grandeur
% _# U1 n' i/ j. [│ 01 Candy Shop.m4a$ y" U+ ?* E# I, Z* l o
│ 02 Tea and Thorazine.m4a! T+ o P$ g6 g
│ 03 Wishing for Contentment.m4a
6 z) s7 [$ Y2 I; v│ 04 Wait.m4a5 T0 P# \- Z$ o( o
│ 05 The Idiot's Genius.m4a
" N, R" t1 `8 H+ F% X7 F3 X│ 06 Vidalia.m4a
- ?& Q" l* Z L- \$ A3 r│ 07 Beware.m4a
" U! i, k1 }! `5 V. C' C) o│ 08 Dora Goes to Town.m4a
. |# z$ `% j" G9 O6 i# a│ 09 Feetlips.m4a
* n8 k3 m9 c: p# W0 q│ 10 And So....m4a; L5 `$ `& P4 Q6 w: d
│ 11 Coney Island Shuffle.m4a* x& y7 _: U7 L, u8 T
│ 12 Respiration.m4a
& G# A) r0 v% n0 ~1 v/ [│ 13 (What's Your) Angle_.m4a* I, _; A2 E# u7 ^/ ]
│ 14 The Confession.m4a0 m9 Q7 Q" X* f; O- q
│ 15 Beware (Reprise) _ Drinking Song.m4a
J6 j: D6 K. W" E7 m│
' V0 Q) `. E+ ?4 N) @1 m3 Y( p/ X3 S├─2001 - Ballad of the Red Shoes - EP
; t4 g; D, J( j. I│ 01 Theme 1 (Waltz).m4a
) e- w3 a1 C! ^6 u│ 02 Something Sinister.m4a# [ k& h) E9 T% M m; s
│ 03 Chorus of the Swan.m4a
! A( i; ]- }) t6 _/ ]/ {# e; b│ 04 Theme 1 (Restated).m4a9 w$ H# V) ~; f" T! i' m# h
│ 05 Dance of Death.m4a
7 D t6 u( C' n│ 06 The Door.m4a
/ g9 Z+ g" a% I$ b# ?! m│ 07 Swedish Folk Tune.m4a
5 k# i: A8 Z$ R" [: n4 L│
" L( R5 L: ^6 y% l Y) M├─2001 - The Swimming Hour
( A) r+ |5 y, ^# o; H& L1 [│ 01 Two Way Action.m4a
" `) t/ h7 z- v9 I/ Y│ 02 Core and Rind.m4a
3 P8 O- j5 X+ f m│ 03 Why.m4a
6 a4 b7 ^, I* L6 Z0 ?& F│ 04 11_11.m4a) R& d4 y% _* P
│ 05 Case In Point.m4a7 s6 M% N/ b* d, I8 q
│ 06 Too Long.m4a
4 S$ f" K1 a, E4 t- F. _│ 07 Way Out West.m4a
2 r+ M) R# \% e: k│ 08 Waiting to Talk.m4a7 v# O7 B' v1 {' j; p
│ 09 Fatal Flower Garden.m4a' N! n, M* w$ E' b, Z
│ 10 Satisfied.m4a. B- i: N6 l+ u$ a
│ 11 Headsoak.m4a
! Y1 T: N! j9 |│ 12 How Indiscreet.m4a, X/ v0 s2 h6 V# k% H* c) R
│ 13 Dear Old Greenland.m4a
" u; w( L3 v0 q) ^& N│ 1 G4 `. {- ?3 _$ n
├─2003 - Weather Systems; N! ~% ^" ]" C; f
│ 01 First Song.m4a7 f2 {6 ^" [1 e* N: y0 @5 E. G
│ 02 I.m4a' ?$ }7 v' \+ F# M7 b' `% Q4 H! B2 d W
│ 03 Lull.m4a Y5 m1 }- ~4 C- H
│ 04 Action _ Adventure.m4a
/ M; l1 K! S& }8 p* Z. c│ 05 --_.m4a4 k; {3 L( {( r( Z. r
│ 06 Skin.m4a" d+ `- n& a. u# ` d+ ?
│ 07 Weather Systems.m4a% [) ]; x8 G8 U" o
│ 08 Don't Be Scared.m4a0 G+ I8 v% p% l" ~
│ 09 _--.m4a0 G( O! G |4 h/ ]. B! P
│ X( b) I) ^. D. J# B
├─2005 - The Mysterious Production of Eggs& m: j; M2 |7 C* {0 C7 z+ C
│ 01 Untitled.m4a+ j( s9 H; F( p$ g4 ]
│ 02 Sovay.m4a
9 N, O8 f( }, s3 E7 q1 j│ 03 A Nervous Tic Motion of the Head.m4a' Z2 T+ y3 z& e+ C$ ^
│ 04 Fake Palindromes.m4a
- ]9 v# Y- ]5 `8 m+ b+ K% {│ 05 Measuring Cups.m4a& x Y9 L3 z. Y4 @5 [& ?6 w o
│ 06 Banking on a Myth.m4a
4 P6 b8 i7 S8 ~7 k2 e' o. x' L│ 07 Masterfade.m4a3 T; I' J. q5 ~! E' N0 ^. E; S
│ 08 Opposite Day.m4a
, X5 }& n3 x' |. t3 b' z│ 09 Skin Is, My.m4a8 w& K, g7 f( ] F# p, V A
│ 10 The Naming of Things.m4a$ ~, s" ^3 b# _- a9 q. i! d: c) P
│ 11 MX Missiles.m4a8 h E* E- _- v& z5 [% s
│ 12 Opposite Day Reprise.m4a9 G N# x* X: n) e" R w
│ 13 Tables and Chairs.m4a
; v1 Z0 q9 E3 u│ 14 The Happy Birthday Song.m4a# H# k2 u3 C, a a8 q
│ 0 @( ^. i% q c, J% g) n
├─2007 - Armchair Apocrypha- u) C2 ~- A+ N! M' p7 c! |- \8 w
│ 01 Fiery Crash.m4a
3 u8 g2 h" E ]1 Q) O/ ^8 g+ \% N│ 02 Imitosis.m4a
- _$ y# x: j' p& t│ 03 Plasticities.m4a k* X( Q: ^5 T% ~
│ 04 Heretics.m4a
+ ^% E5 P$ c7 d* {1 ^# i3 y│ 05 Armchairs.m4a
" f- _$ j4 X% U- k5 G│ 06 Darkmatter.m4a
$ j. x& J: w- P│ 07 Simple X.m4a6 v' J4 ^5 n% Z9 t
│ 08 The Supine.m4a) j7 P0 V1 g3 ?
│ 09 Cataracts.m4a
9 t- s2 j+ ^7 a8 N7 P│ 10 Scythian Empires.m4a
: \# u7 X: m" L1 n/ C7 l1 r- {│ 11 Spare-Ohs.m4a
& ~% k% H+ u) Q2 O│ 12 Yawny At the Apocalypse.m4a! ^! o" ?1 q9 c7 X$ o! V8 L3 A
│
: A6 q9 D" A1 d; O! V├─2007 - Live At Austin City Limits Music Festival 2007 Andrew Bird6 U1 P& M, `! q! ^# k4 K
│ 01 Anonanimal (Live).m4a- z& }. X, z7 c1 N) l" R
│ 02 Fiery Crash (Live).m4a
4 ~1 t/ P; s( u7 q" C$ `. v/ A│ 03 A Nervous Tic Motion of the Head.m4a
0 c; _/ a; F3 H8 _│ 04 Plasticities (Live).m4a! f7 P) {0 [% h; A
│ 05 Scythian Empires (Live).m4a
- i. C5 i4 N, \│ 06 Heretics (Live).m4a8 R1 Y y4 H. ~% ?# z
│ 07 Simple X (Live).m4a2 @7 |0 c$ |( J- ]# a) h& o
│ 08 Imitosis (Live).m4a
) B$ M( V. Z4 ^1 J% [* s% h; [│ 09 Fake Palindromes (Live).m4a7 i4 U1 r% d }6 t
│ 10 Skin Is, My (Live).m4a# x+ L/ h% p9 ~: `' }* V/ I, v
│ 11 Darkmatter (Live).m4a8 A: h. y, s4 {
│ 5 C! C7 z& V6 P# k4 q$ D u- m
├─2008 - Soldier On
: `3 ~2 V; {$ v R% \5 g│ 01 The Trees Were Mistaken.m4a0 n# S4 J4 ]8 I( ~
│ 02 Sic of Elephants.m4a
% F3 R7 u5 Z5 d! o. E│ 03 The Water Jet Cilice.m4a
+ m- c' y8 D0 G& ^5 I│ 04 Plasticities (Remix).m4a" j% E7 c+ j$ _0 N4 {1 o
│ 05 Heretics (Early Version).m4a
/ x& T0 W- p, I4 t2 P, ?│ 06 Sectionate City.m4a
+ ?% z& M: Q4 {( }- ]+ R│ 07 How You Gonna Keep 'Em Down On th.m4a1 F5 y* r* w( X' M" I
│ 08 Oh Sister.m4a5 {, y+ ^6 ]4 y
│
/ ?+ c, u" j. M├─2009 - Anonanimal See the Enemy - Single
' M" B8 F; V% E0 Q# g│ 01 Anonanimal.m4a! w# q( i1 ^4 C/ Q4 X7 p
│ 02 See the Enemy.m4a- i3 A4 }0 S- Z& r- G
│
: L: j8 |+ }* b) T+ {7 F$ v& v├─2009 - Noble Beast
, ]5 `8 C, g+ b5 T) Z│ 01 Oh No.m4a! ?2 Z* s0 q! }, a* a4 ^' U
│ 02 Masterswarm.m4a
+ M( E% e4 P3 E│ 03 Fitz and the Dizzyspells.m4a! n- }3 ~! n n5 p0 M
│ 04 Effigy.m4a* p# Y" M% S! W# n4 s6 z. f: e
│ 05 Tenuousness.m4a2 n8 M, Y' N6 E1 i
│ 06 Nomenclature.m4a
' i* Z& o6 _6 \( [│ 07 Ouo.m4a8 o5 B8 P* K7 Z3 C' G [
│ 08 Not a Robot, But a Ghost.m4a
5 ]; F; L* P6 z+ V│ 09 Unfolding Fans.m4a
) F2 p' Q/ q0 w& }) M│ 10 Anonanimal.m4a$ J! @5 u5 F( `, A" U$ b2 ~* O
│ 11 Natural Disaster.m4a
3 u2 f( t/ x2 g' i {) v, m& N│ 12 The Privateers.m4a9 }2 }" V- E6 P) F3 `% U8 C
│ 13 Souverian.m4a( M6 `1 ^ r: ^1 k: o2 l
│ 14 On Ho!.m4a
6 u, ~3 q$ o% O+ E│ 15 Section 8 City (Bonus Track).m4a
8 e8 i) w" X0 a3 \! M& x$ k! s9 a│ Digital Booklet - Noble Beast.pdf
" ^# T! ^5 {' O9 a│
' y6 z' B: }4 v├─2010 - Useless Creatures; G# a. Z+ w R- @, _' T) y
│ 01 Master Sigh.m4a" P+ s; ~9 x$ {7 Y/ F' D
│ 02 You Woke Me Up!.m4a
8 E5 d- s% G/ z│ 03 Nyatiti.m4a
2 M+ ?/ r! y) X' q& U│ 04 The Barn Tapes.m4a
# j6 O: Q# ^$ s5 }/ b; D│ 05 Carrion Suite.m4a
, u; }$ q, H) j% j8 H│ 06 Spinney.m4a
! H' |, x: r* U2 }0 n0 q│ 07 Dissent.m4a1 o; g9 V1 U" Q: A* B! F. g' [
│ 08 Hot Math.m4a
) o! _1 d$ v4 S7 R: c, k│ 09 Sigh Master.m4a) D# e, v# c# z* z
│ # s1 V1 c( I+ ?
├─2012 - Break It Yourself
1 I% j# M) e6 `( W( b│ 01 Desperation Breeds ....m4a: o( j+ h' Z9 U4 h5 g d6 v( `) C
│ 02 Polynation.m4a
0 A3 \1 [" V" ?9 o" Y# f│ 03 Danse Caribe.m4a
8 C& P3 m2 `: e# @5 C% C! d│ 04 Give It Away.m4a3 `2 m3 Y3 ?' D: Y
│ 05 Eyeoneye.m4a
2 K @3 Z" o! `│ 06 Lazy Projector.m4a" m* d$ H' z% w" e
│ 07 Near Death Experience Experience.m4a0 v+ C- S: ]) V1 c. L
│ 08 Behind the Barn.m4a' S& r- ^5 c+ t3 ~
│ 09 Lusitania.m4a$ w# E) C+ c6 z/ F- t5 i# K
│ 10 Orpheo Looks Back.m4a: q! U8 S4 g) L+ _# q9 _
│ 11 Sifters.m4a
" r8 S: C0 U1 m' |7 g, D2 G. ?6 I│ 12 Fatal Shore.m4a; @- a1 F; e/ R2 T
│ 13 Hole in the Ocean Floor.m4a
8 Q+ `9 Y- ^% u3 s* D) R│ 14 Belles.m4a ^9 w* O) ^& p% \/ L! @
│ Digital Booklet - Break It Yourself.pdf
: z7 q8 ^5 s* \: b│
9 o+ C8 S E+ N4 X( t├─2014 - Things Are Really Great Here, Sort Of
( [% ^8 W; o y2 J% @│ 01 Cathedral in the Dell.m4a8 K: K! C% e8 i; a+ G% q/ f
│ 02 Tin Foiled.m4a
! Z& T, B3 A( z% w$ ~$ D) v│ 03 Giant of Illinois.m4a
; ]8 E( l# L1 Z, g│ 04 So Much Wine, Merry Christmas.m4a* n* @3 ~' c }- t( C& }5 V
│ 05 My Sister's Tiny Hands.m4a
; C+ `# h1 G* j' J& j9 N- B│ 06 The Sad Milkman.m4a
) C5 Z' v8 y. n( T4 F│ 07 Don't Be Scared.m4a6 o/ }, q! t" T2 u6 `: x
│ 08 Frogs Singing.m4a8 {9 m. I' x+ a$ _+ M& T
│ 09 Drunk By Noon.m4a
$ d- ?# c' \2 n- [; b! a( K; P* ~│ 10 Far From Any Road (Be My Hand).m4a
- |+ r. Q5 P5 t2 f7 i│
( R, `& {5 O; @├─2015 - Echolocations Canyon5 Y6 E# m: D+ G+ V. T5 L$ ^
│ 01 Sweep the Field.m4a' E7 t' {# g" f6 J7 a: m0 B# Q- H
│ 02 Groping the Dark.m4a2 p+ F* Z+ X( v0 h
│ 03 Rising Water.m4a @- e# F1 u; L2 [) N. U! ]) w
│ 04 Antrozous.m4a
R* o/ _" R7 Z! ?; e( J! s( Z; A- {, c│ 05 The Return of Yawny.m4a
9 r% }$ G P f│ 06 Before the Germans Came.m4a
# T' G5 c* ^1 x: C0 O6 E- A│ 07 The Canyon Wants To Hear C Sharp.m4a
( ?& b; h2 F% k- W│ 7 V: }; w! d4 \( S4 R" @
├─2016 - Are You Serious (Deluxe Edition)! d9 R2 }5 w+ M7 ?1 m# D
│ 01 Capsized.m4a
1 g* l* [3 i' {: {+ K& ^2 q2 N│ 02 Roma Fade.m4a% M3 l3 O0 ~- s
│ 03 Truth Lies Low.m4a
1 f3 q/ G! K0 F│ 04 Puma.m4a
) {2 {( N! u0 L3 |6 U1 \│ 05 Chemical Switches.m4a. l, d6 R! a9 `4 K+ \
│ 06 Left Handed Kisses (feat. Fiona Apple).m4a- I5 @! ]0 S9 `
│ 07 Are You Serious.m4a c- [* M4 [' ^
│ 08 Saints Preservus.m4a7 W- A" t0 \6 F. r! g w
│ 09 The New Saint Jude.m4a/ N1 u9 Z4 ~9 \, A
│ 10 Valleys of the Young.m4a
/ Z3 v4 G/ J( [0 a│ 11 Bellevue.m4a
' _2 b8 @: @7 c2 F# R# m2 \6 i│ 12 Shoulder Mountain.m4a
- P8 v* t0 ^& `% K7 e- P% w│ 13 Pulaski.m4a
. \! r) H$ G/ p* D│
' ~7 E( K' u& B8 N9 U0 w- }" A├─2016 - Are You Serious (Deluxe Edition) [Matered]
2 L y: K l( G+ G│ 01 Capsized.m4a
' T: P8 w m8 M4 H4 q│ 02 Roma Fade.m4a( @* D# Y& v% V2 X6 W! ~
│ 03 Truth Lies Low.m4a
) U7 x( r( G4 N$ }- c- l& O) v8 }3 S│ 04 Puma.m4a9 j! {4 m8 [9 N8 q- U. p
│ 05 Chemical Switches.m4a
9 v# P" v3 F7 B0 c5 c9 S' X! o7 t│ 06 Left Handed Kisses (feat. Fiona Apple).m4a
4 L, C4 A2 t* s4 @" V" q) ^3 Z│ 07 Are You Serious.m4a
! L: U2 n, z' u│ 08 Saints Preservus.m4a
8 {9 y# A4 Q' h3 A2 j& @1 F│ 09 The New Saint Jude.m4a3 O8 Q% p+ U N& c2 l
│ 10 Valleys of the Young.m4a
2 Y5 Y0 d# U$ ], |% D% W" h: z│ 11 Bellevue.m4a! r Q$ K9 w3 @) o% J7 m% k
│ 12 Shoulder Mountain.m4a
, l" I9 G1 N6 U' ~' z( z│ 13 Pulaski.m4a* o! T' w$ k9 T4 g9 M' t: D2 F. |
│
5 Z2 i# Y- H# q- Y" z, p4 M; F├─2019 - My Finest Work Yet( _. s# O4 W" }! f
│ 01 Sisyphus.m4a8 k" c" v' b2 e0 ~/ A, j0 r* f. |! f
│ 02 Bloodless.m4a0 q% o j$ d8 J; x
│ 03 Olympians.m4a- D# ~" z$ W; p0 X- R
│ 04 Cracking Codes.m4a8 ?( ?# r/ a6 g" ?! |; o
│ 05 Fallorun.m4a5 K, O4 |' |# w3 v. K$ W
│ 06 Archipelago.m4a
9 w& Z3 C9 [3 o, L, `* V3 j+ v│ 07 Proxy War.m4a
/ e5 r1 \/ F7 u) j+ {│ 08 Manifest.m4a( S5 e) j, A. g) q i9 |
│ 09 Don The Struggle.m4a
- F6 C2 v: l# o& X│ 10 Bellevue Bridge Club.m4a$ r; a7 x3 |$ h4 F \2 ~* j& ^
│
! i3 d2 y# p& r3 W9 O. d) V├─2020 - HARK!- F/ F4 Z, R$ J4 z. n" q- }5 X
│ 01 Andalucia.m4a/ |/ i F+ v! V9 F! [8 c
│ 02 Alabaster.m4a
" b6 p2 [/ B/ g│ 03 Greenwine.m4a4 `* e7 P& v1 Y1 g* F
│ 04 Christmas in April.m4a! ~) F% e8 V# ]
│ 05 Souvenirs.m4a
( o, e% K! ]6 s) f│ 06 Oh Holy Night.m4a
( N* F6 p. L. T0 I: K- x│ 07 Mille Cherubini in Coro.m4a) o, B7 ^" F$ t, d+ [4 w0 r" `1 A: V
│ 08 Night's Falling.m4a+ R* C8 ^1 ~6 m
│ 09 Glad.m4a. w# t0 B4 B$ T
│ 10 Christmas Is Coming.m4a
' g6 M$ u+ c* {9 G% v! _# V( M│ 11 White Christmas.m4a3 E6 G0 J' S2 R3 e9 h# J
│ 12 Skating.m4a
3 ?# A7 X9 T0 `2 e│ 13 Auld Lang Syne.m4a& Q% g5 ]; Z- w
│ & u1 r' T' Q1 n+ s! x
├─2021 - These 132 ~6 x: K0 ~- v; F: }4 F' y% H7 v
│ 01 Poor Lost Souls.m4a: J8 H$ ], ]) E! F- Q
│ 02 Sweet Oblivion.m4a
, ~5 m# f5 j9 [* w+ n/ {& Q X1 _│ 03 Encircle My Love.m4a% q; l; R7 y8 L! \; ?! d
│ 04 Beat Still My Heart.m4a
: L6 j+ l0 o& c5 Y3 K) P# h│ 05 Red Velvet Rope.m4a
3 w6 o I% x! [* ~│ 06 High John.m4a" }" A* t6 O7 e4 n" ]; J% O+ x. A2 q
│ 07 Stonewall (1863).m4a
4 |! V; j G/ {* k q* G0 F; ^ l│ 08 Bright Sunny South.m4a
- x% d6 W( @7 q# U, s│ 09 Bell Witch.m4a& m' K0 i9 ^$ j
│ 10 Dig up the Hatchet.m4a/ W* _0 z, b0 n
│ 11 Jack O' Diamonds.m4a
% Z1 I0 g4 s; k2 t, S& J# W2 y& A│ 12 Burn the Honky Tonk.m4a5 n# {' }1 N/ \5 l
│ 13 Three White Horses and a Golden C.m4a" g7 |9 q& F8 ?& ]
│
; I4 d# W1 b# R$ f* W" V' I# ?├─2022 - Inside Problems8 N/ L: Y, ~0 E$ F5 V* ]' O* N$ }
│ 01 Underlands.m4a
0 q: o) k {& L# d6 [, w) r│ 02 Lone Didion.m4a
/ P) R' G2 K7 R. [3 ^+ p│ 03 Fixed Positions.m4a
8 l0 V7 C a, S/ a. `3 W│ 04 Inside Problems.m4a
3 Z B* n: p1 I F" r0 t│ 05 The Night Before Your Birthday.m4a
( B T- p; ?% f+ e2 H│ 06 Make a Picture.m4a
5 N! t: c6 s& i8 M│ 07 Atomized.m4a5 Q/ y8 z' I8 V( H7 N
│ 08 Faithless Ghost.m4a
; t0 U2 t6 t, N* a) c8 \- R│ 09 Eight.m4a& w: V- B% v. M1 w1 v4 X/ E
│ 10 Stop n_ Shop.m4a
1 |2 q5 u2 c/ [│ 11 Never Fall Apart.m4a
* E8 w! t! t3 q5 f7 F│ D7 G) j0 V6 r9 w* F8 E! \5 l
└─2023 - Outside Problems* S2 |$ j3 j; \7 t- A: \/ y
01 Mancey.m4a
- @8 [+ M o8 C' b" v5 A& ? 02 Epilogue.m4a8 g, T- g( Q/ h1 M' v" R! K+ K
03 Festivus.m4a
! s9 Z+ F) m: I' z( n 04 What We Saw.m4a
6 D: s, q- c7 g; |$ P, p 05 Mormon House Party.m4a( S' a" a- r9 Z
06 Mo Teef.m4a
. r7 J% t; P k. I8 s$ I) w, n$ @ 07 Heaven_s Boughs.m4a
5 A, O. n" {* Q3 _; M) l5 u9 N/ g 08 Improvisation on a Familiar Theme.m4a
$ U) W. S+ O. v, R 09 Tik Tok.m4a
. V( w, k' d5 ?
# q8 v# a+ T' E& Q# y0 q+ v/ r% d
" h6 Q4 V* M9 q3 a2 Y V- u3 S3 ^
. @# i7 {$ C3 s) {( }
% k q1 e/ f+ ]
8 Z9 Z3 P {& ?" V* b4 o; M3 j% t8 L( i5 [ W$ [1 R4 R q. z
5 K. L1 f( R9 l
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